Series in Street Photography
Books in Street Photography
Infinite Bonheur(With: Brittainy Lauback)
Lauback's “Infinite Bonheur” is a visual romp and emotional roller coaster that will bring the photograph and photo book lover back again and again for new reads and greater discovery. Her fresh wit and acuity of vision strikes a new line for considering what it is for humans to be embodied and trembling from the sheer playful absurdity of our condition - mortality and sexuality with a wink and a nod.
Sad Stuff on the Street
Sad Stuff on The Street by Sloane Crosley and Greg Larson, and designed by Todd Oldham, is a sometimes humorous, yet often sad tribute to the untold stories of detritus found on the streets of cities around the world. Featuring photographs and short essays from Lin-Manuel Miranda, Amy Sedaris, Salman Rushdie, Miranda July, Michael Chabon, Ben Gibbard, Jesse Eisenberg, and by other sad stuff spotters across the globe, this collection chronicles the cast-offs of our daily lives and speculates on their origin and on their demise.Genuine sadness, however, is no laughing matter. Therefore, 100% of proceeds will go to NAMI, the National Alliance on Mental Illness. NAMI is the nation’s largest grassroots mental health organization dedicated to building better lives for the millions of Americans affected by mental illness.This project came about in early 2011, when a man (San Francisco resident Greg Larson) and a woman (New York resident Sloane Crosley) broke up after a year of dating. But both of them harbored an actual desire to stay friends. So they kept communication alive by sending each other photos of so-sad-it’s-funny objects they spotted on their respective streets. Eventually they decided to share their habit with the world and sadstuffonthestreet.com was born. For the past six years, humanity’s single shoes, abandoned toys, and outdated television sets have found a home online.Sloane Crosley is a New York Times bestselling author and contributing editor at Vanity Fair .
Time Pieces
From the internationally acclaimed Booker Prize-winning author of The Sea comes "a delicious memoir" ( New York Times ) that unfolds around the author's recollections, experiences, and imaginings of Dublin. As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And though, when he came of age and took up residence there, and the city became a frequent backdrop for his dissatisfactions (not playing an identifiable role in his work until the Quirke mystery series, penned as Benjamin Black), it remained in some part of his memory as fascinating as it had been to his seven-year-old self. And as he guides us around the city, delighting in its cultural, architectural, political, and social history, he interweaves the memories that are attached to particular places and moments. The result is both a wonderfully idiosyncratic tour of Dublin, and a tender yet powerful ode to a formative time and place for the artist as a young man.