The material collected here is a treasure trove, a fine retrospective and a comprehensive guide to the work of Ireland’s greatest living novelist, John Banville. Selections are drawn from all of his novels, up to and including 2012’s Ancient Light; each piece standing alone, short-story-like, but also resonating with those around it and representing the novel from which it comes. There are radio plays, some published in print for the first time here. There is a judicious selection of his essays and reviews. Perhaps most beguiling of all are the pieces of memoir, the early work (including Banville’s first-ever piece of published fiction, from 1966) and the chance to see facsimiles of the handwritten first draft of the opening section of The Infinities. Possessed of a Past is an extraordinary document of the writer’s life and work across nearly fifty years of practice, simultaneously offering the perfect introduction to Banville’s sublime art and manna to devoted readers.
From the internationally acclaimed Booker Prize-winning author of The Sea comes "a delicious memoir" ( New York Times ) that unfolds around the author's recollections, experiences, and imaginings of Dublin. As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And though, when he came of age and took up residence there, and the city became a frequent backdrop for his dissatisfactions (not playing an identifiable role in his work until the Quirke mystery series, penned as Benjamin Black), it remained in some part of his memory as fascinating as it had been to his seven-year-old self. And as he guides us around the city, delighting in its cultural, architectural, political, and social history, he interweaves the memories that are attached to particular places and moments. The result is both a wonderfully idiosyncratic tour of Dublin, and a tender yet powerful ode to a formative time and place for the artist as a young man.