Series in Places
Books in Places
Armageddon Summer(With: Bruce Coville)
The world will end on Thursday, July 27, 2000. At least, that’s what Reverend Beelson has told his congregation. That’s why Marina and Jed and their parents have joined the rest of the Reverend’s flock at a mountain retreat to await the end of the world. But this world has only just begun for Jed and Marina, two teenagers with more attitude than faith. Why should the world end now, when they’ve just fallen in love for the first time?
Armageddon Summer(With: Jane Yolen)
The world will end on Thursday, July 27, 2000. At least, that’s what Reverend Beelson has told his congregation. That’s why Marina and Jed and their parents have joined the rest of the Reverend’s flock at a mountain retreat to await the end of the world. But this world has only just begun for Jed and Marina, two teenagers with more attitude than faith. Why should the world end now, when they’ve just fallen in love for the first time?
Birth Marks
In Birth Marks, Jim Daniels examines how our origins mark us forever. From Detroit to Pittsburgh, he explores the lives of ordinary people in a world which often seems tilted against them. His tough, unflinching poems recount family myths, urban decay, his own lies, and the struggle for survival in a post-industrial world as the economy crumbles around us.
Birth Marks
In Birth Marks, Jim Daniels examines how our origins mark us forever. From Detroit to Pittsburgh, he explores the lives of ordinary people in a world which often seems tilted against them. His tough, unflinching poems recount family myths, urban decay, his own lies, and the struggle for survival in a post-industrial world as the economy crumbles around us.
I Want to Be Once
Poems that take a poignant look at societal issues and contemporary American topics, such as working-class life and twenty-first century war. In I Want to Be Once , M. L. Liebler approaches current events with a journalistic eye and a poet's response. Part autobiographical, part commentary, the lines of Liebler's poems come hard-hitting, but not without moments of great tenderness and humanity. Ordered into three sections, I Want To Be Once provides readers with a look into the author's personal life, as well as our collective history as a nation vis-a-vis the American media. The first section, called "American Life," captures the experience of coming of age in working-class 1960s America and helps to paint the picture of Liebler's early political involvement. The poems in the second section, "American War," focus on the author's cultural work in Afghanistan for the U.S. State Department; Liebler successfully captures the sad realities and fleeting stability of everyday life in Kabul, Jalalabad, and Kandahar. In the final section, "American Psalms," the short, satirical poems muse on present-day American society, culture, and the arts. In these poems, Liebler remarks on everything from public education to public radio to Russia's feminist punk rock protest group Pussy Riot and more. The poems in I Want to Be Once are emotionally grounding but punctuated with a humor that keeps things in perspective. Readers with an interest in poetry and social commentary will be drawn to this engaging collection.
In Country
Reflecting on his experiences as a lower-enlisted soldier in the Iraq War, Hugh Martin's second full-length poetry collection complicates our understanding of what it means to serve. These poems push beyond tidy generalizations and easy moralizing as they explore the complex, often tense relationships between U.S. soldiers and Iraqi civilians. The speaker journeys through training to deployment and back again, returning home to reflect on the soldiers and civilians--both memories and ghosts--left behind. Filled with recollected dialogue and true-to-life encounters, these poems question, deconstruct, examine, and reintegrate the myths and realities of service.
In Country
Reflecting on his experiences as a lower-enlisted soldier in the Iraq War, Hugh Martin's second full-length poetry collection complicates our understanding of what it means to serve. These poems push beyond tidy generalizations and easy moralizing as they explore the complex, often tense relationships between U.S. soldiers and Iraqi civilians. The speaker journeys through training to deployment and back again, returning home to reflect on the soldiers and civilians--both memories and ghosts--left behind. Filled with recollected dialogue and true-to-life encounters, these poems question, deconstruct, examine, and reintegrate the myths and realities of service.
Postcards from the Interior
Postcards from the Interior is a collection of postcard poems written from different geographical locations and varied states of heart and mind. The first section, “Postcards from Vermont,” is composed of poems about Vermont towns and historical landmarks. The second section, “Postcards from the Interior,” stretches to include poems from far-flung places, real and imagined. Adroit at juxtaposing the exterior weather of landscapes and the interior weather of the human condition, Cooper writes poetry with the heft of a Romantic meditation and the breezy ease of contemporary song lyrics. Wyn Cooper has published three previous poetry collections. A poem from his first book was turned into lyrics for Sheryl Crow’s Grammy-winning song “All I Wanna Do.” He lives in Battleboro, Vermont.
Postcards from the Interior
Postcards from the Interior is a collection of postcard poems written from different geographical locations and varied states of heart and mind. The first section, “Postcards from Vermont,” is composed of poems about Vermont towns and historical landmarks. The second section, “Postcards from the Interior,” stretches to include poems from far-flung places, real and imagined. Adroit at juxtaposing the exterior weather of landscapes and the interior weather of the human condition, Cooper writes poetry with the heft of a Romantic meditation and the breezy ease of contemporary song lyrics. Wyn Cooper has published three previous poetry collections. A poem from his first book was turned into lyrics for Sheryl Crow’s Grammy-winning song “All I Wanna Do.” He lives in Battleboro, Vermont.
Red Suitcase
Poet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders. Valentine for Ernest Mann You can’t order a poem like you order a taco. Walk up to the counter and say, "I’ll take two" and expect it to handed back to you on a shiny plate. Still, I like you spirit. Anyone who says, "Here’s my address, write me a poem," deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them. Once I knew a man who gave his wife two skunks for a valentine. He couldn’t understand why she was crying. "I thought they had such beautiful eyes." And he was serious. He was a serious man who lived in a serious way. Nothing was ugly just because the world said so. He really liked those skunks. So, he re-invented them as valentines and they became beautiful. At least, to him. And the poems that had been hiding in the eyes of skunks for centuries crawled out and curled up at his feet. Maybe if we re-invent whatever our lives give us we find poems. Check your garage, the odd sock in your drawer, the person you almost like, but not quite. And let me know.
Red Suitcase
Poet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders. Valentine for Ernest Mann You can’t order a poem like you order a taco. Walk up to the counter and say, "I’ll take two" and expect it to handed back to you on a shiny plate. Still, I like you spirit. Anyone who says, "Here’s my address, write me a poem," deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them. Once I knew a man who gave his wife two skunks for a valentine. He couldn’t understand why she was crying. "I thought they had such beautiful eyes." And he was serious. He was a serious man who lived in a serious way. Nothing was ugly just because the world said so. He really liked those skunks. So, he re-invented them as valentines and they became beautiful. At least, to him. And the poems that had been hiding in the eyes of skunks for centuries crawled out and curled up at his feet. Maybe if we re-invent whatever our lives give us we find poems. Check your garage, the odd sock in your drawer, the person you almost like, but not quite. And let me know.
Refuge
Deeply cross cultural, humanitarian, political and global poems about how humans deal with suffering across the world. These are poems about cultures rubbing up against each other, war, refugees, child soldiers, spiritual refugees trying to find a home, and a mother who is witnessing these firsthand. Rare ethnographic poetry by a world traveling cultural anthropologist and human rights activist.