Made in Michigan Writers Books

A poetic treatment of the period of American history between the beginning of the Mexican War and the end of the Civil War, by Michigan poet Vievee Francis.

Michigan poet Jack Ridl leads readers into reflective connection with the everyday world in this unique and enjoyable volume.

Intriguing, quirky, and deeply felt stories from Michigan fiction writer Andy Mozina, collected in his first full-length fiction release.

A new collection by esteemed Michigan poet Conrad Hilberry, his sixth full-length book of poetry.

Wide Awake in Someone Else’s Dream is a collection of traveling poems written in Russia, Israel, Germany, and China that take the reader on a contemplative journey through both the geography of these countries and their cultures as well as through the inward mind of the narrator. As Liebler travels the world, he wrestles with themes of self-discovery, spirituality, identity, and change, and renders poems in his signature raw and defiant style. Thoughtful and direct, these poems look toward beauty and contemplation in a bitter world that has become fraught with mistrust and misunderstanding. Wide Awake in Someone Else’s Dream is divided into four sections, the first three of which are set in specific locales—Russia, Germany, and Jerusalem. The final section is not limited to a single geographic location but still finds Liebler traveling through different lands and the resultant emotions of dislocation, alienation, and vulnerability that his surroundings provoke. Throughout this collection Liebler’s poems touch on issues of political upheaval, exploitation, and corruption and look at the personal and spiritual transformation left in their wake. This ability to give readers a glimpse of a bleak global reality translated by a hopeful eye has earned Liebler’s poems comparisons to the richly imagistic and spiritual work of George Trakl. In all, this collection is characterized by its calm and powerful voice, which has a musical sensibility in its spare and straightforward presentation. Fans of Liebler’s work and general readers of poetry will enjoy Wide Awake in Someone Else’s Dream.

Trespassing is composed in equal amounts of short fiction and essays that illustrate the impact of modern factory farms—confined animal feeding operations (CAFOs)—on a rural Michigan community. Michigan author Janet Kauffman debunks the myth of the idyllic “clip art” farm of decades past by giving readers a close-up look at mega-meat and mega-milk, the extreme amounts of animal waste and barren countryside CAFOs produce, and the people who live in the midst of this new rural landscape threatened by agricultural sprawl. Trespassing considers the consequences of violating nature’s limits, giving readers a vivid impression of the irreversible damage that violation causes to our habitat. The writings in Trespassing range from ground-level realism to hallucinatory surrealism, from mindful discussion to poetic incantation, from vehicles of outrage to portraits of grief. The rural landscape includes a range of characters, and Kauffman’s stories and essays are populated with CAFO owners, immigrant workers, neighbors mired in pollution, greenhouse growers, environmental activists, water monitors, drain commissions, and agency officials. As a resident of rural Michigan and part of a farming family herself, Kauffman approaches the subject matter with a sensitive and informed eye. Her detailed writings take readers into this landscape of modern rural communities to experience the smells, sounds, and sights of a brutally changed world. Those interested in environmental issues, as well as fellow Michiganders, and fans of creative fiction and nonfiction will appreciate this moving and informative collection.

In The Lost Tiki Palaces of Detroit Michael Zadoorian follows characters coming to terms with the past and the present in a broken city. Rusty, ornery, and down at the heels, Zadoorian’s characters have made the wrong choices, been worn down by bad news, or survived traumatic events, but like the city they live in, they are determined not to let tragedy and rotten luck define them. Rich with detail and brimming with feeling, Zadoorian’s deceptively simple stories lead readers into the inner lives of those making the best of their flawed surroundings and their own imperfections. Zadoorian’s stories are drawn from the everyday events that come to define his characters’ lives. A woman responsible for putting down animals at a veterinary clinic travels to Mexico to stage a ritual for her victims, a veteran returns a flag stolen from a Japanese soldier he killed in World War II, an elderly couple takes a final road trip to a mystery spot out west, and a man spends his life waiting to inherit his parents’ kitschy 1960s furniture but instead sells it all. Characters also find their lives shaped by seemingly random occurrences, like the junk shop owner who must stop the stranger with a vendetta against him, the woman who becomes obsessed with her in-laws’ talking dog, and the urban spelunker who finds love and acceptance with a reader of his blog. Their close connection to Detroit also infuses Zadoorian’s stories with themes significant to the city, including issues of racial tension, political unease, and economic hardship. Zadoorian’s writing throughout this collection is clear and vivid, never getting in the way of his characters or their stories. The unique but relatable characters and unexpected stories in The Lost Tiki Palaces of Detroit will appeal to all readers of fiction.

A lyrical and accessible collection that explores both the landscape of Michigan and the inner life of one person who lives there.

Finalist for the 2009 National Book Award in Fiction Finalist for the 2009 National Book Critics Circle Award in Fiction “These short stories approach their subjects from an array of perspectives, but what they share is freshness, surprise, and a compulsion to plumb some absolute extremes of American existence.”―National Book Award citation American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Bonnie Jo Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind.

A beautiful and meditative collection of poetry rooted in a wonder and deep knowledge of the natural world.

In As If We Were Prey Michael Delp presents working-class male characters who are tried, tested, and pushed to their limits. Struggling with the demons of childhood and the indignities of adult life, they work dead-end jobs, keep the peace within their families, and attempt to assert themselves against authority whenever they can. While Delp’s characters are fathers and sons, students and teachers, they all share a sense of alienation and melancholy that propels them to antics and ill-conceived plans. Although they hope that their rash actions will prove their independence, they generally only reveal their essential vulnerability. Set mostly in small-town northern Michigan, Delp follows boys and full-grown men who know how to fight, fish, and hunt, but struggle to use those skills to overcome the emptiness and dysfunction of their day-to-day lives. A boy takes revenge on the neighborhood bully and watches his downfall with unexpected emotion, a man visits a tourist attraction with a caged bear and empathizes with the creature, a teacher quits his job and hits the road as a one-man trivia quiz show, a father shares his childhood stories of defeat with his young daughter and inspires her to settle a score, two men catch a giant bass and keep it in the bathtub all winter to fatten it to prize-winning size, and a Vietnam vet and shop teacher switches into combat mode to teach his students a chilling lesson. The stories in As If We Were Prey are both humorous and haunting, fast-paced and tender. Fans of Delp’s writing as well as all readers of fiction will enjoy these stories of men pushing the limits of their lives.

A critical look at black identity in American history and popular culture as told from a performative African American perspective.

A gripping and original debut collection of short stories from Michigan writer Dorene O’Brien.

Meditative travel essays by Michigan author Anne-Marie Oomen that explore new landscapes across America.

Brief encounters with the suffering and triumphs of characters living in northern Michigan by Phillip Sterling.

A thoughtful and elegant collection from accomplished pet Michael Heffernan.

New short stories from Christopher T. Leland that explore love in all of its forms and complexities.

In The Light Between, award-winning poet Terry Blackhawk probes beyond and through the painful dissolution of a long marriage to examine the complexities of love with bravery and delicacy. Mythical themes, elements of the natural world, and masculine/feminine polarities resonate throughout Blackhawk’s poems as she explores loss, the nature of relationships, and the integrity of the individual soul. Ultimately, The Light Between celebrates our connectedness to one another, to the planet, and to the natural world. Section one opens as Blackhawk visits a lonely mythical kingdom and introduces images of an empty bed and the betrayed wife Medea, whose identification with nature signals one of the book’s main motifs. Section two presents deeply personal poems that flutter through time and lingering memories, while in section three, the gaze of the poet turns upward and outward to nature. Section four returns to the social world—to the street, traffic, visual art, and teaching—which poses the possibility of love once more. Section five celebrates the union of man and woman with some tender (and sometimes comical) love poems. Throughout, Blackhawk addresses heavy issues such as divorce and solitude, but also shows a playful side with lighthearted poems. She describes an imaginary meeting with poet laureate Billy Collins in one poem, and in another writes about finding a dried-up eggplant while sweeping the kitchen. Whether writing about the intricacies of loss or our connection to nature and one another, she manages—like the speaker with the decayed fruit in “The Eggplant”—to “poke around and find the beauty of it.” Students and teachers of writing and fans of poetry will enjoy this beautifully crafted collection.

To Embroider the Ground with Prayer is a portrait of poet Teresa J. Scollon’s several worlds, as she accompanies her father through his illness and death and records the richness of family and community life in her Michigan town. These poems enjoy reverence and irreverence in equal measure as grief appears side by side with playfulness and humor. Scollon employs a wide range of poetic styles and voices: elegies, narratives, and persona poems are organized in recursive circles that evoke family, village, local characters, and the author’s adult life beyond her hometown. The collection begins with personal history and is rooted in a regional voice and focus, but Scollon skillfully transforms her experiences into larger concerns that resonate deeply and universally. Readers will get to know Scollon’s father, in fragile health but still so vital to those around him; trace Scollon’s many paths into and out of grief; and follow her travels as she confronts the pull of memory and once again forges her way in the external world. Throughout, Scollon records her understanding with fidelity, clarity, and reverence for story, and finds beauty in small everyday acts of devotion, patience, and humility. As Scollon writes, “To capture story is one way of giving thanks, of paying attention, to know where we are.” Although this is her first full-length collection, Scollon’s stirring work is situated in the tradition of American poetry that includes the likes of Ruth Stone, Wendell Berry, Ted Kooser, James Wright, Carl Sandberg, and Edgar Lee Masters. Readers interested in contemporary poetry will be grateful for this profound collection.

In The World of a Few Minutes Ago, award-winning author Jack Driscoll renders ten stories from the point of view of characters aged fourteen to seventy-seven with a consistently deep understanding of each character’s internal world and emotional struggles. All of the stories are set against the quiet, powerful northern Michigan landscape and share a sense of longing, amplified by the beautiful but often unforgiving surroundings. With keen attention to the nuances of his characters and their lives, Driscoll explores both their attachments to the past and their as-yet-unseen futures as he considers relationships between loves, old friends, and parents and their children. A twelve-year-old boy accompanies his father on a secret run to the slaughterhouse where he recently lost his job. A middle-aged divorcé waits to witness the execution of the man who murdered his daughter decades earlier. A seventy-seven-year-old man reassesses both his fifty-year marriage and his career as an AP war photographer. A sixteen-year-old girl drives through a snowstorm in a clandestine meeting with her driver’s education instructor. A twentysomething couple breaks into houses to ignite the passion in their relationship. Each story is carefully crafted and lovingly delivered, as characters weigh their own feelings against their complicated perceptions of other people and the action swirling around them. Driscoll’s Michigan shapes these people as surely as their grief and joy, as the setting often becomes a physical touchstone to which characters turn to navigate the immensity of the unknown universe. Few authors have the flexibility of voice and the emotional range and depth of Driscoll, who is at his best in this collection. Readers of fiction will enjoy The World of A Few Minutes Ago.

The full-length debut from francine j. harris, allegiance is about Detroit, sort of. Although many of the poems are inspired by and dwell in the spaces of the city, this collection does not revel in any of the cliché cultural tropes normally associated with Detroit. Instead, these poems artfully explore life in a city where order coexists with chaos and much is lost in social and physical breakdown. Narrative poems on the hazards, betrayals, and annoyances of city life mix with impressionistic poems that evoke the natural world, as harris grapples with issues of beauty and horror, loyalty and individuality, and memory and loss on Detroit’s complicated canvas. In twelve sections, harris introduces readers to loungers and bystanders, prisoners’ wives, poets pictured on book jackets, Caravaggio’s Jesus, and city priests. She leads readers past the lone house on the block that cannot be walked down, through layers of discarded objects in the high school yard, and into various classrooms, bars, and living rooms. Shorter poems highlight the persistence of nature—in water, weeds, orchids, begonias, insects, pigeons, and pheasants. Some poems convey a sense of the underbelly, desire, and disgust while others treat issues of religion, both in institutional settings and personal prayers. In her honest but unsentimental voice, harris layers personal history and rich details to explore how our surroundings shape our selves and what allegiance we owe them when they have turn almost everything to ashes. Throughout allegiance, harris presents herself as an extraordinarily perceptive poet with a compelling and original voice. Poetry lovers will appreciate this exciting debut collection.

A poetic reimagining of the life of Booker T. Washington that explores issues of being an African American male of note at the beginning of the twentieth century. The early 1900s was a dangerous time for African American men, whether famous or nameless. Punishment from any perceived transgression against the Jim Crow power structure came swiftly in legislative, emotional, or physical form, and it could well take one's life. Despite this reality, however, a number of African Americans still lifted their heads, straightened their spines, and spoke and acted against the mainstream. In Booker T. & Them: A Blues, poet and playwright Bill Harris examines what he calls "the age of Booker T." (1900–1915), when America began flexing its imperialistic muscles, D. W. Griffith's Birth of a Nation was released, and Thomas Edison's many technological innovations set the tone for the United States to be viewed as the nation of the century. In the historical and imaginative narrative of this "bio-poem," Harris considers several African Americans who sought to be men that mattered in a racist America, including Booker T. Washington, W. E. B. DuBois, William Monroe Trotter, George Washington Carver, and Jack Johnson, as he traces their effects on history and each other. In tandem, he visits white historical figures like Thomas Edison, Theodore Roosevelt, and D. W. Griffiths as well as some invented characters like students and professors at the Tuskegee Institute. Throughout, Harris shows that the rapid pace of early twentieth-century American change, progress, and science coincided with persistent and reinvented forms of white supremacy. Harris's exciting structure offers varied rhythms and a blues sensibility that showcases his witty lines and vivid imagery. As a follow-up to his 2009 work Birth of a Notion; Or, the Half Ain't Never Been Told, this book extends Harris's critical and experimental examination of American history by presenting evidence for a greater understanding of these men and the cultural forces that shaped them. Readers interested in African American studies, American culture, and contemporary poetry will appreciate the unique perspective of Booker T. & Them: A Blues.

Poems that delight in discovering the comic, sorrowful, empathic, and spiritual in what is often overlooked. In Practicing to Walk Like a Heron multiple-award-winning Michigan poet Jack Ridl shares lines of well-earned wisdom in the face of a constantly changing world. The familiar comforts of life—a warm fire in winter, a lush garden in summer—become the settings for transcendent and universal truths in these poems, as moments of grief, sadness, and melancholy trigger a deeper appreciation for small but important joys. The simple clarity of Ridl's lines and diction make the poems accessible to all readers, but especially rewarding for those who appreciate carefully honed, masterful verse. Many of the poems take solace in nature—quiet deer outside in the woods, deep snow, a thrush's empty nest in the eaves—as well as man-made things in the world—a steamer trunk, glass jars, tea cups, and books piled high near an easy chair. Yet Ridl avoids becoming nostalgic or romantic in his surroundings, and shows that there is nothing easy in his celebration of topics like "The Letters," "But He Loved His Dog," "A Christmas List for Santa," and "The Enormous Mystery of Couples." An interlude of full-color pages divides Ridl's more personal poems with a section of circus-themed pieces, adding visions of elephants, trumpets, tents, sequins, and sideshows, and the uniquely travel-weary perspectives of jugglers, trapeze artists, roustabouts, and clowns. Practicing to Walk Like a Heron unabashedly affirms the quirky and eccentric, the small and mundane, and the intellectual and experiential in life. This relatable and emotionally powerful volume will appeal to all poetry readers.

Stirring meditations on living with a strong connection to the environment, both physical and psychological. The second full-length collection from award-winning poet Chris Dombrowski, Earth Again transports readers to an imaginative world where identity is explored and expanded. With a mixture of long poems and shorter pieces, Dombrowski probes birth, death, sex, memory, and our blessed but treacherous engagement with the natural world. While he writes from a number of points of view and employs both male and female speakers, much of the collection's singular insight centers around masculine identity and being a husband and a father. Readers come away transformed, "like the land / gasping as it does each late winter evening when / the sky at tree line, nearly sapphiric, goes black," as these poems prove Dombrowski to be a truly original American voice. Comprised of three sections—each of which concludes with a long poem— Earth Again presents a range of narrative and emotions in dexterous rhythms, unexpected shifts, and unforgettable metaphors. Dombrowksi introduces readers to arresting images like "the parataxis of her ass," "cerulean, alchemical light," "Molly with the sun in her mouth," and "labyrinthine, lanky-stemmed, dew-magnified" leaves. These details combine with Dombrowski's note-perfect language, which alternates between the most colloquial and the most elevated of diction. Readers will be challenged to consider spirituality alongside Scooby-Doo Band-aids, and to meditate on death after the mower has chewed up a plastic dinosaur, as Dombrowski revels in exploring our connection to the environment and one another. Fans of Dombrowski's previous collection, By Cold Water (which was noted as a contemporary poetry bestseller by the Poetry Foundation in 2009), along with other poets and poetry lovers will appreciate the attention to detail and the imaginative intensity of the poems in Earth Again .

We all have to live together, whether we do it with enthusiasm or grace, reluctance or despair. In this skillfully drawn collection, National Book award-winning Michigan writer Gloria Whelan presents short stories and a novella that look at people living together who have reached a crisis point. Whether her characters are old or young, male or female, in settings that are urban or rural, they wrestle with anger, loneliness, and frustration, but ultimately demonstrate bravery, trust, determination, and, often, the ability to learn something new. Whelan considers a variety of narratives about people coexisting, breaking apart, or coming together. The subdued lives of older women are shaken by a scandalous invasion; a man looks around him to discover he will be living the rest of his life in the wrong place with the wrong people; a married couple, grown apart, find themselves locked together; suburbanites reach out tentatively to the distant city; a house and the ghosts who inhabit it change lives. A final section contains Whelan's novella, "Keeping Your Place," which follows a family as their lives and their home change during the years of the Vietnam War. After the loss of her husband, a mother and the three children must make a final visit to their beloved cabin in the woods and come to a crucial decision. Well known for her writing for young readers, Whelan's stories in Living Together will be a welcome surprise for adults who may be new to her quirky, relatable characters and quietly powerful narrative.

The daughter of parents from Trinidad and Tobago and St. Vincent, Lolita Hernandez gained a unique perspective on growing up in Detroit. In Making Callaloo in Detroit she weaves her memories of food, language, music, and family into twelve stories of outsiders looking at a strange world, wondering how to fit in, and making it through in their own way. The linguistic rhythms and phrases of her childhood bring distinctive characters to life: mothers, sons, daughters, friends, and neighbors who crave sun and saltwater and would rather dance on a bare wood floor than give in to despair. In their kitchens, they make callaloo, bakes, buljol, sanchocho, and pelau-foods not usually associated with Detroit. Hernandez's characters sing and dance, curse and love, and cook and eat. A niece races to make a favorite family dish correctly for an uncle in the hospital, three friends watch an unfamiliar and official-looking man in the neighborhood, lovers and daughters cope with sudden deaths of the men in their lives, a man who can no longer speak escapes his life in imagination, and families gather to celebrate the new year with joyful dancing against a backdrop of calypso music. Hernandez's stories reflect the diversity of characters to be found at the intersection between cultures while also offering a window into a very particular and rich Caribbean culture that survives in the deepest recesses of Detroit. In addition to being a compelling and colorful read, Making Callaloo in Detroit explores questions of how we assimilate and retain identity, how families evolve as generations pass, how memory guides the present, and how the spirit world stays close to the living. All readers of fiction will enjoy this lush collection.

In a wide range of forms and tones, the fifteen stories in Andy Mozina's new collection, Quality Snacks, center on high-stakes performances by characters trying to gratify both deep and superficial needs, often with unexpected consequences. Driven by strange ambitions, bungled love, and a taste for-or abject fear of-physical danger, the collection's characters enact the paradox in the concept of a quality snack: the dream of transmuting the mundane into something extraordinary. Two teenage boys play chicken on a Milwaukee freeway. A man experiencing a career crisis watches a seventy-four-year-old great grandmother perform an aerial acrobatics routine at the top of a swaying 110-foot pole. Desperate to find a full-time job, a pizza delivery man is fooled into a humiliating sexual demonstration by a couple at a Midway Motor Lodge. A troubled young man tries to end his father's verbal harassment by successfully hunting a polar bear. After an elf civil war destroys his Christmas operation, Santa Claus reinvents himself as a one-man baseball team and ends up desperate to win a single game. And in the title story, a flavor engineer at Frito-Lay tries to win his boss's heart with a new strategy for Doritos that aims to reposition the brand from snack food to main course. While some stories embrace pathos and some are humorous and some are realistic and some contain surreal elements, all of the stories in Quality Snacks share striking insight and a cast of compelling, well-conceived characters. This collection, in an earlier form, has been a finalist for the Flannery O'Connor Short Fiction Award, the Dzanc Short Story Collection Contest, the Elixir Press Fiction Award, and the Autumn House Fiction Contest, and a semi-finalist for the Mary McCarthy Prize. Readers of fiction will be satisfied by the variety of fare offered by Quality Snacks .

Stirring, atmospheric poems that journey through memories of growing up in India, and the myth, death, loss, and rebirth that surrounds that experience. Sharp Blue Search of Flame is an exploration in poetry of a complex network of nuanced journeys into a variety of worlds. The searingly rich poems reflect Zilka Joseph's own history of living in Eastern and Western cultures, as well as the influences of her Jewish Indian roots. Joseph's free verse and forms shift scenes from the real to the imagined landscapes of the mind, and search for fulfillment and solace amidst the terrifying beauty and chaos of the human condition. Joseph's poems, while dark and brooding in subject matter—bride burnings and infanticide in her native country, the loss of Eden, mourning for a beloved mother—offer a tactile insight into life in India and the United States. Through a flurry of sounds and smells, the reader learns an interpretation of the history of the sari, witnesses the horror of attacks on women, and wrestles with death, whether it be that of an elephant, an extinct frog, honey bees, humans, or goddesses. Her poems dig deep and aspire for something beyond. Colored by fire, blood, ash, and rain, these poems present images of great joy and deep loss in a complex harmony. Sharp Blue Search of Flame embraces worlds within worlds and worlds between worlds, which is not only intrinsic to the fabric of the poems but to the life of the poet as well. Readers of poetry will savor this sensory collection.

Poems that take a poignant look at societal issues and contemporary American topics, such as working-class life and twenty-first century war. In I Want to Be Once , M. L. Liebler approaches current events with a journalistic eye and a poet's response. Part autobiographical, part commentary, the lines of Liebler's poems come hard-hitting, but not without moments of great tenderness and humanity. Ordered into three sections, I Want To Be Once provides readers with a look into the author's personal life, as well as our collective history as a nation vis-a-vis the American media. The first section, called "American Life," captures the experience of coming of age in working-class 1960s America and helps to paint the picture of Liebler's early political involvement. The poems in the second section, "American War," focus on the author's cultural work in Afghanistan for the U.S. State Department; Liebler successfully captures the sad realities and fleeting stability of everyday life in Kabul, Jalalabad, and Kandahar. In the final section, "American Psalms," the short, satirical poems muse on present-day American society, culture, and the arts. In these poems, Liebler remarks on everything from public education to public radio to Russia's feminist punk rock protest group Pussy Riot and more. The poems in I Want to Be Once are emotionally grounding but punctuated with a humor that keeps things in perspective. Readers with an interest in poetry and social commentary will be drawn to this engaging collection.

Idealistic characters fight to hold onto a life that is slipping out of their grasp. Newton's Laws of Motion describe how bodies work to balance forces outside their control. For the men and women in States of Motion , imbalance is a way of life. Set in Michigan small towns both real and fictional, the stories in Laura Hulthen Thomas's collection take place against a backdrop of economic turmoil and the domestic cost of the war on terror. As familiar places, privilege, and faith disappear, what remains leaves these broken characters wondering what hope is left for them. These stories follow blue collars and white, cops and immigrants, and mothers and sons as they defend a world that is quickly vanishing. The eight stories in States of Motion follow tough, quixotic characters struggling to reinvent themselves even as they cling to what they've lost. A grieving father embraces his town's suspicions of him as the sole suspect in his daughter's disappearance. A driving instructor struggles to care for his abusive mother between training lessons with two flirtatious teens. A behavioral researcher studying the fear response must face her own fears when her childhood attacker returns to ask for her forgiveness. Conditioned by their traumatic pasts to be both sympathetic and numb to suffering, the characters in these stories clutch at a chance to find peace on the other side of terror. From the isolated roadways of Michigan's countryside to the research labs of a major university, the way forward is both one last hope and a deep-seated fear. The profoundly emotional stories in States of Motion will interest any reader of contemporary literary fiction.

A personal narrative of past and present racial violence and resistance to terror in the United States. Rae Paris began writing The Forgetting Tree: A Rememory in 2010, while traveling the United States, visiting sites of racial trauma, horror, and defiance. The desire to do this work came from being a child of parents born and raised in New Orleans during segregation, who ultimately left for California in the late 1950s. After the death of her father in 2011, the fiction Paris had been writing gave way to poetry and short prose, which were heavily influenced by the questions she'd long been considering about narrative, power, memory, and freedom. The need to write this story became even more personal and pressing. While Paris sometimes uses the genre of "memoir" or "hybrid memoir" when referring to her work, in this case the term "rememory," born from Toni Morrison's Beloved , feels most accurate. Paris is driven by the familial and historical spaces and by what happens when we remember seemingly disparate images and moments. The collection is not fully prose or poetry, but rather an elegy for those who have passed through us. A perfect blend of prose, poetry, and images, The Forgetting Tree is a unique and thought-provoking collection that argues for a deeper understanding of past and present so that we might imagine a more hopeful, sustainable, and loving future.

A modern-day fairy tale told in conversation between a young girl and the mermaid of Lake Michigan. The Lake Michigan Mermaid is a new tale that feels familiar. The breeze off the lake, the sand underfoot, the supreme sadness of being young and not in control—these sensations come rushing back page by page, bringing to life an ancient myth of coming of age in a troubled world. Freed from the minds of Linda Nemec Foster and Anne-Marie Oomen, the Lake Michigan mermaid serves as a voice of reason for when we're caught in the riptide. This is a gripping tale in poems of a young girl's desperate search for guidance in a world turned upside down by family and economic upheaval. Raised in a ramshackle cottage on the shores of Lake Michigan, Lykretia takes refuge in her beloved lake in the face of her grandmother's illness and her mother's eager attempts to sell their home following her recent divorce. One day Lykretia spots a creature in the water, something beautiful and inexplicable. Is it the mythical Lake Michigan mermaid, or an embodiment of the stories her grandmother told as dementia ravaged her mind? Thus begins a telepathic conversation between a lost young girl and Phyliadellacia, the mermaid who saves her in more ways than one. Accompanied by haunting illustrations, The Lake Michigan Mermaid offers a tender tale of friendship, redemption, and the life-giving power of water. As it explores family relationships and generational bonds, this book is an unforgettable experience that aims to connect readers of all ages.

Poetry that uses American folk music as a lens to investigate themes of family, art, and masculinity. Firmly rooted in the dramatic landscapes and histories of Michigan, Field Recordings uses American folk music as a lens to investigate themes of personal origin, family, art, and masculinity. The speakers of these poems navigate Michigan's folklore and folkways while exploring more personal connections to those landscapes and examining the timeless questions that occupy those songs and stories. With rich musicality and lyric precision, the poems in Field Recordings look squarely at what it means to be a son, a brother, an artist, a person. Inspired by the life and writings of famous ethnomusicologist Alan Lomax, Field Recordings is divided into three sections. It is anchored by a long poem that tracks Alan Lomax on his 1938 journey through Michigan collecting music for the Library of Congress. This poem speaks to the complex process of recording the voices and stories of working-class musicians in Michigan in the early part of the twentieth century. It is rich with the pleasures of music and storytelling and is steeped in history. Like the rest of the collection, it also speaks to the questions and anxieties that, like music, transcend time and technology. In poems alternately elegiac and rhapsodic, Field Recordings explores the way art is produced and translated, the line between innovation and appropriation, and the complex, beautiful stories that are passed between us. From poetry readers to poets, music fans to musicians, this collection will undoubtedly appeal to a wide audience.

In 1903, a preacher named Benjamin Purnell and five followers founded a colony called the House of David in Benton Harbor, Michigan, where they prepared for eternal life by creating a heaven on earth. Housed in rambling mansions and surrounded by lush orchards and vineyards, the colony added a thousand followers to its fold within a few years, along with a zoo, extensive gardens, and an amusement park. The sprawling complex, called Eden Springs, was a major tourist attraction of the Midwest. The colonists, who were drawn from far and wide by the magnetic "King Ben," were told to keep their bodies pure by not cutting their hair, eating meat, or engaging in sexual relations. Yet accounts of life within the colony do not reflect such an austere atmosphere, as the handsome, charming founder is described as loving music, dancing, a good joke, and in particular, the company of his attractive female followers. In Eden Springs, award-winning Michigan author Laura Kasischke imagines life inside the House of David, in chapters framed by real newspaper clippings, legal documents, and accounts of former colonists. Told from the perspective of the young women who were closest to Benjamin Purnell, the novella follows a growing scandal within the colony's walls. A gravedigger has seen something suspicious in a recently buried casket, a loyal assistant to Benjamin is plotting a cover-up, talk is swirling about unmarried girls having babies, and a rebellious girl named Lena is ready to tell the truth. In flashbacks and first-person narrative mixed with historical artifacts, Kasischke leads readers through the unraveling mystery in a lyrical patchwork as enticing and satisfying as the story itself. Eden Springs lets readers inside the enchanting and eerie House of David, with an intimate look at its hedonistic highs and eventual collapse. This novella will appeal to all readers of fiction, as well as those with an interest in Michigan history.

African American characters navigate a physical and spiritual journey beginning in the antebellum South. In the twenty-five linked short stories in his collection, I Got to Keep Moving , celebrated Detroit author Bill Harris vividly and deftly describes the inner and outer lives of a wide cast of characters as they navigate changing circumstances in the southern United States, pre- and post-Civil War. Addressing vital aspects of life—hope, family, violence, movement, and memory— I Got to Keep Moving is as mesmerizing as it is revealing. A veritable Canterbury Tales, the book follows a group of African Americans, beginning in the 1830s on a plantation in the fictional town of Acorn, Alabama, as they head north, and ending in the Midwest in the 1940s. The opening section contains nine stories that investigate the events that compelled the party to migrate. The second section consists of fifteen stories focusing on the life and travels of Pearl Moon and her blind son, and introduces the reader to a range of individuals—a white southern prison guard and his family, an ex-cowboy and expert marksman from Oklahoma, and the owner and entertainers of an "All Colored" traveling minstrel show, to name a few—during their quest to find a place for themselves. The third section, written in three voices of surviving members of the Nettles family, observes the truth of memory and the importance of who gets to tell and preserve it. Harris gives readers an unfiltered look into the legacy of slavery and racism in the United States, while demonstrating the strength and complexity of the players involved. Readers of fiction, especially those interested in short fiction and African American fiction, will find this stunning and unique collection a welcome addition to their libraries.

A story about place, interfaith, and what it means to come home. Not long after stumbling into Mason County, Natalie Ruth Joynton finds herself the owner of four acres, a big red barn, and a white farmhouse set among the picturesque rolling hills of Northern Michigan. But there's a catch. Right in her front lawn stands a life-size tribute to the Old West—specifically, Dodge City, Kansas. Replica Dodge boasts a one-room schoolhouse, a general store, a bank, a saloon, a bunkhouse, a jail, and a church. Who built Replica Dodge and why? What was this person hoping to do or attract? And what's stranger: a person who builds such a spectacle or the people who buy it? Welcome to Replica Dodge follows Joynton, a newly converted Jew with strong city roots, as she begins a new life with her fiancé in Michigan's Bible Belt. The irony of the situation is not lost on her. Jews are notorious city-dwellers. Even secular Jews tend to stay within urban Jewish communities. And yet, here she is: almost a hundred miles from the closest synagogue and marrying—despite the guidance of several rabbis—a partner outside the Jewish faith. Can that faith (and marriage) survive roadkill and rifle season and Replica Dodge? As Joynton toils to build her own version of home in the heartland, she begins to discover that rural America is not one thing. It is many stories, and as varied as her experiences and hopes are, so too are those of her neighbors. Welcome to Replica Dodge suggests that we move slowly through the new spaces in our lives—removing tape and Bubble Wrap, working with your partner to find a place for that weird chair, and wiping away the cobwebs to start fresh. Anybody who has ever felt like they didn't belong will take comfort in this enchanting memoir.

Searing new poems from a vital American voice. Ragged Anthem displays the same inimitable voice and unflinching gaze that made Chris Dombrowski a Poetry Foundation bestseller and silver medal winner of Foreword Reviews ' Book of the Year Award in poetry. His work has been celebrated by renowned writers such as Jim Harrison and Alicia Ostriker, who have called his books (respectively) "extraordinarily powerful and graceful" and "one of the most beautiful books of poetry I've read in years." As in Dombrowski's previous books, in Ragged Anthem the natural world is as alive and as fully realized as language allows. His comfort with the naming of the world, combined with a life lived intimately with the other species that populate the landscape of home, suggest an authenticity that few can claim. Ragged Anthem is a demonstration in continued poetic growth and expanded terrain. Written from the speaker's midlife, the poems delve into the transformation of family, childhood tragedies, and politics. Dombrowski lifts the veil on the imbecilic bureaucracies—those on Capitol Hill and in the faculty meetings occurring in our own conference rooms—that often help to whittle our fates. The book contains well-placed and evocative allusions to such figures as American painter Mark Rothko and Saint Francis of Assisi, as well as the periodic highlighting of language from contemporary song lyrics. These "borrowings" set forth a conversation between the poet and other artists that evoke the original source while transforming it into something new, proving that words, although artifice, live within our bodies, changing our relationship to place. Ragged Anthem makes a powerful and important contribution to contemporary poetry. Fans of Dombrowski's past works and newcomers alike will bask in the poet's firm yet relaxed approach to the shaping of language.

An unflinching look at race, class, life after death, disability, and family. Of Lisa Lenzo's first collection, Charles Baxter wrote: "Lenzo's stories have a strong pulse of feeling and a sly intelligence, and her angels, children, and lovers have an eerie radiance, a hard-won wisdom, that you can spot on any page of this book." In Unblinking , Lenzo's angels, lovers, and children are back—older, sometimes wiser, and shedding new light. All ten stories in Unblinking take place in or circle back to Detroit and portray both the beauty and grit of the city and its inhabitants. In "Up in the Air," a blues musician cherishes his memory of falling from a tree — "the utter sweetness of falling, of floating, almost still" — even though his downward plunge has left him seriously disabled. The narrator of "In the White Man's House," recalls a high school basketball game, torn by racial division, and the distress of his teenaged friend who strove to be "blacker." In "Losing It," a disgruntled angel tries to help a nurse control his outbursts of comic and fruitless anger. And in "Marching," an old white man, who now has great difficulty walking, remembers marching fifty miles with Martin Luther King Jr. Despite the hardships they experience, the characters in the collection find pleasure and solace in what this lovely planet has to offer. By turns playful and grave, told with humor and candor, these down-to-earth and heavenly stories will both surprise with fresh insight and remind the reader of what they already know. Unblinking is a short story collection for any lover of contemporary fiction looking for that strong pulse of feeling.

Meditations on life and death from the shores of Lake Superior to the North Sea. The Desk on the Sea begins four years after American poet Jonathan Johnson spread his mother's ashes in her beloved Lake Superior and moved with his wife and young daughter into a seventeenth-century cottage on Scotland's North Sea. On an idyllic, desolate coast and in the wild Highlands, Johnson began his search for a way to live through ongoing grief and to take in the wonder of each new day. Through years of extraordinary suffering by way of multiple ailments, Johnson's mother, Sheila, endured an astounding number of amputations—a toe, the end of a finger, a foot, whole fingers, the other foot. What she lost in her physical being, she gained in her kindness and generosity. By the time she was told that the only way she could survive a little longer was the amputation of both hands, she was capable of giving those who loved her and herself a beautiful death instead. Inspired by her example of grace and awareness, Johnson and his family gave themselves one year on the coast of Scotland to live by Shelia's great, guiding principle: We don't get the days back. They wandered trails along windswept shores and past the stone ruins left by people who'd come and gone before. They played as characters from Harry Potter on deserted beaches. From their cottage, they watched an island lighthouse, counting the seconds between flashes to know exactly when to say "goodnight" so the lighthouse would answer with a wink. The Desk on the Sea is a chronicle of progress toward one man's new life goal—to be a father, husband, and poet worthy of his mother's legacy. Sustained by an unwavering belief that words can help us fully occupy our lives, and that imagination and empathy can transform suffering into what John Keats called "soul-making," Johnson offers readers a raw look at love and loss.

Interconnected stories exploring life, love, and passion in an ever-changing community. Esperanza Cintrón's Shades: Detroit Love Stories is a short story collection that is distinctly Detroit. By touching on a number of romantic and sexual encounters that span the historical and temporal spaces of the city, each of these interconnected stories examines the obstacles an individual faces and the choices he or she makes in order to cope and, hopefully, survive in the changing urban landscape. Shades begins in the 1960s by following two young black women who are determined to find joy in their lives even as they struggle to make ends meet. Their lives continue to evolve under triumphant and disappointing conditions—falling in and out of love, giving birth, raising children, and struggling to "make it" despite disappointing and tenuous love affairs and relationships. The setting throughout the eighteen stories shifts as these women age and their children extend the timeline, reflecting on the city's social and political changes over three decades, as well as the pitfalls, tragedies, and opportunities these linked families encounter. Cintrón favors an everyday vernacular for her characters' voices in order to reflect the complexities of their working/middle-class, ethnic, and racial identities. Divided into two sections, Eastside and Westside, the collection gives a nod to the sometimes contentious geographical split marked by Woodward Avenue. Cintrón takes readers through city streets—from neighborhood bars to burger joints—while painting lyrical portraits of the unique and multifaceted characters whose honesty shatters the illusion of endless love and happily-ever-after fantasies, as they clash with the circumstances of economics and race. Cintrón's stories capture the rhythms of language and the poetry of the people and will interest readers of fiction or poetry who seek to understand love.

Poetry that inhabits and queers bodies and lands in an ecosomatic investigation. Gut Botany charts my body / language living on indigenous land as a white settler and traveler," Petra Kuppers writes in the notes of her new poetry collection. Using a perfect cocktail of surrealist and situationist techniques, Kuppers submits to the work and to the land, moving through ancient fish, wounded bodies, and the space around her. The book invites the reader to navigate their own body through the peaks and pitfalls of pain, survival, sensual joy, and healing. Gut Botany is divided into eight sections. In "Court Theatre," Kuppers revisits courtroom performances following her sexual assault while drawing from the works of Perel and Bhanu Kapil. "Asylum" grew out of the Asylum Project performance experiments that Kuppers co-directed with dancer/poet Stephanie Heit. "Moon Botany" began as a collaboration with visual artist Sharon Siskin and offers a wheelchair user's view of insects, mushrooms, and horsetail ferns. Amber DiPetra notes that "this book is beautiful when it needs to be beautiful and it is edgy when it needs to be edgy and that is the sign of writing that matters." Readers looking for experimental poetry that takes up space in their brains and bodies will dive deep and fast into this queer ecosomatic investigation.

A lyrical deconstruction of postindustrial American life. In a thrilling interconnected narrative, You're in the Wrong Place presents characters reaching for transcendence from a place they cannot escape. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there. . . . You're in the Wrong Place isn't uniformly downbeat—there are all sorts of rays of hope that gleam toward the end." The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating—a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees—as well as their friends and families—struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love. In "Would You Rather," a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes," a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial," an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her aging great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosures. In turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection.

A collection that focuses on the natural world, these are poems of wilderness and of wildness. Alison Swan's collection of poems, A Fine Canopy , illustrates how the natural world envelops and encloses us with so many beautiful things: crowns of leaves, the ubiquitous blue sky, our luminous moon, and snow. So much snow. An ecopoet whose writing shows her advocacy for natural resources, in this collection Swan calls the reader to witness, appreciate, and sustain this world before it becomes too late. These poems were written out of an impulse to track down wisdom in the open air, outside of the noisy world of cars and commerce. Swan seeks insight on shores and in scraps of woods and fields—especially on four particular peninsulas: Michigan's upper and lower, Florida, and Washington state's Olympic—and also inside motherhood, which might be the wildest place of all. These are poems about the interconnection of all things, and "knowing things we cannot see." A journey through seasons with a soundtrack of birdsong, Swan's words are incredibly sensory. The reader is made to feel the weight of muddy jeans, the jolt at the tug of a dog's leash, and to see the bright flash of a cardinal's red plumage. Swan's poems remind us that although we all want to make a mark on our world, the smaller the better: stepping into fresh snow, dashing through forests atop dry leaves, laying wet bodies on warm concrete. These quiet interactions with places are as hopeful as they are harmless. Without necessarily tackling the topics head-on, A Fine Canopy evokes the devastation of climate change and the destruction of natural resources. This book engages deeply with the other-than-human to express and investigate alarm, dismay, anger, admiration, adoration in what feels like the end of the world unless we begin to think outside the box. These poems will carry weight with all readers of poetry, especially those who are interested in ecopoetry and connecting with the world around them.

A collection of lyrical love poems showing Detroit's poet laureate at the peak of her career. You Are My Joy and Pain is Naomi Long Madgett's latest and possibly most endearing poetry collection. Bill Harris, a 2011 Kresge Foundation Eminent Artist, said of the book, "Even with the evidence of over a half-century or more of first-rate poetic artistry by Madgett, this collection is a breath-arresting surprise and delight. Poem-by-poem and section-by-section amaze. Each poem in the collection is a master class in technique and in her ability to transpose an idea into a tightly composed example of the craft of poetry." You Are My Joy and Pain receives its name from the Billie Holiday song "Don't Explain" and is divided into three parts. The first part, "A Promise of Sun," contains fourteen poems relating to the hopeful and joyful beginning of a new relationship. The second part, "Trinity: A Dream Sequence," consists of twenty poems with religious imagery and encompasses both the beginning and the end of a relationship. The third part, "Stormy Weather," includes thirty-two poems that relate to the heartbreaking experience of a love gone wrong. These are not love poems in the abstract—the richness with which Madgett writes hints at the firsthand experience of a lifetime of loving. While several anthologies of love poems exist in the world, it is rare to find a single-author collection that so closely examines love in all of its messy and beautiful layers. Readers will identify with the hope and disappointment that Madgett presents in these poems.

Love stories wherein people ask themselves: what is love? In How Other People Make Love , Thisbe Nissen chronicles the lives and choices of people questioning the heteronormative institution of marriage. Not best-served by established conventions and conventional mores, these people—young, old, gay, straight, midwestern, coastal—are finding their own paths in learning who they are and how they want to love and be loved, even when those paths must be blazed through the unknown. Concerning husbands and wives, lovers and leavers, Nissen's stories explore our search for connection and all the ways we undercut it, unwittingly and intentionally, when we do find it. How do we hold ourselves together—to function, work, and survive—while endlessly yearning to be undone, unraveled, and laid bare, however untenable and excruciating? How Other People Make Love contains nine stories. "Win's Girl" features a single woman who works at an Iowa slaughterhouse and uses the insurance money from a car accident to update the electric system in her dead parents' old house, only to be unwittingly embroiled with a shady electrician who ultimately forces her to stand up for herself. In "Home Is Where the Heart Gives Out and We Arouse the Grass," a young woman flees after cheating on her husband and winds up at a Nebraska roadside motel populated by participants in a regional dog show who help her decide what to do next. In "Unity Brought Them Together," a young man heads to his favorite New York coffee shop intending to finish the Christmas cards his vacationing fiancée insists on sending, but winds up meeting another displaced young midwestern man there and going home with him instead. All these stories explore the question, "how do we love?" as well as the answers we find, discard, follow, banish, and cling to in all our humanness and desperation. How Other People Make Love asserts that there aren't right and wrong ways to love; there are only our very complicated and contradictory human hearts, minds, bodies, and desires—all searching for something, whether we know what that is or not. These are stories for anyone who has ever loved or been loved.

Poems about being a survivor and the choices we make to protect ourselves, our homes, and our hearts. Who wouldn't want a metaphorical stunt double to take the perilous fall that comes with the pain of loss or profound disappointment? The poems in When the Heart Needs a Stunt Double by Diane DeCillis consider resourceful ways in which we become our own stunt double and explore through a poet's eyes the anatomy of the mind, body, and soul. Although many of these poems investigate loss and heartbreak, this book is not about being a victim. It's about how we not only survive our most challenging moments but how we thrive in spite of them. These are poems about all of the ways our hearts both help us and betray us during major life events: dealing with divorce, the death of a loved one, separation from those closest to you, or with the agonizing experience of memory loss. The speaker appreciatively observes "how hard the muscle has worked / lifting and lowering the weight of love and sorrow." DeCillis writes that loss can feel like your heart is limping "like a wounded animal / before you sink into the shelter of your own shadow." But with every loss in these poems comes rebirth—a beautiful, sensory-rich wildflower garden of new breaths and experiences. The character of the heart is depicted as a piece of human anatomy at the same time it's portrayed as its own world; an entire planet. DeCillis personifies the mitral, aortic, and pulmonary valves, describing our bodies as blooming with vegetation, a recursive image of living things thriving inside living things. When the Heart Needs a Stunt Double takes us on a journey of what it means to be fully human. It touches upon the gifts we find in humor, nature, art, food, and how we celebrate the beauty of our scars. These are love poems: to others, to the self, to the body. DeCillis makes it clear that wounds need attention and care, but that loss always strengthens us. This collection will be admired by poetry lovers of all kinds, and those who enjoy modern and corporeal love poems.

Poems that seek stability in family and community while coping with a country full of conflict and change. The poems in Gun/Shy deal with the emotional weight of making do. Tinged with both the regrets and wisdom of aging, Jim Daniels's poems measure the wages of love in a changing world with its vanishing currency. He explores the effects of family work—putting children to bed, leading parents to their final resting places—and what is lost and gained in those exertions. Childhood and adolescence are examined, through both looking back on his own childhood and on that of his children. While his personal death count rises, Daniels reflects on his own mortality. He finds solace in small miracles—his mother stretching the budget to feed five children with "hamburger surprise" and potato skins, his children collecting stones and crabapples as if they were gold coins. Daniels, as he always has, carries the anchor of Detroit with him, the weight both a comfort and a burden. He explores race, white privilege, and factory work. Eight Mile Road, a fraught border, pulses with division, and the echoes of music, singing through Detroit's soiled but solid heart, resonate in these poems. His first long poem in many years, "Gun/Shy," centers the book. Through the personas of several characters, Daniels dives into America's gun culture and the violent gulf between the fearful and the feared. Throughout, he seeks connection in likely and unlikely places: a river rising after spring rain and searchlights crossing the night sky. Comets and cloudy skies. Cement ponds and the Garden of Eden. Adolescence and death. Wounds physical and psychic. Disguises and more disguises. These are the myths we memorize to help us sleep at night, those that keep us awake and trembling. Daniels's accessible language, subtlety, and deftness make this collection one that belongs on every poetry reader's shelf.