“Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories” ( True Crime Librarian ). Visitors and New England natives alike will see a new side of the region through Thomas D’Agostino’s road trip guidebook. He captures the reader’s imagination with folklore and anecdotes, plus recommendations useful for any traveler. This guide uncovers lingering spirits across all six states in the region, from the victims of alchemy gone awry in the White Mountains, to wraiths in the Berkshires, to the ghosts of drowned sailors in Mystic, Connecticut. Enjoy these retellings of classic New England ghost stories and discover obscure ones, and then go visit the spooky sights for yourself. Includes photos! “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.” — Mobile Rving
“Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories” ( True Crime Librarian ). Visitors and New England natives alike will see a new side of the region through Thomas D’Agostino’s road trip guidebook. He captures the reader’s imagination with folklore and anecdotes, plus recommendations useful for any traveler. This guide uncovers lingering spirits across all six states in the region, from the victims of alchemy gone awry in the White Mountains, to wraiths in the Berkshires, to the ghosts of drowned sailors in Mystic, Connecticut. Enjoy these retellings of classic New England ghost stories and discover obscure ones, and then go visit the spooky sights for yourself. Includes photos! “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.” — Mobile Rving
“Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories” ( True Crime Librarian ). Visitors and New England natives alike will see a new side of the region through Thomas D’Agostino’s road trip guidebook. He captures the reader’s imagination with folklore and anecdotes, plus recommendations useful for any traveler. This guide uncovers lingering spirits across all six states in the region, from the victims of alchemy gone awry in the White Mountains, to wraiths in the Berkshires, to the ghosts of drowned sailors in Mystic, Connecticut. Enjoy these retellings of classic New England ghost stories and discover obscure ones, and then go visit the spooky sights for yourself. Includes photos! “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.” — Mobile Rving
The author of A Guide to Haunted New England lifts the coffin lid on the region’s folklore and legends of the undead. New England is rich in history and mystery. Numerous sleepy little towns and farming communities distinguish the region’s scenic tranquility. But not long ago, New Englanders lived in fear of spectral ghouls believed to rise from their graves and visit family members in the night to suck their lives away. Although the word “vampire” was never spoken, scores of families disinterred loved ones during the eighteenth and nineteenth centuries searching for telltale signs that one of them might be what is now referred to as the New England vampire. “In his remarkable book . . . Thomas D’Agostino details the longstanding belief among New Englanders that supernatural entities were responsible for the disease called consumption.”— Crime Capsule Includes photos! Praise for A Guide to Haunted New England “Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories.”— True Crime Librarian “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.”— Mobile RVing
The author of A Guide to Haunted New England lifts the coffin lid on the region’s folklore and legends of the undead. New England is rich in history and mystery. Numerous sleepy little towns and farming communities distinguish the region’s scenic tranquility. But not long ago, New Englanders lived in fear of spectral ghouls believed to rise from their graves and visit family members in the night to suck their lives away. Although the word “vampire” was never spoken, scores of families disinterred loved ones during the eighteenth and nineteenth centuries searching for telltale signs that one of them might be what is now referred to as the New England vampire. “In his remarkable book . . . Thomas D’Agostino details the longstanding belief among New Englanders that supernatural entities were responsible for the disease called consumption.”— Crime Capsule Includes photos! Praise for A Guide to Haunted New England “Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories.”— True Crime Librarian “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.”— Mobile RVing
The author of A Guide to Haunted New England lifts the coffin lid on the region’s folklore and legends of the undead. New England is rich in history and mystery. Numerous sleepy little towns and farming communities distinguish the region’s scenic tranquility. But not long ago, New Englanders lived in fear of spectral ghouls believed to rise from their graves and visit family members in the night to suck their lives away. Although the word “vampire” was never spoken, scores of families disinterred loved ones during the eighteenth and nineteenth centuries searching for telltale signs that one of them might be what is now referred to as the New England vampire. “In his remarkable book . . . Thomas D’Agostino details the longstanding belief among New Englanders that supernatural entities were responsible for the disease called consumption.”— Crime Capsule Includes photos! Praise for A Guide to Haunted New England “Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories.”— True Crime Librarian “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.”— Mobile RVing
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”
Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction. “Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” ― New York Times Crime Fiction Column Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron. From the introduction by Dennis Lehane: “Boston is a city that produces guys―or, in the city’s vernacular, knuckleheads―who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . . So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which―sadly, possibly―is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . . That’s the paradox of the new Boston―what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”