Aloha Burn isn’t about lazy days on sugary-sand beaches or idyllic tropical nights with old Hawaiian songs on the trade winds. Aloha Burn is about the people behind the scenes that are never seen by tourists and visitors. It is about Kimo Kanoa, a disgraced Honolulu cop that is relieved of duty and his hunt to find out who it was behind his firing, and why. He is immediately swept up in a power grab that could change the balance of power in the Pacific forever. Kimo is caught in the middle, he’s on everyone’s hit list and doesn’t know why. The word on the street is ‘Get Kanoa.’ Kimo does the only thing he knows how to do, he shoots back. The action rolls across Oahu pulling in the islands rich and powerful, hired killers, thugs, streetwalkers, Navy Intelligence hit teams, the F.B.I. …. And they all have one target….Kimo Kanoa.
The best of Hanshan's beloved poems—among the earliest of Zen-style Buddhist poetry, beloved by the Beat Generation—here newly translated and organized thematically in a beautiful Pocket Poets hardcover Often ranked among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were traditionally thought to have been written at least twelve centuries ago on rock walls by a Buddhist monk living in the mountains of southeastern China. The best of his poems, collected here and organized by theme, reflect the sense of humor, deep love of solitude, and vivid descriptions of nature that have endeared these poems to generations of readers. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
The best of Hanshan's beloved poems—among the earliest of Zen-style Buddhist poetry, beloved by the Beat Generation—here newly translated and organized thematically in a beautiful Pocket Poets hardcover Often ranked among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were traditionally thought to have been written at least twelve centuries ago on rock walls by a Buddhist monk living in the mountains of southeastern China. The best of his poems, collected here and organized by theme, reflect the sense of humor, deep love of solitude, and vivid descriptions of nature that have endeared these poems to generations of readers. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
The best of Hanshan's beloved poems—among the earliest of Zen-style Buddhist poetry, beloved by the Beat Generation—here newly translated and organized thematically in a beautiful Pocket Poets hardcover Often ranked among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were traditionally thought to have been written at least twelve centuries ago on rock walls by a Buddhist monk living in the mountains of southeastern China. The best of his poems, collected here and organized by theme, reflect the sense of humor, deep love of solitude, and vivid descriptions of nature that have endeared these poems to generations of readers. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
The best of Hanshan's beloved poems—among the earliest of Zen-style Buddhist poetry, beloved by the Beat Generation—here newly translated and organized thematically in a beautiful Pocket Poets hardcover Often ranked among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were traditionally thought to have been written at least twelve centuries ago on rock walls by a Buddhist monk living in the mountains of southeastern China. The best of his poems, collected here and organized by theme, reflect the sense of humor, deep love of solitude, and vivid descriptions of nature that have endeared these poems to generations of readers. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
The best of Hanshan's beloved poems—among the earliest of Zen-style Buddhist poetry, beloved by the Beat Generation—here newly translated and organized thematically in a beautiful Pocket Poets hardcover Often ranked among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were traditionally thought to have been written at least twelve centuries ago on rock walls by a Buddhist monk living in the mountains of southeastern China. The best of his poems, collected here and organized by theme, reflect the sense of humor, deep love of solitude, and vivid descriptions of nature that have endeared these poems to generations of readers. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Invisible Planets , edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction . The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites. To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection. For more Chinese SF in translation, check out Broken Stars. Stories: “The Year of the Rat” by Chen Qiufan “The Fist of Lijian” by Chen Qiufan “The Flower of Shazui” by Chen Qiufan “A Hundred Ghosts Parade Tonight” by Xia Jia “Tongtong’s Summer” by Xia Jia “Night Journey of the Dragon-Horse” by Xia jia “The City of Silence” by Ma Boyong “Invisible Planets” by Hao Jingfang “Folding Beijing” by Hao Jingfang “Call Girl” by Tang Fei “Grave of the Fireflies” by Cheng Jingbo “The Circle” by Liu Cixin “Taking Care of God” by Liu Cixin Essays: “The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu “The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu “What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Invisible Planets , edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction . The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites. To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection. For more Chinese SF in translation, check out Broken Stars. Stories: “The Year of the Rat” by Chen Qiufan “The Fist of Lijian” by Chen Qiufan “The Flower of Shazui” by Chen Qiufan “A Hundred Ghosts Parade Tonight” by Xia Jia “Tongtong’s Summer” by Xia Jia “Night Journey of the Dragon-Horse” by Xia jia “The City of Silence” by Ma Boyong “Invisible Planets” by Hao Jingfang “Folding Beijing” by Hao Jingfang “Call Girl” by Tang Fei “Grave of the Fireflies” by Cheng Jingbo “The Circle” by Liu Cixin “Taking Care of God” by Liu Cixin Essays: “The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu “The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu “What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Invisible Planets , edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction . The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites. To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection. For more Chinese SF in translation, check out Broken Stars. Stories: “The Year of the Rat” by Chen Qiufan “The Fist of Lijian” by Chen Qiufan “The Flower of Shazui” by Chen Qiufan “A Hundred Ghosts Parade Tonight” by Xia Jia “Tongtong’s Summer” by Xia Jia “Night Journey of the Dragon-Horse” by Xia jia “The City of Silence” by Ma Boyong “Invisible Planets” by Hao Jingfang “Folding Beijing” by Hao Jingfang “Call Girl” by Tang Fei “Grave of the Fireflies” by Cheng Jingbo “The Circle” by Liu Cixin “Taking Care of God” by Liu Cixin Essays: “The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu “The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu “What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A fresh, graceful translation of one of the most important and timeless classics—the foundational work of Daoism—by award-winning novelist Ken Liu, who contextualizes and demystifies this famously enigmatic text. Laozi’s Dao De Jing was written around 400 BC by a compassionate soul in a world torn by hatred and ambition, dominated by those that yearned for apocalyptic confrontations and prized ideology over experience. By speaking out against the cleverness of elites and the arrogance of the learned, Laozi upheld the wisdom of the concrete, the humble, the quotidian, the everyday individual dismissed by the great powers of the world. Earthy, playful, and defiant, Laozi’s words gave solace to souls back then, and offer comfort today. Now, this beautifully designed new edition serves as both an accessible new translation of an ancient Chinese classic and a fascinating account of renowned novelist Ken Liu’s transformative experience while wrestling with the classic text. Throughout this translation, Liu takes us through his own struggles to capture the meaning in Laozi’s text in a series of thoughtful and provocative interstitial entries. Unlike traditional notes that purport to be objective, these entries are explicitly personal and unapologetically subjective. Gradually, as Liu learns that true wisdom cannot be pinned down in words, the notes grow sparser until they fade away entirely. His journey suggests the only way out of struggle is to engage with texts that have survived the millennia, wrestling with ideas that gesture at something eternal, in hopes that we might eventually reach that moment of transcendent joy. Liu’s translation, by eschewing cleverness, paradoxically reveals the slipperiness of Laozi’s original. The Dao De Jing has been translated countless times and will be translated countless times in the future. In that constant change and flow, we finally find our home in Dao, the eternal principle that allows us, finite beings in time and space, to reckon and reconcile with the infinite.
Named one of the best cookbooks of 2021 by the New York Times, Epicurious, Business Insider, Bookshop, Timeout, Glamour, and National Post. Experience the sublime beauty and flavor of one of the oldest and most delicious cuisines on earth: the food of Shanghai, China's most exciting city, in this evocative, colorful gastronomic tour that features 100 recipes, stories, and more than 150 spectacular color photographs. Filled with galleries, museums, and gleaming skyscrapers, Shanghai is a modern metropolis and the world's largest city proper, the home to twenty-four million inhabitants and host to eight million visitors a year. "China's crown jewel" ( Vogue ), Shanghai is an up-and-coming food destination, filled with restaurants that specialize in international cuisines, fusion dishes, and chefs on the verge of the next big thing. It is also home to some of the oldest and most flavorful cooking on the planet. Betty Liu, whose family has deep roots in Shanghai and grew up eating homestyle Shanghainese food, provides an enchanting and intimate look at this city and its abundant cuisine. In this sumptuous book, part cookbook, part travelogue, part cultural study, she cuts to the heart of what makes Chinese food Chinese—the people, their stories, and their family traditions. Organized by season, My Shanghai takes us through a year in the Shanghai culinary calendar, with flavorful recipes that go beyond the standard, well-known fare, and stories that illuminate diverse communities and their food rituals. Chinese food is rarely associated with seasonality. Yet as Liu reveals, the way the Shanghainese interact with the seasons is the essence of their cooking: what is on a dinner table is dictated by what is available in the surrounding waters and fields. Live seafood, fresh meat, and ripe vegetables and fruits are used in harmony with spices to create a variety of refined dishes all through the year. My Shanghai allows everyone to enjoy the homestyle food Chinese people have eaten for centuries, in the context of how we cook today. Liu demystifies Chinese cuisine for home cooks, providing recipes for family favorites that have been passed down through generations as well as authentic street food: her mother's lion's head meatballs, mung bean soup, and weekday stir-fries; her father-in-law's pride and joy, the Nanjing salted duck; the classic red-braised pork belly (as well as a riff to turn them into gua bao!); and core basics like high stock, wontons, and fried rice. In My Shanghai , there is something for everyone—beloved noodle and dumpling dishes, as well as surprisingly light fare. Though they harken back centuries, the dishes in this outstanding book are thoroughly modern—fresh and vibrant, sophisticated yet understated, and all bursting with complex flavors that will please even the most discriminating or adventurous palate.
El Paladión, la más sagrada imagen de la diosa Atenea, ha sido encontrado... El arqueólogo Fabio Ottaviani y su equipo parecen haber encontrado el Paladión, la más sagrada imagen de la diosa Atenea. Sin embargo, como no tardarán en comprobar, el Paladión es mucho más que una pieza de incalculable valor, y son muchos los que quieren apoderarse de ella a cualquier precio. Fascinado por su misteriosa leyenda, Ottaviani no dudará en rastrear en antiguos manuscritos y poner en peligro su propia vida para descubrir qué secreto esconde la mítica escultura. Reseña: «El éxito de Manfredi estriba en hacer pisar al lector la misma nieve, el mismo polvo y los mismos charcos que los protagonistas de sus historias.» Historia National Geographic