Short Stories/Novellas

Wilkie Collins was an English novelist and playwright. Collins was also a lifelong friend of the legendary writer Charles Dickens with whom he worked with on some plays and other fictional works. In total Collins was the author of 30 novels, 14 plays and more than 60 short stories with his best known works being The Woman in White and The Moonstone. This edition of Collins’ The Last Stage Coachman includes a Table of Contents.

. . . . I have endeavored, in writing my little book, to keep the spirit of its title-page motto in view, and tell my "honest tale" as "plainly" as I could -- or, in other words, as plainly as if I were only relating it to an audience of friends at my own fireside." -- W. W. C.

""A Terribly Strange Bed"" is a short story by the renowned English author, Wilkie Collins. The story is set in Paris and follows the protagonist, a young Englishman named Faulkner, who is staying in a hotel. One evening, he decides to go out to a casino and ends up winning a large sum of money. However, on his way back to the hotel, he is accosted by a stranger who invites him to a private gambling party. Faulkner agrees and is led to a luxurious apartment where he is introduced to several other men. They begin to play cards, but as the night progresses, Faulkner starts to feel uneasy. He realizes that the men are cheating and that he is in danger. He tries to leave, but the door is locked, and he is trapped. The men reveal that they plan to kill him and take his money. Faulkner manages to escape by jumping out of a window and lands in the street below. He survives but is left traumatized by the experience. ""A Terribly Strange Bed"" is a suspenseful and thrilling tale that showcases Collins' mastery of the mystery genre.THIS 22 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Omnibus of Adventure Volume One, by Wilkie Collins. To purchase the entire book, please order ISBN 141914586X.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This early work by Wilkie Collins was originally published in 1853. Born in Marylebone, London in 1824, Collins' family enrolled him at the Maida Hill Academy in 1835, but then took him to France and Italy with them between 1836 and 1838. Returning to England, Collins attended Cole's boarding school, and completed his education in 1841, after which he was apprenticed to the tea merchants Antrobus & Co. in the Strand. In 1846, Collins became a law student at Lincoln's Inn, and was called to the bar in 1851, although he never practiced. It was in 1848, a year after the death of his father, that he published his first book, The Memoirs of the Life of William Collins, Esq., R.A., to good reviews. The 1860s saw Collins' creative high-point, and it was during this decade that he achieved fame and critical acclaim, with his four major novels, The Woman in White (1860), No Name (1862), Armadale (1866) and The Moonstone (1868). The Moonstone, meanwhile is seen by many as the first true detective novel - T. S. Eliot called it "the first, the longest, and the best of modern English detective novels...in a genre invented by Collins and not by Poe." Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.

William Wilkie Collins (1824-1889) was an English novelist, playwright, and writer of short stories. He was hugely popular in his time, and wrote 27 novels, more than 50 short stories, at least 15 plays, and over 100 pieces of non-fiction work. His best-known works are The Woman in White (1860), The Moonstone (1868), Armadale (1866) and No Name (1862). His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. His novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents - with a densely-plotted revenge thriller. Amongst his other works are: Basil (1852), Hide and Seek (1854), After the Dark (1856), The Frozen Deep (1857), The Queen of Hearts (1859), Man and Wife (1870), The New Magdalen (1873), The Law and the Lady (1875), The Two Destinies (1876), and A Rogue's Life (1879).

"A House to Let" is a novella originally published in 1858 by Charles Dickens, Wilkie Collins, Elizabeth Gaskell and Adelaide Anne Procter. Each of the contributors wrote a chapter (stories within a story, and in the case of Adelaide Anne Procter, as a story in verse) and the whole was edited by Dickens, making it fit together seamlessly as a whole. This novella is a composite tale of mystery and intrigue set amid the dark streets of Victorian London. It is about a house that has remained vacant for several years which as come to the notice of an elderly woman named Sophonisba. She wants to know why the house is vacant, which is what the various chapters set out to explain, through the histories of various tenants. "A House of Let" is a seriously underrated novella that captures the mystery and humor of a fabulous story of bygone days.

Revered as one of the greatest writers in the English language, Charles Dickens is celebrated for his masterful storytelling, comic genius, and remarkably memorable characters. His early novels, such as The Pickwick Papers and The Adventures of Oliver Twist, were originally published in monthly installments, capturing a growing audience that quickly spread from England to America. Two centuries later, his popularity endures as readers revel in the warm humanity of his tales of self-discovery—and delight in the annual tradition of revisiting his holiday stories.Following the tremendous success of A Christmas Carol in 1843, there was great demand for more tales of ghostly visitation, and the great Victorian storyteller happily obliged with spellbinding tales such as The Haunted House . The drama begins with a Yuletide gathering in an eerie country retreat that's rumored to be haunted. There, Dickens and his friends, including acclaimed authors Elizabeth Gaskell and Wilkie Collins, take on the task of finding evidence of a supernatural presence in the house. When they reconvene at a Twelfth Night feast to review their findings, what will their stories reveal?

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

No Thoroughfare is a stage play and novel by Charles Dickens and Wilkie Collins, both released in December 1867. Two boys from the Foundling Hospital are given the same name, (Walter Wilding), with disastrous consequences in adulthood. After the death of one - now a proprietor of a wine merchant's company - the executors, to right the wrong, are commissioned to find a missing heir. Their quest takes them from wine cellars in the City of London to the sunshine of the Mediterranean - across the Alps in winter. Danger and treachery would prevail were it not for the courage of the heroine, Marguerite, and a faithful company servant.

William Wilkie Collins (1824-1889) was an English novelist, playwright, and writer of short stories. He was hugely popular in his time, and wrote 27 novels, more than 50 short stories, at least 15 plays, and over 100 pieces of non-fiction work. His best-known works are The Woman in White (1860), The Moonstone (1868), Armadale (1866) and No Name (1862). His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. His novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents - with a densely-plotted revenge thriller. Amongst his other works are: Basil (1852), Hide and Seek (1854), After the Dark (1856), The Frozen Deep (1857), The Queen of Hearts (1859), Man and Wife (1870), The New Magdalen (1873), The Law and the Lady (1875), The Two Destinies (1876), and A Rogue's Life (1879).

Persons possessed of sluggish livers and tender hearts find two serious drawbacks to the enjoyment of a cruise at sea. It is exceedingly difficult to get enough walking exercise; and it is next to impossible (where secrecy is an object) to make love without being found out. Reverting for the moment to the latter difficulty only, life within the narrow and populous limits of a vessel may be defined as essentially life in public. . . .

The Dead Alive, also called John Jago’s Ghost, is a novella written in 1874 by Wilkie Collins based on the Boorn Brothers murder case. William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright and short story writer best known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to the family of a painter, William Collins, in London, he grew up in Italy and France, learning French and Italian. He began work as a clerk for a tea merchant. After his first novel, Antonina, appeared in 1850, he met Charles Dickens, who became a close friend and mentor. Some of Collins's works appeared first in Dickens's journals All the Year Round and Household Words and they collaborated on drama and fiction. Collins achieved financial stability and an international following with his best known works in the 1860s, but began suffering from gout. Taking opium for the pain grew into an addiction. In the 1870s and 1880s his writing quality declined with his health. Collins was critical of the institution of marriage: he split his time between Caroline Graves and his common-law wife Martha Rudd, with whom he had three children.

The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

Wilkie Collins (1824-1889) was an early master of mystery and suspense, writing such classics as The Moonstone, The Woman in White, and Basil. At the time of their publication, his works were classified as "sensation novels," a subgenre now seen as a precursor to mystery and suspense fiction.

The Yellow Mask (1887) is a novel by Wilkie Collins. Written toward the end of his life, The Yellow Mask recaptures some of the author’s trademark sense of mystery and psychological unease that made him a household name around the world. Recognized as an important Victorian novelist and pioneer of detective fiction, Wilkie Collins was a writer with a gift for thoughtful entertainment, stories written for a popular audience that continue to resonate with scholars and readers today. Father Rocco is a Catholic priest in the Italian city of Pisa. Through his brother, a sculptor and teacher, he becomes aware of Count Fabio D’Ascoli, a wealthy heir and an eager student of art. Vindictive and ruled by jealousy, Rocco fabricates a story accusing D’Ascoli’s family of stealing from the Church centuries before. Determined to obtain the D’Ascoli fortune, Father Rocco creates a rift between the Count and his young lover Nanina, then places his innocent niece Maddalena in a position to marry D’Ascoli. When Maddalena dies in childbirth, however, a strange figure in a yellow mask begins haunting her distraught widower, driving him to the brink of insanity. Beyond its sensational plot, The Yellow Mask is a novel that effectively critiques the institution of marriage and the morality of leaders in the Roman Catholic Church. Collins’ novel is a masterpiece of Gothic horror and mystery for seasoned readers of Victorian fiction and newcomers alike. This edition of Wilkie Collins’ The Yellow Mask is a classic work of English literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.