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There has never been an edition of the selected letters of Walt Whitman, a remarkable fact considering how accustomed we are to becoming acquainted with major writers through their letters. Now Edwin Haviland Miller, editor of the six-volume collected writings of Whitman, has used his intimate knowledge of the "good gray poet's" correspondence to produce this revealing selection of 250 letters, introduced and annotated concisely and evocatively. Whitman in these letters is simple, direct, colloquial, adding a counterpoint to his artistic voice and persona as a poet.
This revised Norton Critical Edition contains the most complete and authoritative collection of Whitman's work available in a paperback student edition. The text of Leaves of Grass is again that of the indispensable "Reader's Comprehensive Edition," edited by Sculley Bradley and Harold W. Blodgett, which is accompanied by revised and expanded explanatory annotations. New to this edition is the full text of the celebrated 1855 first edition of Leaves of Grass , as well as generous excerpts from Whitman's two prose masterpieces, Democratic Vistas and Specimen Days . Following the texts is an album of portraits of Whitman, as well as "Whitman on His Art," a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations, and newspaper articles. While continuing to provide leading commentary on Whitman by major twentieth-century poets and critics, among them D. H. Lawrence, William Carlos Williams, and Randall Jarrell, this revised edition adds important commentary by Whitman contemporaries Henry David Thoreau, Fanny Fern, Henry James, and Oscar Wilde, among others. An entirely new section of recent criticism includes six essays--by David S. Reynolds, Karen Sanchez-Eppler, John Irwin, Allen Grossman, Betsy Erkkila, and Michael Moon--that reflect both the continuing historicist mainstream of Whitman literary interpretation and influential recent work in gender and sexuality studies. The volume also includes a Chronology, a Selected Bibliography, and an Index of Titles.
A giftable, illustrated collection of quotes and pithy advice--equal parts self-help and grooming guide--by quintessential American poet and writer Walt Whitman. In 1858, famed American author Walt Whitman penned a series of newspaper columns under a pseudonym on the subject of “manly health and training,” shortly before his landmark third edition of Leaves of Grass was published. Recently discovered for the first time in 150 years, the fascinating manifesto contains the renowned poet’s advice and musings on topics such as diet, exercise, grooming, alcohol, dancing, sports, and more. This short collection presents more than 75 of his best quips, quotes, and extracts on healthy living, all in Whitman’s signature lyrical prose style.
The Wound-Dresser is a nineteen-minute-long piece by U.S. composer John Adams for chamber orchestra and baritone singer. The piece is an elegiac setting of excerpts from American poet Walt Whitman's poem "The Wound-Dresser" (1865) about his experience as a hospital volunteer during the American Civil War. It was written for baritone singer Sanford Sylvan, who premiered it on 24 February 1989 in St Paul, Minnesota, with the St Paul Chamber Orchestra conducted by the composer. It was subsequently recorded by the same forces for Nonesuch Records.[citation needed] Interpreters who have performed and recorded it since have included Thomas Hampson, Nathan Gunn and Jeremy Huw Williams. Wikisource has original text related to this article: The Wound-Dresser In 2011, the Oregon Symphony performed and recorded the composition for Music for a Time of War
Contained within the pages of this rare book is a collection of writings taken from Walt Whitman’s diaries and note-books written during his time in Canada. A keen woodsman with a passion for the outdoors, the literature contained herein was diligently transcribed for its original publication from ‘out-door notes’ composed on worn and time-stained fragments of paper by its editor, William Sloane Kennedy. A fascinating read, this book offers a unique insight into the mind of this great man and is an absolute must-read for lovers of Whitman. Walter "Walt" Whitman was an American poet, essayist, and journalist, most famous for his seminal poetical work Leaves of Grass and once hailed by D. H Lawrence as “the greatest modern poet” and “the greatest American”. This rare book is proudly republished now with an introductory biography of the author.
A century after his death, Whitman is still celebrated as America's greatest poet. In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre- Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love. Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass , this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression. Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.
Gathers the original 1855 edition of "Leaves of Grass," the 1891-92 edition--the last published in Whitman's lifetime--his writings on New York history and the Civil War, and other works, with a chronology and information on his work.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.
A collection of fifty-three poems and selections from poems focusing on the people and places encountered by the nineteenth-century American writer from his mid-thirties through his early seventies
The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Whitman contains forty-two of the American master's poems, including "Crossing Brooklyn Ferry," "Song of Myself," "I Hear America Singing," "Halcyon Days," and an index of first lines.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Thirty-four poems from "Leaves of Grass" are accompanied by essays by T.S. Eliot and D.H. Lawrence
Walt Whitman was a wild soul. His poetry expresses an earthy sensuality that was out of sync with the expanding industrialization all around him. His love of wild nature and the sensual experiences of life are felt in his every poem. This carefully selected collection, alongside the beauty of Roderick MacIver's watercolor art, creates a grand tribute to this sensitive soul.
Some of the dimmest years in Walt Whitman’s life precede the advent of Leaves of Grass in 1855, when he was working as a journalist and fiction writer. Starting around 1850, what he’d begun writing in his personal notebooks was far more enigmatic than anything he’d done before. One of Whitman’s most secretive projects during this timeframe was a novel, Life and Adventures of Jack Engle ; serialized anonymously in the spring of 1852, and rediscovered and properly published in 2017. The key to the novel’s later discovery were plot notes Whitman had made in one of his private notebooks. Whitman’s invaluable notebooks have been virtually inaccessible to the public, until now. Maintaining the early notebooks’ wild, syncretic feel and sample illustrations of Whitman’s beautiful and unkempt pages, scholars Zachary Turpin and Matt Miller’s thorough transcriptions have made these notebooks available to all; sharing Whitman’s secret space for developing his poetry, his writing, his philosophy, and himself.
This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection. The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him.