Long before Western writers had even conceived the idea of writing detective stories, the Chinese had developed a long tradition of literary works that chronicled the cases of important district magistrates. These judges held a unique position. As "fathers to the people" they were at once judge and detective, responsible for all aspects of keeping the peace and for discovering, capturing, and punishing criminals. One of the most celebrated historical magistrates was Judge Dee, who lived in the seventh century A.D. This book, written in the eighteenth century by a person well versed in the Chinese legal code, chronicles three of Judge Dee's most celebrated cases, interwoven to form a novel. A double murder among traveling merchants, the fatal poisoning of a bride on her wedding night, and an unsolved murder in a small town under Judge Dee's jurisdiction — these are the crimes. They take Judge Dee up and down the great silk routes, through clever disguises, into ancient graveyards where he consults the spirits of the dead, and through some clever deduction. After translating Dee Goong An, Robert Van Gulik continued the adventures of Judge Dee in fiction he wrote himself. This, however is the only place where you can find the originals of Judge Dee, the venerable Sergeant Hoong, the treacherous Ma Joong, and the other members of Dee's detective force. As the first publication of Dee Goong An in the United States, this edition makes these cases accessible for the first time. While the cases are superb for reading, they also show the Chinese system of law enforcement and legal proceedings (which are quite different from Western forms). Van Gulik has provided a thorough introduction and appendix with much information on Chinese detective novels, the Chinese system of justice, and particularly relevant aspects of Chinese law that play a part in these stories.
Meet Judge Dee, the detective lauded as the "Sherlock Holmes of ancient China" Fans of Alexander McCall Smith's No. 1 Ladies' Detective Agency series will thrill to this reissue of the first volume in Robert van Gulik's classic Chinese Murders series. The Chinese Bell Murders introduces the great Judge Dee, a magistrate of the city of Poo-yang in ancient China. In the spirit of ancient Chinese detective novels, Judge Dee is challenged by three cases. First, he must solve the mysterious murder of Pure Jade, a young girl living on Half Moon Street. All the evidence points to the guilt of her lover, but Judge Dee has his doubts. Dee also solves the mystery of a deserted temple and that of a group of monks' terrific success with a cure for barren women.
In this, the second book in Robert van Gulik's classic mystery series of ancient China, Judge Dee must look into the murder of his predecessor. His job is complicated by the simultaneous disappearance of his chief clerk and the new bride of a wealthy local shipowner. Meanwhile, a tiger is terrorizing the district, the ghost of the murdered magistrate stalks the tribunal, a prostitute has a secret message for Dee, and the body of a murdered monk is discovered to be in the wrong grave. In the end, the judge, with his deft powers of deduction, uncovers the one cause for all of these seemingly unrelated events.
In the third installment of Robert Van Gulik's classic ancient Chinese mystery series based on historical court records, magistrate, lawyer, and detective Judge Dee has his work cut out for him. Set in 666 A.D. , in the hidden city of Han-yuan, sixty miles from the imperial capital of ancient China, Dee is sent to investigate a case of embezzlement of government funds. But things are about to get more complicated for the great detective. Just before he is about to take leave of Han-yuan, the popular courtesan Almond Blossom disappears, and then a bride who dies on her wedding night also disappears from her coffin -- her body replaced with that of a murdered man. To make matters worse, Judge Dee is confronted with the dangerous sect called the White Lotus.
The ancient Chinese detective Judge Dee returns for a fourth and final time in The Chinese Nail Murders . Though the setting is exotic and the time period ancient, Judge Dee has all the style and swagger of a modern Sherlock Holmes. Judge Dee is appointed to the magistrate of Pei-chow—a distant frontier district in the barren north of the ancient Chinese Empire. It is here that he is faced with three strange and disturbing crimes: the theft of precious jewels, the disappearance of a girl in love, and the fiendish murder involving the nude, headless body of a woman. And even more curious, the crimes seem to be linked together by clues from a popular game of the period, the Seven Board. First published in the 1950s, The Chinese Nail Murders includes charming illustrations and an epilogue that details the origins of each case and how the author discovered them.
Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge. "Entertaining, instructive, and impressive."— Times Literary Supplement
A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.
Poisoned plums, a cryptic scroll picture, passionate love letters, and a hidden murderer with a penchant for torturing and killing women lead Judge Dee to the heart of the Governor’s garden maze and the answers to three interwoven mysteries. The Chinese Maze Murders represents Robert van Gulik’s first venture into writing suspense novels after the success of Dee Gong An , his translation of an anonymous Chinese detective novel from the sixteenth century.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate. "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-— New York Times Book Review "Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen . Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-— The Spectator "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-— New York Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
It all begins on the night of the Poo-yang dragonboat races in 699 A.D.: a drummer in the leading boat collapses, and the body of a beautiful young woman turns up in a deserted country mansion. There, Judge Dee—tribunal magistrate, inquisitor, and public avenger—steps in to investigate the murders and return order to the Tang Dynasty. In The Emperor’s Pearl , the judge discovers that these two deaths are connected by an ancient tragedy involving a near-legendary treasure stolen from the Imperial Harem one hundred years earlier. The terrifying figure of the White Lady, a river goddess enshrined on a bloodstained altar, looms in the background of the investigation. Clues are few and elusive, but under the expert hand of Robert van Gulik, this mythic jigsaw puzzle assembles itself into a taut mystery. “If you have not yet discovered Judge Dee and his faithful Sgt. Hoong, I envy you that initial pleasure which comes from the discovery of a great detective story. For the magistrate of Poo-yang belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes.”—Robert Kirsch, Los Angeles Times “The title of this book and the book itself have much in common. Each is a jewel, a rare and precious find.”— Atlanta Times
The Monkey and The Tiger includes two detective stories, "The Morning of the Monkey" and "The Night of the Tiger." In the first, a gibbon drops an emerald in the open gallery of Dee's official residence, leading the judge to discover a strangely mutilated body in the woods—and how it got there. In the second, Dee is traveling to the imperial capital to assume a new position when he is separated from his escort by a flood. Marooned in a large country house surrounded by fierce bandits, Dee confronts an apparition that helps him solve a mystery.
Judge Dee presided over his imperial Chinese court with a unique brand of Confucian justice. A near mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore, and later immortalized by Robert van Gulik in his electrifying mysteries. In The Phantom of the Temple, three separate puzzles—the disappearance of a wealthy merchant's daughter, twenty missing bars of gold, and a decapitated corpse—are pieced together by the clever judge to solve three murders and one complex, gruesome plot. “Judge Dee belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes. I assure you it is a compliment not given frivolously.”—Robert Kirsch, Los Angeles Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
Judge Dee has been appointed emergency governor of the plague- and drought-ridden Imperial City. As his guards help the city fend off a popular uprising, an aristocrat from one of the oldest families in China suffers an "accident" in a deserted mansion. In The Willow Pattern , the illustrious judge uses his trademark expertise to unravel the mysteries of the nobleman, a shattered vase, and a dead bondmaid. Along the way he encounters a woman who fights with loaded sleeves, a nearly drowned courtesan, and an elaborate trap set for a murderer. Packed with suspense, violence, and romance, The Willow Pattern won’t disappoint Judge Dee’s legions of loyal fans. "The China of old, in Mr. van Gulik’s skilled hands, comes vividly alive again."—Allen J. Hubin, New York Times Book Review
Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available. Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots. Murder in Canton takes place in the year 680, as Judge Dee, recently promoted to lord chief justice, is sent incognito to Canton to investigate the disappearance of a court censor. With the help of his trusted lieutenants Chiao Tai and Tao Gan, and that of a clever blind girl who collects crickets, Dee solves a complex puzzle of political intrigue and murder through the three separate subplots "the vanished censor," "the Smaragdine dancer," and "the Golden Bell." An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.
The eight short stories in Judge Dee at Work cover a decade during which the judge served in four different provinces of the T’ang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the Judge Dee series.
Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available. Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots. Necklace and Calabash finds Judge Dee returning to his district of Poo-yang, where the peaceful town of Riverton promises a few days' fishing and relaxation. Yet a chance meeting with a Taoist recluse, a gruesome body fished out of the river, strange guests at the Kingfisher Inn, and a princess in distress thrust the judge into one of the most intricate and baffling mysteries of his career. An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.
Judge Dee, the master detective of seventh-century China, sets out to solve a puzzling double murder and discovers complex passions lurking beneath the placid surface of academic life. A mild-mannered student is rumored to have been slain by a fox-demon, while a young dancer meets her death as she dresses to perform for the magistrate's illustrious dinner guests—an obese Zen monk revered for his calligraphy, a beautiful poetess accused of murder, and the past president of the imperial academy. To connect the present crimes with betrayals and adulteries from decades past, the clever judge must visit a high-class brothel and the haunted shrine of the Black Fox. From the moment the young scholar is found dead on the eve of the Autumn Festival, the pace never lets up. "The China of old, in Mr. van Gulik's skilled hands, comes vividly alive again."—Allen J. Hubin, New York Times Book Review "If you have not yet discovered Judge Dee, I envy you that initial pleasure. . . . For the magistrate of Poo-yang belongs in that select group headed by Sherlock Holmes."—Robert Kirsch, Los Angeles Times