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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Memories and Portraits is a collection of essays by Robert Louis Stevenson, first published in 1887. Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde, and A Child's Garden of Verses. A literary celebrity during his lifetime, Stevenson now ranks as the 26th most translated author in the world. His works have been admired by many other writers, including Jorge Luis Borges, Bertolt Brecht, Marcel Proust, Arthur Conan Doyle, Henry James, Cesare Pavese, Emilio Salgari, Ernest Hemingway, Rudyard Kipling, Jack London, Vladimir Nabokov,J. M. Barrie, and G. K. Chesterton, who said of him that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins" Stevenson was born at 8 Howard Place, Edinburgh, Scotland, on 13 November 1850, to Thomas Stevenson (1818–87), a leading lighthouse engineer, and his wife Margaret Isabella (born Balfour; 1829–97). He was christened Robert Lewis Balfour Stevenson. At about age 18, Stevenson was to change the spelling of "Lewis" to "Louis", and in 1873, he dropped "Balfour". Lighthouse design was the family's profession: Thomas's father (Robert's grandfather) was the famous Robert Stevenson, and both of Thomas's brothers (Robert's uncles) Alan and David, were in the same field.[9] Indeed, even Thomas's maternal grandfather, Thomas Smith, had been in the same profession. However, Robert's mother's family were not of the same profession. Margaret's natal family, the Balfours, were gentry, tracing their lineage back to a certain Alexander Balfour who had held the lands of Inchyra in Fife in the fifteenth century. Margaret's father, Lewis Balfour (1777–1860), was a minister of the Church of Scotland at nearby Colinton, and her siblings included the physician George William Balfour and the marine engineer James Balfour. Stevenson spent the greater part of his boyhood holidays in his maternal grandfather's house. "Now I often wonder," wrote Stevenson, "what I inherited from this old minister. I must suppose, indeed, that he was fond of preaching sermons, and so am I, though I never heard it maintained that either of us loved to hear them." Lewis Balfour and his daughter both had weak chests, so they often needed to stay in warmer climates for their health. Stevenson inherited a tendency to coughs and fevers, exacerbated when the family moved to a damp, chilly house at 1 Inverleith Terrace in 1851. The family moved again to the sunnier 17 Heriot Row when Stevenson was six years old, but the tendency to extreme sickness in winter remained with him until he was eleven. Illness would be a recurrent feature of his adult life and left him extraordinarily thin. Contemporary views were that he had tuberculosis, but more recent views are that it was bronchiectasis or even sarcoidosis. Stevenson's parents were both devout and serious Presbyterians, but the household was not strict in its adherence to Calvinist principles. His nurse, Alison Cunningham (known as Cummy),was more fervently religious. Her Calvinism and folk beliefs were an early source of nightmares for the child, and he showed a precocious concern for religion.But she also cared for him tenderly in illness, reading to him from Bunyan and the Bible as he lay sick in bed and telling tales of the Covenanters. Stevenson recalled this time of sickness in "The Land of Counterpane" in A Child's Garden of Verses (1885), dedicating the book to his nurse.An only child, strange-looking and eccentric, Stevenson found it hard to fit in when he was sent to a nearby school at age six, a problem repeated at age eleven when he went on to the Edinburgh Academy;

Originally published in 1887. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.

Discusses umbrellas, John Knox, nature, idleness, love, Walt Whitman, Robert Burns, Samuel Pepys, dogs, art, and engineering

The noted author gives an eyewitness account of the battle of three Western nations--Britain, the United States, and Germany--for control of Samoa.

I always imagine St. Andrews to be an ineffectual seat of learning, and the sound of the east wind and the bursting surf to linger in its drowsy classrooms and confound the utterance of the professor... -from "Random Memories" With observations both trenchant and sentimental from the keen eye of one of the 19th century's most beloved writers, this charming volume, first published in 1892, is a delightful potpourri of Robert Louis Stevenson's essays. Within: . a recounting of an overland trip from New York to San Francisco, with thoughts on the people and landscape of America . a valentine to a French artists' colony... and a withering eye for the artists themselves ("'Snoozing' is a part of the artistic education") . commentary on the cantankerous and windswept nature of "The Coast of Fife" and the value of "The Education of an Engineer." These musings of an inveterate wandering and keen spectator of life serve as a glimpse into the mind and memories of an author's imagination, and serve as a vital psychological backdrop for the tales of adventure, romance, and horror related in Stevenson's fiction. Scottish writer and poet ROBERT LOUIS STEVENSON (1850-1894) was born in Edinburgh to a prosperous family of engineers, but gave up the family profession first for law and then for literature. Among his prodigious output as a writer are: Treasure Island (1883), The Black Arrow (1884), A Child's Garden of Verses (1885), Kidnapped (1886), and The Strange Case of Dr. Jekyll and Mr. Hyde (1886).

This Elibron Classics book is a facsimile reprint of a 1912 edition by Methuen and co., ltd., London.

The Amateur Emigrant (in full: The Amateur Emigrant from the Clyde to Sandy Hook) is Robert Louis Stevenson's travel memoir of his journey from Scotland to California in 1879-1880. It is not a complete account, covering the first third, by ship from Europe to New York City. The middle leg of the trip is documented in Across the Plains (1892) with the final part covered in The Silverado Squatters (1883). The Amateur Emigrant was written in 1879-80 and was not published in full until 1895, one year after his death. In July 1879, Robert Louis Stevenson received word that his future American wife's (Fanny Vandegrift) divorce was almost complete and she was ready to remarry, but that she was seriously ill. He left Scotland right away to meet her in her native California. Leaving by ship from Glasgow, Scotland, he determined to travel in steerage class to see how the working classes fared. At the last minute he was convinced by friends to purchase a ticket one grade above the lowest, which he was later thankful for after seeing the conditions at the bow of the boat, but he still lived among the lower classes. Stevenson described the crowded weeks in steerage with the poor and sick, as well as stowaways, and his initial reactions to New York City, where he spent a few days. Filled with sharp-eyed observations, it brilliantly conveys Stevenson’s perceptions of America and Americans. It also provides a very detailed and enjoyable account of what it was like to travel to America as an emigrant in the 19th century, during a time of mass migrations to the New World. Details such as the bedding arrangements, daily food rations, relationships with the crew and with higher grade ticket holders, passengers of other nationalities, entertainment, children - all provide a rich and colorful tapestry of life on board the ship. The work was never published in full in Stevenson's lifetime. It shocked the sensibilities of his middle-class friends and family that he was so close with rough people. Certain passages were considered too graphic by the publisher, and also by Stevenson's father Thomas Stevenson, who bought all the copies of the already printed travelogue, judging it beneath his son's talent. However The Amateur Emigrant is a remarkable revelation of the intermingled complexities of class, race and gender in late Victorian England. Andrew Noble (1991) says it was Stevenson's greatest work, due to his willingness to confront the difficult social conditions of his time. Contents: 1.The Second Cabin 2.Early Impressions 3.Steerage Scenes 4.Steerage Types 5.The Sick Man 6.The Stowaways 7.Personal Experience and Review 8.New York "The Story of a Lie" was a product of this trip and was published in the New Quarterly Magazine in 1879. Both texts were eventually published together as the singular The Amateur Emigrant from the Clyde to Sandy Hook in 1895, the year after Stevenson's death. Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde, and A Child's Garden of Verses.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.