Hakan Veil Books
An atmospheric tale of corruption and abduction set on Mars, from the author of the award-winning science fiction novel Altered Carbon, now an exciting new series from Netflix. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE GUARDIAN Hakan Veil is an ex–corporate enforcer equipped with military-grade body tech that’s made him a human killing machine. His former employers have abandoned him on a turbulent Mars where Earth-based overlords battle for profits and power amid a homegrown independence movement. But he’s had enough of the red planet, and all he wants is a ticket back home—which is just what he’s offered by the Earth Oversight organization, in exchange for being the bodyguard for an EO investigator. It’s a beyond-easy gig for a heavy hitter like Veil . . . until it isn’t. When Veil’s charge starts looking into the mysterious disappearance of a lottery winner, it stirs up a hornet’s nest of intrigue and murder. And the deeper Veil is drawn into the game, the more long-buried secrets claw their way to the Martian surface. Now it’s the expert assassin poised against powerful enemies hellbent on taking him down—by any means necessary. Praise for Thin Air “Kick-ass . . . Mixed in with the thriller-esque action and cyberpunk backdrop is a hard-boiled noir story complete with a twisting and turning plot that keeps readers on their toes.” — Los Angeles Times “Richard K. Morgan wants to destroy your Mars fantasies. . . . It’s a grim vision, but one that Morgan finds far more plausible than the cheerful visions of plucky Mars colonists common in sci-fi .”— Wired “A robotically enhanced Jack Reacher [in a] dazzlingly intricate game of political double- and triple-cross, spiced with tastily kinetic battle sequences.” — The Guardian “If you ever imagined that the core esthetics and themes of cyberpunk—lowlifes and high tech; corporate dominance; future noir; post-human evolution and cyborg adaptations; hardscrabble urban environments—were played out, Thin Air will set you straight, and kick your butt in the process. . . . Both kinematic and cinematic, [ Thin Air is] limned by Morgan with balletic precision and smashmouth grace.” —Paul Di Filippo, Locus
The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu-an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.