Non-Fiction Books

art: Jess, Berman, DeFeo, Conner, Hedrick, Herms

In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants that has yet to come to a real conclusion. A century later—1951—and about a hundred and fifty miles away, another war began when the U. S. government started setting off nuclear bombs at the Nevada Test Site, in what was called a nuclear testing program but functioned as a war against the land and people of the Great Basin. Savage Dreams is an exploration of these two landscapes. Together they serve as our national Eden and Armageddon and offer up a lot of the history of the west, not only in terms of Indian and environmental wars, but in terms of the relationship between culture—the generation of beliefs and views—and its implementation as politics.

In this acclaimed exploration of the culture of others, Rebecca Solnit travels through Ireland, the land of her long-forgotten maternal ancestors. A Book of Migrations portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism and tourism. Enriched by cross-cultural comparisons with the history of the American West, A Book of Migrations carves a new route through Ireland’s history, literature and landscape.

Reporting from the front lines of gentrification in San Francisco, Rebecca Solnit and Susan Schwartzenberg sound a warning bell to all urban residents. Wealth is just as capable of ravaging cities as poverty.

This volume provides a history of walking, exploring the relationship between thinking and walking and between walking and culture. The author argues for the preservation of the time and space in which to walk in an ever more car-dependent and accelerated world.

To Rebecca Solnit, the word "landscape" implies not only literal places, but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art―its history, techniques, and criticism―to offer a remarkable compendium of Solnit's research and ruminations. The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves―as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains. Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

A New York Times Notable Book Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology “A panoramic vision of cultural change” — The New York Times Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.

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When the first edition of Hope in the Dark was published in mid-2004 it gained an instant cult audience. Many readers were so inspired by Solnit's book that they bought multiple copies to give to friends. This new, significantly expanded edition covers, among other things, the political territory of America and the world after George Bush's re-election. Acclaimed author Rebecca Solnit draws on her life as a writer and activist, on the events of our moment, on our deepest past, to argue for hope—hope even in the dark. Solnit reminds us of how changed the world has been by the activism of the past five decades. Offering a dazzling account of some of the least expected of those changes, she proposes a vision of cause-and-effect relations that provides new grounds for political engagement in the present. Counting historic victories—from the fall of the Berlin wall to the Zapatista uprising to Seattle in 1999 to the worldwide marches against war in Iraq to Cancun in September 2003—she traces the rise of a sophisticated, supple, nonviolent new movement that unites all the diverse and fragmentary issues of the eighties and nineties in our new century.

“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” — Los Angeles Times From the award-winning author of Orwell's Roses , a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo . The result is a distinctive, stimulating voyage of discovery.

Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise , an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.--Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today’s street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium—not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit’s subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book’s overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison. These startling insights on current affairs, politics, culture, and history, always expressed in Solnit’s pellucid and graceful prose, constantly revise our views of the otherwise ordinary and familiar. Illustrated throughout, Storming the Gates of Paradise represents recent developments in Solnit’s thinking and offers the reader a panoramic world view enriched by her characteristically provocative, inspiring, and hopeful observations.

“...A fascinating account of what really happened in Seattle.”— Naomi Klein “This book is a great read for any activist.”— The Progressive “If you think it's time we shut down the empire at the heart of the WTO with tactics so effectively used to weaken the WTO, pick up a copy of The Battle of the Story of the Battle of Seattle .”— David Swanson From dawn to dusk on November 30, 1999, tens of thousands of people shut down the World Trade Organization meeting, facing cops firing tear gas and rubber bullets, the National Guard, and the suspension of civil liberties. An unexpected history was launched from the streets of Seattle, one in which popular power would matter as much as corporate power, in which economics assumed center stage, and people began envisioning who else they could be and what else their economies and societies might look like. The Battle of the Story of the Battle of Seattle explores how that history itself has become a battleground and how our perception of it shapes today's movements against corporate capitalism and for a better world. David Solnit recounts activist efforts to intervene in the Hollywood star-studded movie, Battle in Seattle , and pulls lessons from a decade ago for today. Rebecca Solnit writes of challenging mainstream misrepresentation of the Seattle protests and reflects on official history and popular power. Core organizer Chris Dixon tells the real story of what happened during those five days in the streets of Seattle. Profusely illustrated, with a reprint of the original 1999 Direct Action Network's “Call to Action” broadsheet—including key articles by Stephanie Guilloud, Chris Borte, and Chris Dixon—and a powerful introduction from Anuradha Mittal. David Solnit lived and organized in Seattle in 1999 with the Direct Action Network, which the Art and Revolution Collective he was part of co-initiated. He has been a mass direct action organizer since the early '80s, and in the '90s became a puppeteer and arts organizer. He is the editor of Globalize Liberation: How to Uproot the System and Build a Better World and co-author, with Aimee Allison, of Army of None: Strategies to Counter Military Recruitment, End War and Build a Better World. He currently works as a carpenter in Oakland, California and organizes with Courage to Resist, supporting GI resisters, and with the Mobilization for Climate Justice West. Rebecca Solnit is an activist, historian and writer who lives in San Francisco. Her twelfth book, A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster , came out this fall. Her previous books include Storming the Gates of Paradise ; A Field Guide to Getting Lost ; Hope in the Dark: Untold Histories, Wild Possibilities ; Wanderlust: A History of Walking ; As Eve Said to the Serpent: On Landscape, Gender and Art; and River of Shadows : E adweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A contributing editor to Harper's, she frequently writes for the political site Tomdispatch.com. She has worked on antinuclear, antiwar, environmental, indigenous land rights and human rights campaigns and movements over the years.

A startling investigation of what people do in disasters and why it matters Why is it that in the aftermath of a disaster? whether manmade or natural?people suddenly become altruistic, resourceful, and brave? What makes the newfound communities and purpose many find in the ruins and crises after disaster so joyous? And what does this joy reveal about ordinarily unmet social desires and possibilities? In A Paradise Built in Hell , award-winning author Rebecca Solnit explores these phenomena, looking at major calamities from the 1906 earthquake in San Francisco through the 1917 explosion that tore up Halifax, Nova Scotia, the 1985 Mexico City earthquake, 9/11, and Hurricane Katrina in New Orleans. She examines how disaster throws people into a temporary utopia of changed states of mind and social possibilities, as well as looking at the cost of the widespread myths and rarer real cases of social deterioration during crisis. This is a timely and important book from an acclaimed author whose work consistently locates unseen patterns and meanings in broad cultural histories.

This personal, lyrical narrative about storytelling and empathy from award winner Rebecca Solnit is a fitting companion to her beloved A Field Guide for Getting Lost In this exquisitely written new book by the author of A Paradise Built in Hell , Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.

In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note― because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf ’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark , both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby ; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster ; A Field Guide to Getting Lost ; Wanderlust: A History of Walking ; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

The incomparable Rebecca Solnit, author of more than a dozen acclaimed books of nonfiction, brings the same dazzling writing to the twenty-nine essays in The Encyclopedia of Trouble and Spaciousness . As the title suggests, the territory of Solnit’s concerns is vast, and in her signature alchemical style she combines commentary on history, justice, war and peace, and explorations of place, art, and community, all while writing with the lyricism of a poet to achieve incandescence and wisdom. Gathered here are celebrated iconic essays along with little-known pieces that create a powerful survey of the world we live in. In its encyclopedic reach and its generous compassion, Solnit’s collection charts a way through the thickets of our complex social and political worlds. Like the women who've pioneered before her—Sontag, Didion, and Dillard—her essays are a beacon.

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In 1963 the waters began rising behind Glen Canyon Dam and 170 miles of the Colorado River slowly disappeared as the riverbed and surrounding canyons filled with water. Environmentalists considered it a disaster and mourned Glen Canyon as gone forever. The Sierra Club joined forces with photographer Eliot Porter to document what would be lost under the dam’s waters, resulting in the publication of the landmark 1963 photobook The Place No One Knew: Glen Canyon on the Colorado . But in an unexpected victory that speaks to the pervasive disaster of climate change, the reservoir is now declining and the Colorado River is coming back. Photographers Byron Wolfe (born 1967) and Mark Klett (born 1952), along with writer Rebecca Solnit (born 1961), spent five years exploring the place as expectations and possibilities changed, and the river reemerged at the upper end of the reservoir. In dialogue with Porter’s book, Klett and Wolfe retraced the physical locations where Porter made his photographs, now often submerged by the reservoir’s waters. Solnit’s accompanying text meditates on the meanings and histories of the place, drawing from both the trio’s explorations and archival research. Drowned River is a book about climate change, about “the madness of the past and the terror of the future” (as Solnit puts it). But it is also a book about how photography can describe beauty and trouble simultaneously, and what it takes to understand a place and to come to terms with the changes we have set in motion.

National Book Award Longlist Winner of the Kirkus Prize for Nonfiction Winner of the Foreword INDIE Editor’s Choice Prize for Nonfiction “Rebecca Solnit is essential feminist reading.” ― The New Republic “Solnit’s exquisite essays move between the political and the personal, the intellectual and the earthy.” ― Elle Rebecca Solnit is the author of more than twenty books, including the international bestseller Men Explain Things to Me . Called “the voice of the resistance” by the New York Times , she has emerged as an essential guide to our times, through her incisive commentary on feminism, violence, ecology, hope, and everything in between. In this powerful and wide-ranging collection, Solnit turns her attention to battles over meaning, place, language, and belonging at the heart of the defining crises of our time. She explores the way emotions shape political life, electoral politics, police shootings and gentrification, the life of an extraordinary man on death row, the pipeline protest at Standing Rock, and the existential threat posed by climate change. The work of changing the world sometimes requires changing the story, the names, and inventing or popularizing new names and terms and phrases. Calling things by their true names can also cut through the lies that excuse, disguise, avoid, or encourage inaction, indifference, obliviousness in the face of injustice and violence.

"This is a reminder of hope and possibility, of kindness and compassion, and―perhaps most salient―imagination and liberty. Through the imaginations of our childhoods, can we find our true selves liberated in adulthood?” ―Chelsea Handler In her debut children’s book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page. In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes. Rebecca Solnit is the author of more than twenty books including Men Explain Things to Me, Call Them by Their True Names, Hope in the Dark , and The Mother of All Questions . Arthur Rackham (1867–1939) was a prominent British illustrator of many classic children’s books from The Fairy Tales of the Brothers Grimm to Sleeping Beauty . His watercolor silhouettes were featured in the original edition of Cinderella .

New feminist essays for the #MeToo era from the international best-selling author of Men Explain Things to Me . Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In Whose Story Is This? Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence , Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker.” —Claire Messud, Harper's “Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.” — Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world “In the spring of 1936, a writer planted roses.” So be-gins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers are drawn onward from Orwell‘s own work as a writer and gardener to encounter photographer Tina Modotti’s roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit’s portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

Drawn from more than two decades of pathbreaking writing, the iconic and bestselling David Graeber's most important essays and interviews. "The ultimate hidden truth of the world is that it is something that we make, and could just as easily make differently," wrote David Graeber. A renowned anthropologist, activist, and author of such classic books as Debt and the breakout New York Times bestseller The Dawn of Everything (with David Wengrow), Graeber was as well-known for his sharp, lively essays as he was for his iconic role in the Occupy movement and his paradigm-shifting tomes. There are converging political, economic, and ecological crises, and yet our politics is dominated by either business as usual or nostalgia for a mythical past. Thinking against the grain, Graeber was one of the few who dared to imagine a new understanding of the past and a liberatory vision of the future―to imagine a social order based on humans’ fundamental freedom. In essays published over three decades and ranging across the biggest issues of our time― inequality, technology, the identity of “the West,” democracy, art, power, anger, mutual aid, and protest―he challenges the old assumptions about political life. A trenchant critic of the order of things, and driven by a bold imagination and a passionate commitment to human freedom, he offers hope that our world can be different. During a moment of daunting upheaval and pervasive despair, the incisive, entertaining, and urgent essays collected in The Ultimate Hidden Truth of the World . . . , edited and with an introduction by Nika Dubrovsky and with a foreword by Rebecca Solnit, make for essential and inspiring reading. They are a profound reminder of Graeber’s enduring significance as an iconic, playful, necessary thinker.