The Pulitzer Prize–winning, internationally acclaimed author of American Pastoral delivers a fierce tragedy of sexual need and blindness. • "Roth's best.” — Newsweek A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, My Life as a Man is Roth's most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen's death, Peter is still trying—and failing—to write his way free of it. Out of desperate inventions and cauterizing truths, acts of weakness, tenderheartedness, and shocking cruelty, Philip Roth creates a work worthy of Strindberg.
The novel that first introduced the Pulitzer Prize–winnning author’s most acclaimed character, Nathan Zuckerman, a budding writer infatuated with the Great Books, who meets a haunting young woman at the secluded New England farmhouse of his idol. "Further evidence that Roth can do practically anything with fiction. His narrative power—the ability to delight the reader simultaneously with the telling and the tale—is superb." — The Washington Post At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.
Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent sixties. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky, but he also finds himself the target of admonishers, advisers, and literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Zuckerman to wonder if 'target' may be more than a figure of speech. In Zuckerman Unbound - the second volume of the trilogy and epilogue Zuckerman Bound - the notorious novelist retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother...and all because of his great good fortune.
From the Pulitzer Prize–winning author of American Pastoral —and one of the most renowned writers of the twentieth century—”a ferocious, heartfelt book” ( The New Yorker ) featuring Nathan Zuckerman whose life is about to unravel when he comes down with a mysterious affliction. "Roth has a genius for the comedy of entrapment.... [He] writes America's most raucously funny novels." — Time At forty, the writer Nathan Zuckerman comes down with a terrible pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to another, but none can find a cause for the pain and nobody can assuage it. Zuckerman himself wonders if the pain can have been caused by his own books. And while he is wondering, his dependence on painkillers grows into an addiction to vodka, marijuana, and Percodan. The Anatomy Lesson is a great comedy of illness written in what the English critic Hermione Lee has described as "a manner at once ... brash and thoughtful ... lyrical and wry, which projects through comic expostulations and confessions...a knowing, humane authority." The Anatomy Lesson provides some of the funniest scenes in all of Roth's fiction as well as some of the fiercest.
From the Pulitzer Prize–winning author of American Pastoral —“a lithe comic masterpiece” ( Newsweek ) consisting of notebook entries from one of his best-loved characters, Nathan Zuckerman. In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy completes the trilogy and epilogue Zuckerman bound. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art.
Alone for eleven years on his New England mountain, Zuckerman has been nothing but a writer: no media, no terrorist threats, no women, no tasks other than his work and the enduring of old age.Walking the streets of New York after so many years away, he quickly makes three connections that explode his carefully protected solitude. Suddenly involved, as he never wanted or intended to be again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. Revisiting the characters from Roth’s much-heralded The Ghost Writer, Exit Ghost is an astounding leap into yet another phase in this great writer’s oeuvre.