Anthologies

A compilation of the debut published stories of some of the twentieth century's finest writers features the work of Ernest Hemingway, Eudora Welty, Isaac Bashevis Singer, Anne Tyler, John Updike, James Baldwin, and others

They imbued their art with the truth about love and sex and seduction. They pushed erotic writing to the center stage of American fiction. They took risks, fed our imaginations, and explored our fantasies. Drawn from the works of dozens of the best contemporary American writers, The Good Parts is American writing at its most unabashedly erotic.Contributors include: * Saul Bellow * Harold Brodkey * Philip Roth * Don DeLillo * Scott Spencer * William Styron * Joan Mellen * Kathy Acker * Rebecca Goldstein * Joyce Carol Oates * Lynne Sharon Schwartz * Elizabeth Tallent * Pat Califia * Toni Morrison * Michael Chabon * Robert Boswell * E.L. Doctorow * Mary Gordon * Oscar Hijuelos * Susanna Moore * Pam Durban * Dani Shapiro * Frederick Busch * Mary Caponegro * A.M. Homes * Charles Johnson * Jane Smiley * Robert Olen Butler * Siri Hustvedt * Susan Sontag * Amy Bloom * Steve Erickson * Amanda Filipacchi * Anna Monardo * Maria Flook * Dale Peck * Joan Wickersham * Lynne McFall * Gwendolyn M. Parker * Charles D'Ambrosio * Jennifer Egan * Anchee Min * Rick Moody * Charlotte Watson Sherman * Paula Huston * James McManus * Mary Gaitskill

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the seventy-five-year marriage between a preeminent publication and its preeminent context with this collection of forty-four of its best stories from (so to speak) home. East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village." Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Each life in it, and each life in Wonderful Town , is the life of us all. Including these stories from the magazine's most iconic writers: “The Five-Fourty-Eight” by John Cheever “Distant Music” by Ann Beattle “Sailor off the Bremen” by Irwin Shaw “Physics” by Tama Janowitz “The Whore of Mensa” by Woody Allen “What it was Like, Seeing Chris” by Deborah Eisenberg “Drawing Room B” by John O’Hara “A Sentimental Journey” by Peter Taylor “The Balloon” by Donald Barthelme “Another Marvellous Thing” by Laurie Colwin “The Failure” by Jonathan Franzen “Apartment Hotel” by Sally Benson “Midair” by Frank Conroy “The Catbird Seat” by James Thurber “I See You, Bianca” by Maeve Brennan “You’re Ugly, Too” by Lorrie Moore “Signs and Symbols” by Vladimir Nabokov “Poor Visitor” by Jamaica Kincaid “In Greenwich, There Are Many Gravelled Walks” by Hortense Calisher “Some Nights When Nothing Happens Are the Best Nights in this Place” by John McNulty “Slight Rebellion Off Madison” by J. D. Salinger “Brownstone” by Renata Adler “Partners” by Veronica Geng “The Evolution of Knowledge” by Niccolo Tucci “The Way We Live Now” by Susan Sontag “Do the Windows Open?” by Julie Hecht “The Mentocrats” by Edward Newhouse “The Treatment” by Daniel Menaker “Arrangement in Black and White” by Dorothy Parker “Carlyle Tries Polygamy” by William Melvin Kelley “Children Are Bored on Sunday” by Jean Stafford “Notes from a Bottle” by James Stevenson “Man in the Middle of the Ocean” by Daniel Fuchs “Me Spoulets of the Splendide” by Ludwig Bemelmans “Over by the River” by William Maxwell “Baster” by Jeffrey Eugenides “The Second Tree from the Corner” by E. B. White “Rembrandt’s Hat” by Bernard Malamud “Shot: A New York Story” by Elizabeth Hardwick “A Father-To-Be” by Saul Bellow “Farewell, My Lovely Appetizer” by S. J. Perelman “Water Child” by Edwidge Danticat “The Smoker” by David Schickler

John Updike has selected enduring stories from the eighty-four annual volumes of THE BEST AMERICAN SHORT STORIES, and the result is a "spectacular tapestry of fictional achievement" (Entertainment Weekly). Volume 1 of the audio edition features a wide variety of contemporary writers reading classics of the genre, along with authors reading from their own work. "America and the 20th century -- at its best" (Wall Street Journal). Contents: The Other Woman by Sherwood Anderson, read by John Updike. Theft by Katherine Anne Porter, read by Jill McCorkle. Crazy Sunday by F. Scott Fitzgerald, read by George Plimpton. The Interior Castle by Jean Stafford, read by Mary Gordon. Gold Coast by James Alan McPherson, read by James Alan McPherson. The German Refugee by Bernard Malamud, read by Alan Cheuse. The Shawl by Cynthia Ozick, read by Cynthia Ozick. How to Win by Rosellen Brown, read by Rosellen Brown. I Want to Live! by Thom Jones, read by Thom Jones. Birthmates by Gish Jen, read by Gish Jen.

Featuring: Jackie Robinson, Philip Roth, Roger Kahn, Michael Chabon, Dave Barry, Tom Brokaw, Penny Marshall, George Plimpton. W.P. Kinsella, Paul Simon, Roger Angell, John Grisham, Jules Tygiel, and many more.

Robert Frost never felt more at home in America than when watching baseball "be it in park or sand lot." Full of heroism and heartbreak, the most beloved of American sports is also the most poetic, and writers have been drawn to this sport as to no other. With Baseball: A Literary Anthology , The Library of America presents the story of the national adventure as revealed through the fascinating lens of the great American game. Philip Roth considers the terrible thrill of the adolescent centerfielder; Richard Ford listens to minor-league baseball on the radio while driving cross-country; Amiri Baraka remembers the joy of watching the Newark Eagles play in the era before Jackie Robinson shattered the color line. Unforgettable portraits of legendary players who have become icons-Babe Ruth, Ty Cobb, and Hank Aaron-are joined by glimpses of lesser-known characters such as the erudite Moe Berg, who could speak a dozen languages "but couldn't hit in any of them." Poems in Baseball: A Literary Anthology include indispensable works whose phrases have entered the language-Ernest Thayer's "Casey at the Bat" and Franklin P. Adams's "Baseball's Sad Lexicon"-as well as more recent offerings from May Swenson, Yusef Komunyakaa, and Martin Espada. Testimonies from classic oral histories offer insights into the players who helped enshrine the sport in the American imagination. Spot reporting by Heywood Broun and Damon Runyon stands side by side with journalistic profiles that match baseball legends with some of our finest writers: John Updike on Ted Williams, Gay Talese on Joe DiMaggio, Red Smith on Lefty Grove.

Fathers: A Literary Anthology is a collection of 49 essays and poems focusing on fathers. With personal essays and poems by 5 Nobel laureates, 7 Pulitzer winners, and writers such as Angela Carter, Thomas Hardy, Franz Kafka. Alice Munro, Michael Ondaatje and Virginia Woolf, the anthology is full of wit, wisdom and insight. To read authors such as James Baldwin, Annie Dillard, Doris Lessing, Sharon Olds, and Philip Roth as they explore aspects of their fathers is to open maps of possibility.