Books on Books Books
Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist. In October of 1991, French artist Sophie Ristelhueber photographed the battle-scarred landscape of Kuwait following the end of the first Gulf War. The book, Fait, which in French means "fact" or "what was done," remains one of our least known but most powerful statements about the aftermath of war. Books on Books 3 presents all 71 black-and-white and color photographs as seen in the original artist's book as it was conceived and designed by Ristelhueber. Marc Mayer of the Musée d'art contemporain de Montreal contributes an essay that discusses Ristelhueber's disturbing yet beautiful achievement.
Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist. Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well as a translation of the original Pierre Mac Orlan text on Eugene Atget's remarkable documentation of Paris at the turn of the nineteenth century. Noted author and lecturer David Campany contributes a contemporary essay called "Atget's Intelligent Documents" written for this volume.
Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Paul Graham (born 1956) was commissioned to present his view of "Britain in 1984" by the Photographer's Gallery in London, and turned his attention towards the breakdown of the welfare benefits system across the United Kingdom. In the "lemon green walls" of waiting rooms and the all-day "inevitable queues," Graham captured the poor working conditions and the inefficient service of the overburdened social security and unemployment offices across the nation. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and controversial book is augmented with contemporary essays by writer and curator David Chandler and Errata Creative Director Jeffrey Ladd. The Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.
David Goldblatt's In Boksburg stands as one of the most important observations of a middle-class white community in South Africa during the apartheid years. Published in 1982, it presents an accumulation of everyday details from the community of Boksburg through which a larger portrait is revealed of white societal values within a racially divided state. “Blacks are not of this town,” writes Goldblatt. “They serve it, trade with it, receive charity from it and are ruled, rewarded and punished by its precepts. Some, on occasion, are its privileged guests. But all who go there, do so by permit or invitation, never by right.” This facsimile reproduces all 71 black-and-white photographs as well as Goldblatt's eloquent introduction to the work, and noted writer and editor, Joanna Lehan, contributes a contemporary essay written for this volume. Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.
First published in Japan in 1993, Nobuyoshi Araki’s The Banquet ( Shokuji ) offers a moving tribute to the photographer’s late wife, Yoko, through a photo-diary of the food they shared together in the last months of her life. The book is composed of three related sections: commercial color photographs of meals shot by Araki from 1985 onwards, using a ring flash and a macro lens; a (written) food diary; and black-and-white photographs taken at home, using only available light, a series Araki began after doctors told his wife she had only a month to live. As Martin Parr and Gerry Badger observe, “The obvious metaphor is to suggest that the color was leaving Araki’s world, but his intentions are not quite so simple. The retreat from color is a retreat from realism to romanticism....” This deeply personal diary of loss is here reprinted in its entirety along with an essay by Ivan Vartanian.Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.
Photographed in a small pub in Drum, Ireland, on a single evening and with only a few rolls of film (and a rumored “five pints of Guinness”), Krass Clement (born 1946) created one of the most important contributions to the contemporary Danish photobook. His 1996 Drum opens in a darkening and foggy town, with a workday ending and some men heading off for a drink. Through subtle shifts in focus and a masterful filmic sequencing, the book comes to concentrate on one principal character in the shadowy pub: a hunched, weather-beaten old man sitting alone with his drink. Drum is a quiet, dusky meditation on community, the outsider, alienation and the terrors of being alone. A virtually unobtainable and therefore highly sought-after photobook, Clement’s masterwork is here reproduced in full, accompanied with an essay by photo historian Rune Gade. Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.
Published in a landscape paperback format by A. Zwemmer Ltd in 1982, Bad Weather was the debut monograph of one of Britain’s most world-renowned and prolific photographers. Armed with his famous wry humor and a water-proof camera, Martin Parr (born 1952) captured the social landscape and national character of the UK during downpours, drizzles, snow storms and other challenging varieties of the weather for which Britain is so famed, in gentle, charming, black-and-white photographs. Bad Weather has been out of print for 30 years and is now one of Parr’s most sought-after books. Books on Books No.17 reproduces the entire publication spread by spread, and includes an essay by Thomas Weski on Britain’s obsession with its weather, called "Even the Queen Gets Wet."
Long Live the Glorious May 7 Directive , published in 1971, is one of the key propaganda photobooks of Chairman Mao Zedong’s infamous Cultural Revolution. Illustrated with both color and black-and-white photographs taken by uncredited photographers, the book extolls the virtues of Mao’s communist ideology and purports to document the joyful, industrious effects of these ideas in action. In Long Live the Glorious May 7 Directive , smiling workers and peasants read together from Mao’s “Little Red Book” of quotations, stalwart soldiers march in unending ranks and Chinese fighter pilots conquer the open skies. Of course, history remembers the realities of Mao’s Cultural Revolution quite differently. Long Live the Glorious May 7 Directive is now extremely rare; Errata Editions’ Books on Books 20 presents this fascinating volume in its entirety with essays by Liu Ding, Carol Yinghua Lu and Shuxia Chen.