Anthologies
Zebra Books, 1979. Anthology of original science fiction stories. Introduction by the editor and these stories: “When Dark Descends” by Charles L. Grant and Thomas F. Monteleone; “The Word” by Gregory Long; “St. Poleander's Eve” by R. A. Lafferty; “Wires” by Karl Hansen; “Local Champ” by Spider Robinson; “Fugitive Colors” by Chelsea Quinn Yarbro; “Near of Kin” by Octavia E. Butler; “Vibrations” by Robert Thurston; “Eumenides in the Fourth-Floor Lavatory” by Orson Scott Card; “Good Night, Thou Child of My Heart” by Alan Ryan.
Collection of science fiction short stories
A collection of horror tales features the work of Clive Barker, Philip K. Dick, Octavia Butler, Gerald Durrell, and Mary Wilkins Freeman
Fantasy has come to mean different things to different people - for some it is a descent into the unconscious, an expression of repressed fears or desires; for others it is an exploration of new territories, frightening and fertile landscapes inhabited by playful and provocative beings who draw the reader into a fascinating web of morality and myth. In her challenging Introduction, Joanna Russ describes Fantasy as 'the most realistic of all the arts, expressing as it does the contents of human souls directly'. This anthology aims to show that Fantasy has also been an important vehicle for women, who have used it to express their creative diversity, without having to be boxed in and categorized by a male-dominated literary establishment.
Edited by the widely acclaimed SF author Robert Silverberg, the Nebula Awards series is "the pulse of modern science fiction" (The New York Times Book Review) The Nebula Awards are the Academy Awards of science fiction, the finest works each year in the genre as voted by the members of SFWA, the Science Fiction and Fantasy Writers of America. The Nebula Awards anthology series has now reached its thirty-fifth year. This edition contains the complete award-winning texts by Ted Chiang, Mary A. Turzillo, Leslie What, and Octavia E. Butler (an excerpt from her novel The Parable of the Talents); a report on the field ("still inarguably dynamic") by Gary K. Wolfe; runner-up stories by David Marusek and Michael Swanwick; an early story by 2000 Grand Master Brian W. Aldiss; and 2000 Author Emeritus Daniel Keyes's account of how he wrote Flowers for Algernon. In his introduction, editor Robert Silverberg looks back wryly at Damon Knight, the beginnings of SFWA, and the first Nebula banquets.
The best single-volume anthology of science fiction available―includes online teacher's guide The Wesleyan Anthology of Science Fiction features over a 150 years' worth of the best science fiction ever collected in a single volume. The fifty-two stories and critical introductions are organized chronologically as well as thematically for classroom use. Filled with luminous ideas, otherworldly adventures, and startling futuristic speculations, these stories will appeal to all readers as they chart the emergence and evolution of science fiction as a modern literary genre. They also provide a fascinating look at how our Western technoculture has imaginatively expressed its hopes and fears from the Industrial Revolution of the nineteenth century to the digital age of today. A free online teacher's guide at http://sfanthology.site.wesleyan.edu/ accompanies the anthology and offers access to a host of pedagogical aids for using this book in an academic setting. The stories in this anthology have been selected and introduced by the editors of Science Fiction Studies, the world's most respected journal for the critical study of science fiction.
A naïve young woman witnesses a brutal murder and discovers the soul-deadening price of being a New Yorker. The family man quits smoking with the sinister assistance of a family-friendly corporation. A truck driver takes a simple shortcut and lands in a living hell and a battle to the death. An aging Hollywood screenwriter’s career is on the wane until he reinvents himself as a less principled man. Crucified Dreams reaches down through the gutters into the shadowy depths of the imagination. These are the savage tales that unite noir with horror and the ordinary with the unfathomable. Combing the urban, the paranormal, and the downright terrifying, these award-winning stories go where your deepest fearsand inner demonsare already realized.
Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction’s engagement with feminism. Dark, satirical stories such as Eileen Gunn’s “Stable Strategies for Middle Management” and the disturbing horror of James Tiptree Jr.’s “The Screwfly Solution” reveal the charged intensity at work in the field. Including new, emerging voices like Nnedi Okorafor and featuring international contributions from Angelica Gorodischer and many more, Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts. Moving from the fantastic to the futuristic, the subtle to the surreal, these stories will provoke thoughts and emotions about feminism like no other book available today. Contributors include: Angela Carter, Angelica Gorodischer, Anne Richter, Carol Emshwiller, Catherynne M. Valente, Eileen Gunn, Eleanor Arnason, Elizabeth Vonarburg, Hiromi Goto, James Tiptree Jr., Joanna Russ, Karin Tidbeck, Kelley Eskridge, Kelly Barnhill, Kit Reed, L. Timmel Duchamp, Leena Krohn, Leonora Carrington, Nalo Hopkinson, Nnedi Okorafor, Octavia Butler, Pamela Sargent, Pat Murphy, Rachel Swirsky, Rose Lemberg, Susan Palwick, Tanith Lee, Ursula K. Le Guin, and Vandana Singh.
LIGHTSPEED was founded on the core idea that all science fiction is real science fiction. The whole point of this magazine is that science fiction is vast. It is inclusive. Science fiction is about people and for people—all kinds of people, no matter where they’re from or what they look like. The People of Colo(u)r Destroy Science Fiction! special issue exists to relieve a brokenness in the genre that’s been enabled time and time again by favoring certain voices and portrayals of particular characters. Here we bring together a team of POC writers and editors from around the globe to present science fiction that explores the nuances of culture, race, and history. This is science fiction for our present time, but also—most of all—for our future. People of Colo(u)r Destroy Science Fiction! is 100% written and edited by people of color, and is lead by guest editors Nalo Hopkinson and Kristine Ong Muslim, with editorial contributions from Nisi Shawl, Grace L. Dillon, Berit Ellingsen, Arley Sorg, and Sunil Patel. It features ten original, never-before-published short stories, plus ten original flash fiction stories, by writers such as Steven Barnes, Karin Lowachee, Sofia Samatar, Terence Taylor, Caroline M. Yoachim, and more. All that, plus five classic reprints, by the likes of Samuel R. Delany and Octavia E. Butler; an array of nonfiction articles, interviews, and book reviews; and more than two dozen personal essays from people of colo(u)r discussing their experiences as readers and writers of science fiction. Enjoy the destruction!