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The Life of Franklin Pierce was written as a "campaign life" shortly before the election of Pierce to the presidency in 1852.

[...]women were the most remarkable; though they seemed not disreputable, there was in them a coarseness, a freedom, an-I don't know what, that was purely English. In fact, men and women here do things that would at least make them ridiculous in America. They are not afraid to enjoy themselves in their own way, and have no pseudo-gentility to support. Some girls danced upon the crowded deck, to the miserable music of a little fragment of a band which goes up and down the river on each trip of the boat. Just before the termination of the voyage a man goes round with a bugle turned upwards to receive the eleemosynary pence and half-pence of the passengers. I gave one of them, the other day, a silver fourpence, [...].

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. ... published by Mr. Bellows in New York. You can subscribe for it in my name, pay in advance, and send the numbers in your regular package. The children are delighted with the books you sent them. I meant to write to Fields by this steamer, but fear I shall not have time. Please to convey to him my thanks for his slice of cake, and warmest congratulations on his marriage. Your friend, Nath1 Hawthorne. Liverpool, Febry 2d, 1855. Dear Ticknor, The apples have come to hand in fine order; and we thank you for them most sincerely. The package of newspapers and letters was detained at the Custom House, a day or two. This happens whenever a new officer takes charge of the steamer; but all difficulties might be obviated if Mr. Glyn (the Despatch Agent) would be kind enough to put the official seal and label on the parcel. The package need not even have my name on it, nor be in any way distinguished from those that are to be transmitted to the Minister; for I shall be sure to recognize it. In accordance with orders from the State Department, I am entitled to receive my own private letters &c. by the same conveyance with the despatches; and the above is the only method by which their prompt delivery can be secured. The Custom House authorities always give them up, but only after I have been put to the inconvenience of making application, and proving my right to them. Will you see to this? I told you in my last that I should not be under the necessity of drawing on you. It gives me much pleasure to see that my affairs are in such good condition, and I feel truly obliged to you for your kind care. I hardly venture to hope that I shall do so well, this present year; but anyhow, with the assistance of my pen, I shall manage to live, even if my office...

Lost since his widow published bowdlerized excerpts in 1866 and 1868, Nathaniel Hawthorne's original Salem Notebook&;the one containing more ideas for stories and "articles" than any other&;is here published for the first time. The earliest Notebook that Hawthorne is known to have kept, this one "may seem to the student of Hawthorne as man and writer the most important of all the Notebooks," according to Professor Waggoner's introduction. The only Notebook written wholly in Salem before Hawthorne's marriage to Sophia Peabody in 1842, this one's entries contain the best evidence of how he lived and what he felt during his so-called years of solitude. "In this dismal and squalid chamber Fame was won," writes Hawthorne about the first notices of Twice-Told Tale . Sophia's version&;published after her husband's death&;omits "and squalid," thus concealing his apparent sense of shame or guilt, along with low spirits. Also deleted by Sophia are entries revealing Hawthorne's unshocked observations of the shapes of girls' legs and of such improprieties as public drunkenness. Sophia's editorial pen was equally ruthless with items of "curious lore" about such things as butter and mustard seed. Finally Hawthorne's "morbid" entries, chiefly for horror stories never written, received no mercy from his widow. Now examining the complete text of the Lost Notebook , every reader can make his or her own interpretation of what the unexpurgated text reveals. The present edition contains a facsimile of The 1835&;41 Notebook , which now resides in The Pierpont Morgan Library collection of all extant American Notebooks by Hawthorne. This edition also contains a transcript&;because of Hawthorne's small, crabbed handwriting&;prepared by Barbara Mouffe, who found the Lost Notebook in 1976. A preface by Mrs. Mouffe describes her discovery of the Lost Notebook among her mothers effects; her identification of it, with confirmation by experts; and her detective work in tracing its acquisition by her family. An introduction by Professor Waggoner, who served as Mrs. Mouffe's advisor, describes the value of the Lost Notebook as "the first major addition to the canon of Hawthorne's writing since Randall Stewart's faithful version of the then extant American Notebooks in 1931."

These four essays framing Hawthorne's 12 slight, rarely published sketches of his 1832 tour of New England and upstate New York show him acceding to, but often satirizing, conventions of 19th-century American travel literature and popular landscape painting. Meant to be part of an early novel, The Story Teller, his sketches represent Hawthorne's attempt to get in touch with his region in time of dislocating change, from pastoral to industrial. The essays by Alfred Weber, Beth L. Lueck, and Dennis Berthold, however, are more interesting and thought-provoking than Hawthorne's essays. This book will be a valuable addition to libraries specializing in 19th-century American literature and popular art. ( on line review)

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1871 edition. Excerpt: ... They return you the value of their alms in prayers, and say, "God will accompany you." Many of them have a professional whine, and a certain doleful twist of the neck and turn of the head, which hardens my heart against them at once. A painter might find numerous models among them, if canvas had not already been more than sufficiently covered with their style of the picturesque. There is a certain brick-dust colored cloak worn in Yiterbo, not exclusively by beggars, which, when ragged enough, is exceedingly artistic. ROME. 68 Piazza Poll, October 11th.-- We left Yiterbo on the 15th, and proceeded, through Monterosi, to Sette Yene. There was nothing interesting at Sette Yene, except an old Roman bridge, of a single arch, which had kept its sweep, composed of one r

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Complete and unabridged paperback edition. First published in 1862.