Launching a new series in the highly regarded tradition of the original "Winter's Tales," this volume features works by outstanding writers
The Penguin Book of Modern British Short Stories, edited by novelist and critic Malcolm Bradbury, is a collection of the finest short stories from our best loved authors, including Samuel Beckett, Graham Greene, William Golding, Kingsley Amis, Doris Lessing, Muriel Spark, J. G. Ballard, William Trevor, Ian McEwan, Martin Amis, Rose Tremain, Salman Rushdie, Graham Swift and Kazuo Ishiguro. 'The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all.' The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today. Malcolm Bradbury was a novelist, critic, television dramatist and professor of American studies and creative writing. He was awarded the CBE in 1991 for his services to Literature and was knighted in the 2000 New Year's Honours List. He died in 2000.
A compilation of the debut published stories of some of the twentieth century's finest writers features the work of Ernest Hemingway, Eudora Welty, Isaac Bashevis Singer, Anne Tyler, John Updike, James Baldwin, and others
Fantasy has come to mean different things to different people - for some it is a descent into the unconscious, an expression of repressed fears or desires; for others it is an exploration of new territories, frightening and fertile landscapes inhabited by playful and provocative beings who draw the reader into a fascinating web of morality and myth. In her challenging Introduction, Joanna Russ describes Fantasy as 'the most realistic of all the arts, expressing as it does the contents of human souls directly'. This anthology aims to show that Fantasy has also been an important vehicle for women, who have used it to express their creative diversity, without having to be boxed in and categorized by a male-dominated literary establishment.
Thirty-seven stories spanning the author's career feature judges, ghosts, mediums, psychologists, fashion designers, and murderers
London has the greatest literary tradition of any city in the world. Its roll call of storytellers includes cultural giants like Shakespeare, Defoe, and Dickens, and an innumerable host of writers of all sorts who sought to capture the essence of the place. Acclaimed historian Jerry White has collected some twenty-six stories to illustrate the extraordinary diversity of both London life and writing over the past four centuries, from Shakespeare’s day to the present. These are stories of fact and fiction and occasionally something in between, some from well-known voices and others practically unknown. Here are dramatic views of such iconic events as the plague, the Great Fire of London, and the Blitz, but also William Thackeray’s account of going to see a man hanged, Thomas De Quincey’s friendship with a teenaged prostitute, and Doris Lessing’s defense of the Underground. This literary London encompasses the famous Baker Street residence of Conan Doyle’s Sherlock Holmes and the bombed-out moonscape of Elizabeth Bowen’s wartime streets, Charles Dicken’s treacherous River Thames and Frederick Treves’s tragic Elephant Man. Graham Greene, Jean Rhys, Muriel Spark, and Hanif Kureishi are among the many great writers who give us their varied Londons here, revealing a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy.
Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.