Collections
The Fever of Being is a series of poems, some written entirely or partly in Spanish, ranging in mood from comic to tragic and dealing with Urrea's life within the Hispanic-Anglo border culture.
One evening, Pulitzer Prize-winning photographer José Galvez heard Luis Alberto Urrea read "Hymn to Vatos Who Will Never Be in a Poem" with its chant-like repetitions and its evocation of Chicano manhood. As Luis read each line, an image clicked in José's memory, and he knew that he had already taken that photograph. The result of that experience is this remarkable book. A unique collaboration of two acclaimed artists, Vatos is a tribute to Latino men who are too often forgotten, ignored and misrepresented by the larger culture-children playing in the streets, migrant workers toiling for a better life, homeboys in the barrio, young men with their girlfriends and their mothers, blue collar workers, activists on the streets, sons, uncles, fathers, and grandfathers. Vatos recognizes their joys, their sorrows, their tenderness and their strength. Through Galvez' photographs and Urrea's words, they will not be forgotten. The word "vato," by the way, is Mexican-American slang, a word that means "dude" or "guy," but here it carries more soul than either of these. José Galvez was lead photographer of a L.A. Times team that received a Pulitzer Prize for a stunning portrayal about Latinos in Southern California. José and his colleagues were the first Hispanics to receive a Pulitzer. For over 30 years, Galvez has been documenting his Mexican-American culture, through photographs. He has done much freelance photojournalism and has contributed photos to the book Americanos produced by Edward James Olmos. Bloomsbury Review named Luis Alberto Urrea as one of its "10 Young Writers to Watch." His book Across the Wire , which depicts life at the edges of the dumps in Nogales, is in its 10th printing. A novelist, essayist and poet, he has received the Christopher Award, the Colorado Center for the Book Award, the Western States Book Award for Poetry, and the American Book Award.
"Home isn't just a place, it is also a language." Born in Tijuana, the son of an Anglo woman and a Mexican father, Urrea says that "Home isn't just a place, it is also a language." In these six stories—each wandering beneath different kinds of sky, from the thick Mazatlan starry night to the wide open spaces of the Sioux Nation in South Dakota—Urrea maps the spiritual geography of what he calls "home." "I always thought Luis Urrea was six skies rolled into one (I mean that in a good way), and this book proves that he speaks with a multitude of passionate, powerful and hilarious voices. This book is a beautiful kind of crazy."—Sherman Alexie "With this new collection of stories, Luis Urrea makes the short list of essential American writers. His glittering landscapes, which warp and ennoble the human spirit, bring to mind the work of Salman Rushdie. I found myself going back and rereading whole passages; Urrea's got a way with words that raises the bar for the rest of us. What a marvel of a book!"—Demetria Martínez "Urrea goes in for the big picture, and there seems to be no world he cannot capture. He writes with wit and ingenuity, and the stories possess a powerful sense of acceleration. With each story I was transported to an intense and fully imagined world."—Robert Boswell Luis Urrea is a novelist, essayist and poet. His books have received The American Book Award for non-fiction, 1998, and The Western States Book Award for Poetry, 1994, and The New York Times named his non-fiction Across the Wire a Notable Book of the Year, 1993. Luis lives in Chicago.
"A gorgeous, engaging collection . . . [Urrea] captures the song and spirit of people who might otherwise be invisible . . . As difficult as the subject matter may be, the writing is radiant, showing how the worth of human beings can’t be dimmed by a border fence or hot-button politics." — The Washington Post An exquisitely composed collection of poetry that examines life at the border from the New York Times bestselling author of Good Night Irene and The House of Broken Angels, a finalist for the National Book Critics Circle Award in fiction Celebrated author Luis Alberto Urrea was inspired to create this work largely in response to the book bannings and abolition of Mexican-American studies in Arizona and as a cry against the current political climate for immigrants. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea offers a deep and moving meditation on the blurring borders in a melting pot society.
This hard-hitting, beautiful short story collection from one of America's preeminent literary voices “reflect[s] both sides of his Mexican-American heritage while stretching the reader's understanding of human boundaries” ( Kirkus ). Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice. Suffused with wanderlust, compassion, and no small amount of rock and roll, The Water Museum is a collection that confirms Luis Alberto Urrea as an American master.
PIEDRA, a new collection of poems by Luis Alberto Urrea That which cannot be destroyed - so it is, this is Urrea's Piedra Tao, Urrea's third eye swiveling across the cosmos & canyons, timeless in "this kernel of corn," an endless spiraling prayer of the rezanderas, an inky rosario of vision heat, caminatas, a sitting on the "oldest stone on the earth," as he writes he throws his arms up, cracks open his chest to the night stars and the sacred blaze of the "angel factory" - he chants, he whispers, tender and ragged on the "curve of cerulean blue" the poems, the book. The "Piedra," "arises "wild and free," this is ocean magic, restitched sizzling bullets of Zapata, you will eat seashell and taste "Belgian stamps," you will lean on wild wolves, smell their pelts, you will "feed iguanas," you will eat at the restaurant of Urrea's mysteries, unlock their ancient honeyed lips and smear your face upon them and their shadows will come to you and you will enter the life and lives of the blinking elements of Piedra consciousness forever. I absolutely love this book, these poems, these short-line and long-line, night and dawn painted teachings. An incredible pyramid and temple of word magic. Bravissimo! No doubt, no return. -Juan Felipe Herrera, Poet Laureate of the United States, Emeritus