Non-Fiction Books

Writing with characteristic grace and wit, Larry McMurtry tackles the full spectrum of his favorite themes -- from sex, literature, and cowboys to rodeos, small-town folk, and big-city slickers. First published in 1968, In a Narrow Grave is the classic statement of what it means to come from Texas. In these essays, McMurtry opens a window into the past and present of America's largest state. In his own words: "Before I was out of high school, I realized I was witnessing the dying of a way of life -- the rural, pastoral way of life. In the Southwest the best energies were no longer to be found on the homeplace, or in the small towns; the cities required these energies and the cities bought them...." "I recognized, too, that the no-longer-open but still spacious range on which my ranching family had made its livelihood...would not produce a livelihood for me or for my siblings and their kind....The myth of the cowboy grew purer every year because there were so few actual cowboys left to contradict it...." "I had actually been living in cities for fourteen years when I pulled together these essays; intellectually I had been a city boy, but imaginatively, I was still trudging up the dusty path that led out of the country...."

A noted screenwriter himself, Pulitzer Prize–winner Larry McMurtry knows Hollywood—in Film Flam, he takes a funny, original, and penetrating look at the movie industry and gives us the truth about the moguls, fads, flops, and box-office hits. With successful movies and television miniseries made from several of his novels— Terms of Endearment, The Last Picture Show, Lonesome Dove, and Hud— McMurtry writes with an outsider's irony of the industry and an insider's experience. In these essays, he illuminates the plight of the screenwriter, cuts a clean, often hilarious path through the excesses of film reviewing, and takes on some of the worst trends in the industry: the decline of the Western, the disappearance of love in the movies, and the quality of the stars themselves. From his recollections of the day Hollywood entered McMurtry's own life as he ate meat loaf in Fort Worth to the pleasures he found in the Beverly Wilshire Hotel, Film Flam is one of the best books ever written about Hollywood.

Legends cloud the life of Crazy Horse, a seminal figure in American history but an enigma even to his own people in his own day. This superb biography looks back across more than 120 years at the life and death of this great Sioux warrior who became a reluctant leader at the Battle of Little Bighorn. With his uncanny gift for understanding the human psyche, Larry McMurtry animates the character of this remarkable figure, whose betrayal by white representatives of the U.S. government was a tragic turning point in the history of the West. A mythic figure puzzled over by generations of historians, Crazy Horse emerges from McMurtry’s sensitive portrait as the poignant hero of a long-since-vanished epoch.

In a lucid, brilliant work of nonfiction, Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become. Using an essay by the German literary critic Walter Benjamin that he first read in Archer City's Dairy Queen, McMurtry examines the small town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.​ McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

As he crisscrosses America—driving in search of the present, the past, and himself—Larry McMurtry shares his fascination with this nation's great trails and the culture that has developed around them. Ever since he was a boy growing up in Texas only a mile from Highway 281, Larry McMurtry has felt the pull of the road. His town was thoroughly landlocked, making the highway his "river, its hidden reaches a mystery and an enticement. I began my life beside it and I want to drift down the entire length of it before I end this book." In Roads , McMurtry embarks on a cross-country trip where his route is also his destination. As he drives, McMurtry reminisces about the places he's seen, the people he's met, and the books he's read, including more than 3,000 books about travel. He explains why watching episodes of The Mary Tyler Moore Show might be the best way to find joie de vivre in Minnesota; the scenic differences between Route 35 and I-801; which vigilantes lived in Montana and which hailed from Idaho; and the histories of Lewis and Clark, Sitting Bull, and Custer that still haunt Route 2 today. As it makes its way from South Florida to North Dakota, from eastern Long Island to Oregon, Roads is travel writing at its best.

Long considered to be the brilliant dark horse of literary nonfiction, Pulitzer Prize–winning Larry McMurtry delivers a searing and reflective exploration of what paradise is, whether it exists, and how different it is from life in his Texas hometown. In 1999, Larry McMurtry, whose wanderlust had been previously restricted to the roads of America, set off for a trip to the paradise of Tahiti and the South Sea Islands in an old-fashioned tub of a cruise boat, at a time when his mother was slipping toward a paradise of her own. Opening up to her son in her final days, his mother makes a stunning revelation of a previous marriage and sends McMurtry on a journey of an entirely different kind. Vividly, movingly, and with infinite care, McMurtry paints a portrait of his parents' marriage against the harsh, violent landscape of West Texas. It is their roots—laced with overtones of hard work, bitter disappointment, and the Puritan ethic—that McMurtry challenges by traveling to Tahiti, a land of lush sensuality and easy living. With fascinating detail, shrewd observations, humorous pathos, and unforgettable characters, he begins to answer some of the questions of what paradise is, whether it exists, and how different it is from life in his hometown of Archer City, Texas.

New in paperback What was achieved and destroyed, what was made up and forgotten in the American West as the continent was mapped, the natives were displaced, and exploits were transformed into legends? In this acclaimed collection, Larry McMurtry profiles explorers and martyrs, hucksters and scholars--figures in the West's enduring yet ever-shifting mixture of myth and reality. In these twelve pieces, McMurtry explores John Wesley Powell's journey on the Colorado, the dispossession of the Five Civilized Tribes, the fascination the Zuni held over a parade of unscrupulous anthropologists, and--in the bicentennial of their journey--the journals of Lewis and Clark, "our only really American epic."

In Oh What a Slaughter, Larry McMurtry has written a unique, brilliant, and searing history of the bloody massacres that marked -- and marred -- the settling of the American West in the nineteenth century, and which still provoke immense controversy today. Here are the true stories of the West's most terrible massacres -- Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans, and, in the case of the hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children. McMurtry's evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small -- Custer's famous defeat at Little Big Horn in 1876 was the only encounter to involve more than two hundred dead -- yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horrors they had committed. From letters and diaries, McMurtry has created a moving and swiftly paced narrative, as memorable in its way as such classics as Evan S. Connell's Son of the Morning Star and Dee Brown's Bury My Heart at Wounded Knee. In Larry McMurtry's own words: "I have visited all but one of these famous massacre sites -- the Sacramento River massacre of 1846 is so forgotten that its site near the northern California village of Vina can only be approximated. It is no surprise to report that none of the sites are exactly pleasant places to be, though the Camp Grant site north of Tucson does have a pretty community college nearby. In general, the taint that followed the terror still lingers and is still powerful enough to affect locals who happen to live nearby. None of the massacres were effectively covered up, though the Sacramento River massacre was overlooked for a very long time. "But the lesson, if it is a lesson, is that blood -- in time, and, often, not that much time -- will out. In case after case the dead have managed to assert a surprising potency. "The deep, constant apprehension, which neither the pioneers nor the Indians escaped, has, it seems to me, been too seldom factored in by historians of the settlement era, though certainly it saturates the diary-literature of the pioneers, particularly the diary-literature produced by frontier women, who were, of course, the likeliest candidates for rapine and kidnap."

From the most prolific author to write on all things Western, Larry McMurtry follows the rise of international celebrity "Buffalo" Bill Cody, tracker, part-time Indian scout and showman, and his most famous and celebrated star, Annie Oakley, the gifted woman sharpshooter, and how they became the first of America's great superstars. From the early 1800s to the end of his life in 1917, Buffalo Bill Cody was as famous as anyone could be. Annie Oakley was his most celebrated protégée, the 'slip of a girl' from Ohio who could (and did) outshoot anybody to become the most celebrated star of Buffalo Bill's Wild West Show. In this sweeping dual biography, Larry McMurtry explores the lives, the legends and above all the truth about two larger-than-life American figures. With his Wild West show, Buffalo Bill helped invent the image of the West that still exists today—cowboys and Indians, rodeo, rough rides, sheriffs and outlaws, trick shooting, Stetsons, and buckskin. The short, slight Annie Oakley—born Phoebe Ann Moses—spent sixteen years with Buffalo Bill's Wild West, where she entertained Queen Victoria, Emperor Franz Joseph of Austria, and Kaiser Wilhelm II, among others. Beloved by all who knew her, including Hunkpapa leader, Sitting Bull, Oakley became a legend in her own right and after her death, achieved a new lease of fame in Irving Berlin's musical Annie, Get Your Gun. To each other, they were always 'Missie' and 'Colonel'. To the rest of the world, they were cultural icons, setting the path for all that followed. Larry McMurtry—a writer who understands the West better than any other—recreates their astonishing careers and curious friendship in a fascinating history that reads like the very best of his fiction.

Larry McMurtry’s fascinating and surprisingly intimate memoir of his lifelong passion of buying, selling, and collecting rare antiquarian books is “a necessary and marvelous gift” ( San Antonio Express-News ). Spanning a lifetime of literary achievement, Larry McMurtry has succeeded at a wide variety of genres, from coming-of-age novels, such as The Last Picture Show ; to essays, like those in In a Narrow Grave ; to the reinvention of the “Western” on a grand scale like the Pulitzer Prize–winning Lonesome Dove . Here at last is the private McMurtry writing about himself as a boy growing up in a largely “bookless” world, as a young man devouring the world of literature, as a fledgling writer and family man, and above all as one of America’s most prominent “bookmen.” He brings the reader along on his journeys to becoming an astute and adventurous collector who would eventually open book stores of rare and collectible books in Georgetown, Houston, and finally in his previously “bookless” hometown of Archer City, Texas. Reading Books is like reading the best kind of diary—full of wonderful anecdotes, amazing characters, spicy gossip, and shrewd observations. Like its author, Books is erudite, full of life, and full of great stories. Yet the most curious tale of all is the amazing transformation of a reluctant young cowboy into a world-class literary figure who has spent his life not only writing books, but rounding them up the way he once rounded up cattle. At once chatty, revealing, and deeply satisfying, Books is Larry McMurtry at his best.

• A critically acclaimed memoirist: McMurtry’s nonfiction works, including his most recent memoir, Books , have received rave reviews from readers and critics alike. In this follow-up to Books , McMurtry explores the trials and triumphs of being a writer. . • Writing from the other side of the fence: Recounting moments from his earliest inkling of a future career to his tenure as a Wallace Stegner fellow at Stamford to his success as a published author, Literary Life will be cherished by McMurtry fans and aspiring writers alike. Including literary anecdotes and gossip, and packed with memorable observations about writing, writers, and the author himself, the book will provide rare insight into the mind of a brilliant, intensely private writer. .

"One thing I’ve always liked about Hollywood is its zip, or speed. The whole industry depends to some extent on talent spotting. The hundreds of agents, studio executives, and producers who roam the streets of the city of Los Angeles let very little in the way of talent slip by." In this final installment of the memoir trilogy that includes Books and Literary Life , Larry McMurtry, "the master of the show-stopping anecdote" ( O, The Oprah Magazine ) turns his own keenly observing eye to his rollercoaster romance with Hollywood. As both the creator of numerous works successfully adapted by others for film and television ( Terms of Endearment , Lonesome Dove , and the Emmy-nominated The Murder of Mary Phagan ) and the author of screenplays including The Last Picture Show (with Peter Bogdanovich), Streets of Laredo , and the Oscar-winning Brokeback Mountain (both with longtime writing partner Diana Ossana), McMurtry has seen all the triumphs and frustrations that Hollywood has to offer a writer, and he recounts them in a voice unfettered by sentiment and yet tinged with his characteristic wry humor. Beginning with his sudden entrée into the world of film as the author of Horseman, Pass By —adapted into the Paul Newman–starring Hud in 1963—McMurtry regales readers with anecdotes that find him holding hands with Cybill Shepherd, watching Jennifer Garner’s audition tape, and taking lunch at Chasen’s again and again. McMurtry fans and Hollywood hopefuls alike will find much to cherish in these pages, as McMurtry illuminates life behind the scenes in America’s dream factory.

In this lavishly illustrated volume, Larry McMurtry, the greatest chronicler of the American West, tackles for the first time one of the paramount figures of Western and American history. On June 25, 1876, General George Armstrong Custer and his 7th Cavalry attacked a large Lakota Cheyenne village on the Little Bighorn River in Montana Territory. He lost not only the battle but his life—and the lives of his entire cavalry. “Custer’s Last Stand” was a spectacular defeat that shocked the country and grew quickly into a legend that has reverberated in our national consciousness to this day. Pulitzer Prize winner Larry McMurtry has long been fascinated by the “Boy General” and his rightful place in history. In Custer, he delivers an expansive, agile, and clear-eyed reassessment of the iconic general’s life and legacy—how the legend was born, the ways in which it evolved, what it has meant—told against the broad sweep of the American narrative. We see Custer in all his contradictions and complexity as the perpetually restless man with a difficult marriage, a hunger for glory, and an unwavering confidence in his abilities. McMurtry explores how the numerous controversies that grew out of the Little Bighorn combined with a perfect storm of technological developments—the railroad, the camera, and the telegraph—to fan the flames of his legend. He shows how Custer’s wife, Libbie, worked for decades after his death to portray Major Marcus Reno as the cause of the disaster of the Little Bighorn, and how Buffalo Bill Cody, who ended his Wild West Show with a valiant reenactment of Custer’s Last Stand, played a pivotal role in spreading Custer’s notoriety. While Custer is first and foremost an enthralling story filled with larger-than-life characters—Ulysses S. Grant, William Tecumseh Sherman, William J. Fetterman, Sitting Bull, Crazy Horse, Red Cloud—McMurtry also argues that Little Bighorn should be seen as a monumental event in our nation’s history. Like all great battles, its true meaning can be found in its impact on our politics and policy, and the epic defeat clearly signaled the end of the Indian Wars—and brought to a close the great narrative of western expansion. In Custer, Larry McMurtry delivers a magisterial portrait of a complicated, misunderstood man that not only irrevocably changes our long-standing conversation about Custer, but once again redefines our understanding of the American West.