BreakBeat Poets Books
Known variously as the Windy City,”’ the City of Big Shoulders,”’ or Chi-Raq,”’ Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world. Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval’s A People’s History of Chicago celebrates the history of this great American city from the perspective of those on the margins, whose stories often go untold. These seventy-seven poems (for the city’s seventy-seven neighborhoods) honor the everyday lives and enduring resistance of the city’s workers, poor people, and people of color, whose cultural and political revolutions continue to shape the social landscape. Kevin Coval is the poet/author/editor of seven books including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop and the play, This Iis Modern Art , co-written with Idris Goodwin. Founder of Louder Than A Bomb: The Chicago Youth Poetry Festival and the Artistic Director of Young Chicago Authors, Coval teaches hip-hop aesthetics at the University of Illinois-Chicago. The Chicago Tribune has named him the voice of the new Chicago and the Boston Globe calls him the city’s unofficial poet laureate.”
“[ The BreakBeat Poets is] one of the most diverse and important poetry anthologies of the last 25 years.”―Latino Rebels Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club, and asserts the truth that the cypher is a feminine form. Poet and vocalist Jamila Woods was raised in Chicago, and graduated from Brown University, where she earned a BA in Africana Studies and Theatre & Performance Studies. Influenced by Lucille Clifton and Gwendolyn Brooks, much of her writing explores blackness, womanhood, and the city of Chicago. Mahogany L. Browne is a Cave Canem and Poets House alumna and the author of several books including Smudge and Redbone . She directs the poetry program of the Nuyorican Poets Café. Idrissa Simmonds is a fiction writer and poet. Her work has appeared in Black Renaissance Noire, The Caribbean Writer, Fourteen Hills Press , and elsewhere. She is the 2014 winner of the Crab Creek Review poetry contest, and a New York Foundation for the Arts and Commonwealth Short Story Award Finalist.
Patricia Frazier’s Graphite is an ode to her grandmother and childhood home, the Ida B. Wells Projects, both which the poet lost to city- and state-sanctioned discrimination. The chapbook investigates loss and gentrification, particularly their effects on black young people from Chicago, whose political movement, resilience, and ability to make celebration after pain, drive these poems.
“ Citizen Illegal is right on time, bringing both empathy and searing critique to the fore as a nation debates the very humanity of the people who built it.” ―Eve Ewing, author of Electric Arches In this stunning debut, poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch. José Olivarez is the son of Mexican immigrants. He is a co-host of the podcast, The Poetry Gods. A winner of fellowships from Poets House, The Bronx Council On The Arts, The Poetry Foundation, and The Conversation Literary Festival, his work has been published in The BreakBeat Poets and elsewhere. He is the Marketing Manager at Young Chicago Authors.
How do you imagine trans liberation while living in a cis world? On My Way To Liberation follows a gender nonconforming body moving through the streets of Chicago. From the sex shop to the farmers market, the family dinner table to the bookstore, trans people are everywhere, though often erased. Writing towards a trans future, H. Melt envisions a world where trans people are respected, loved and celebrated every day.
Kara Jackson’s Bloodstone Cowboy is a reclamation of her lineage, an affirmation of self, and a declaration of her right to contain multitudes. These poems from the 2019 National Youth Poet Laureate complicate the definition of womanhood, troubling what it means to live in a body and love it. A complex and resilient love permeates Jackson’s writing, from anthems praising her full belly to poems grappling with “sort-of” love for her midwestern hometown. Drawing on the rich traditions of Lucille Clifton and Sharon Olds, this expansive collection proudly claims the inheritance of her family’s southern roots, while carving out space for Jackson to exist fully without shame. As she writes, “when the day calls I will answer to my name / claim it”
Krista Franklin draws on Pan African histories, Black Surrealism, Afrofuturism, pop culture, art history, and the historical and present-day micro-to-macro violence inflicted upon Black people and other people of color, working to forge imaginative spaces for radical possibilities and visions of liberation. Featuring 30 poems, 30 artworks, an author statement and an interview, Too Much Midnight chronicles the intersections between art and life, art and writing, the historical and the speculative, cultural and personal identity, the magical and the mundane.