Bois Sauvage Books

Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but in a failing post-Katrina economy, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky. Desperate to alleviate the family’s poverty, he starts to sell drugs. He can hide it from his grandmother but not his twin, and the two grow increasingly estranged. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who abandoned them, and Sandman, a creepy, predatory addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Ward inhabits these characters, and this world — black Creole, poor, and drug-riddled, yet shored by family and community— to a rare degree, without a trace of irony or distance.

Winner of the National Book Award A New York Times Best Book of the 21st Century An Atlantic Great American Novel of the Last 100 Years " A taut, wily novel, smartly plotted and voluptuously written . . . Jesmyn Ward makes beautiful music, plays deftly with her reader's expectations." -Parul Sehgal, New York Times The National Book Award-winning novel from the author of Let Us Descend and Men We Reaped -a gritty but tender story of family and poverty in the days leading up to Hurricane Katrina. A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.

*WINNER of the NATIONAL BOOK AWARD for FICTION *A TIME MAGAZINE BEST NOVEL OF THE YEAR and A NEW YORK TIMES TOP 10 OF 2017 *Finalist for the Kirkus Prize *Finalist for the Andrew Carnegie Medal *Finalist for the Aspen Words Literary Prize *Publishers Weekly Top 10 of 2017 *Finalist for the National Book Critics Circle Award A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” ( O, The Oprah Magazine ) and a timeless work of fiction that is destined to become a classic. In Jesmyn Ward’s first novel since her National Book Award–winning Salvage the Bones , this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power—and limitations—of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic new work and an unforgettable family story.