Non-Fiction Books
Describing Italy as "the only region of the earth that I truly love," James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world. In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively. The response of his imagination to the light, color, forms, artifacts and figures of the Italian landscape and to the manifold significances they embody follows in joyful appreciation of the land, culture and people of a country that induced in him the desire "to enjoy the passing moment." In Italy, Cooper refrained from commenting on politics, though he was an incorrigibly political man who responded to an insistent need to define the New World in defining the Old. The independence of his observations drew censure from American reviewers of the 1830s, who could not comprehend that his preference for the Bay for Naples over New York Harbor reflected his intellectual passion to rise above nationalistic feelings in matters of taste, morality and justice.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Title: The chronicles of Cooperstown.Author: James Fenimore CooperPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP04247100CollectionID: CTRG03-B182PublicationDate: 18380101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Collation: 100 p.; 19 cm
Liberty, equality, and other topics are explored in James Fenimore Cooper's The American Democrat. Cooper argues that the natural disposition of all people is to be able to enjoy perfect freedom of action. It is a common error to suppose that the nation that possesses the mildest laws, or laws that impose the least personal restraints, is the freest. Cooper was a fierce democrat and a harsh cultural critic---much like Alexis de Tocqueville. This large print edition will resonate to the issues of this time almost as much as it did when originally published.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. He is particularly remembered as a novelist, who wrote numerous sea-stories as well as the historical romances known as the Leatherstocking Tales, featuring frontiersman Natty Bumppo. Among his most famous works is the Romantic novel The Last of the Mohicans, which many people consider his masterpiece. Other works include Precaution (1820), The Spy (1821), The Pioneers (1823), The Red Rover (1828), The Wept of Wish-ton-Wish (1829), The Notions of a Traveling Bachelor (1828), The Waterwitch (1830), The Bravo (1831), The Monikins (1835), The American Democrat (1835), Homeward Bound (1839), Home as Found (1838), A History of the Navy of the United States (1839), The Pathfinder (1840), Mercedes of Castile (1840), The Deerslayer (1841), Ned Myers (1843) and The Ways of the Hour (1850).
In consenting to lay before the world the experience of a common seaman, and, I may add, of one who has been such a sinner as the calling is only too apt to produce, I trust that no feeling of vanity has had an undue influence.
Cooper published this work in 1846 when he was already known as the author of The Spy, The Pilot, and other works, and when the U.S. Navy and its leaders were still not a part of the national consciousness. The sketches, which he had published in Graham's Magazine, provide well researched and detailed accounts of the careers, battles, commands, and characters of Bainbridge, Somers, Shaw, Shubrick, and Preble. Reprint edition. 2006: 252 pages. Softcover. (Scholar's Bookshelf)
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