Selections from Jack Kerouac’s journals of the late 1940s and early 1950s—the raw material for what became his classic novel On the Road , edited and with an introduction by Douglas Brinkley “A story of self-invention, perseverance, and breakthrough . . . What Kerouac wanted most, these journals reveal, was to dig down into the dark American earth . . . and turn up his own rich shovelful of truth.”— The New York Times Book Review “These Kerouac journals remind me of a time, not all that long ago, when there were still a few people passionately responsive to writing. They are now extinct.”—Kurt Vonnegut Jack Kerouac is best known through the image he put forth in his autobiographical novels. Yet it is only his private journals, in which he set down the raw material of his life and thinking, that reveal to us the real Kerouac. In Windblown World , distinguished Americanist Douglas Brinkley has gathered a selection of journal entries from the most pivotal period of Kerouac’s life, 1947 to 1954. Here is Kerouac as a hungry young writer finishing his first novel while forging crucial friendships with Allen Ginsberg, William S. Burroughs, and Neal Cassady. Truly a self-portrait of the artist as a young man, this unique and indispensable volume is an integral element of the Beat oeuvre.
Personal letters to the wife of his travel companion and the reference point for his main character study; the Dean.
Beat Generation is a play about tension, about friendship, and about karma—what it is and how you get it. It begins one fine morning with a few friends, honest laborers some of them, some close to being down-and-out, passing around a bottle of wine. It ends with a kind of satori-like reaffirmation of the power of friendship, of doing good through not doing, and the intrinsic worth of the throwaway little exchanges that make up our lives. Written in 1957, the same year that On the Road was first published, and set in 1953, Beat Generation portrays an authentic and alternate 1950s America. Kerouac's characters are working-class men and women—a step away from vagrants, but not a big step. Their dialogue positively sings, suggesting jazz riffs in their rhythm and content, and Kerouac, like a master composer, arranges it to magical effect. Here is the heart and soul of the beat mentality, the zeitgeist that blossomed over the decades and eventually culminated in the counter-culture of 1960s America. It's a spirit that still lives.
In these uncollected writings Jack Kerouac has left us a portrait of himself in his life. He hitches a ride to San Francisco from Southern California with a beautiful blonde, goes on the road with photographer Robert Frank, rides a bus through the Northwest and Montana, records the blues of an old hobo, talks about the Beats and how it all began, gives his "Essentials of Spontaneous Prose" and defends his novel The Subterraneans , compares Shakespeare and James Joyce, goes to a ball game and a prize fight, and reflects on Celine, on Christmas in New England, on jazz & bop, and tells us what he's thinking about. And in the closing piece "cityCityCITY," we're treated to Jack's science fiction vision of the future." "Reading now these various pieces, with all their substantial details so characteristic of Jack's work, I think of particular and how much a part of his way of being with others his attention really was . . ." —Robert Creeley, preface "Kerouac offers observations on the Beat Generation, tying it to beatitude and lamenting its appropriation by the Hollywood borscht circuit.' His advice on writing is both incisively amusing (Try never get drunk outside yr own house') and perhaps unhelpful to the less talented (sketching language is . . . blowing' like a jazz musician)." — Publishers Weekly Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road , The Dharma Bums , Mexico City Blues , Lonesome Traveler , Visions of Cody , Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).
An “exhilarating” ( Chicago Tribune ) selection of Jack Kerouac’s most personal, truthful, and mesmerizing letters that trace his life and craft—edited by Ann Charters “As we just now begin to map fully the fallout of [the Beat Generation’s] creative explosion, these letters offer an invaluable blueprint to the intricate, high-yield ballistics that went into creating it.”— San Francisco Examiner It was in his letters that Jack Kerouac set down the raw material that he transmuted into his novels, exploring and refining the spontaneous prose style that became his trademark. The letters in this volume, written between 1940, when Kerouac was a freshman at college, and 1956, immediately before his breathless leap into celebrity with the publication of On the Road , offer invaluable insights into Kerouac’s family life, his friendships with Neal and Carolyn Cassady, Allen Ginsberg, Gary Snyder, and William S. Burroughs, his travels, love affairs, and literary apprenticeships. At once fascinating reading and a major addition to Kerouac scholarship, here is a rare portrait of the writer as a young adventurer of immense talent, energy, and ambition in the midst of writing and living an American legend.
An illuminating glimpse into the life and art of Beat legend Jack Kerouac through a collection of letters that “reveals the boldness and originality of Kerouac’s artistic vision” ( The Boston Globe ). “It remains clear from his later letters that Kerouac understood what he was doing as a writer. He consistently explains his aesthetic, his plan to create the Duluoz Legend of books, and the essentially benign charity of his vision.”— San Francisco Chronicle The first volume of Jack Kerouac’s selected letters was hailed as an important and revealing addition to Kerouac scholarship. This second and final volume, comprising letters written between 1957, the year On the Road was published, and the day before his death in 1969 at age forty-seven, tells Kerouac’s life story through his canid correspondences with friends, confidants, and editors—among them Allen Ginsberg, William Burroughs, Philip Whalen, Lawrence Ferlinghetti, Joyce Johnson, and Malcolm Cowley. Documenting his continuing development as a writer and his travels, love affairs, and complicated family life, the letters also reveal Kerouac’s amazing courage in the face of criticism and his never-ending quest to be the best writer possible. Kerouac: Selected Letters 1957-1969 offers unparalleled insight into the life and mind of this giant of the American landscape.
A “wonderful” ( The New York Times Book Review ) and unique collection of love letters between Joyce Johnson and Jack Kerouac “A touching commentary not only on the Beat Generation but on what it’s like to be a young woman who loves a gifted, troubled guy with other things—besides love—on his mind.”— Elle On a blind date in Greenwich Village set up by Allen Ginsberg, Joyce Johnson (then Joyce Glassman) met Jack Kerouac in January 1957, nine months before he became famous overnight with the publication of On the Road . She was an adventurous, independent-minded twenty-one-year-old; Kerouac was already running on empty at thirty-five. Door Wide Open, containing the many letters the two of them wrote to each other, reveals a surprisingly tender side of Kerouac. It also shares a vivid and unusual perspective on what it meant to be young, Beat, and a woman in the Cold War fifties. Reflecting on those tumultuous years, Johnson seamlessly interweaves letters and commentary, bringing to life her love affair with one of American literature’s most fascinating and enigmatic figures.
This first-ever collection of Jack Kerouac's visual art includes nearly every existing full-color painting collected and preserved by the Kerouac estate in Lowell, Massachusetts. Also included are dozens of black-and-white line drawings, sketches, and facsimile reproductions of Kerouac's notations from his unpublished notebooks. In writing, Kerouac's restless and relentless experimentationwhat he called "spontaneous bop prosody"pushed language to the boundaries of meaning. In painting and drawing he found a complementary means of expression. A friend and admirer of painters Willem de Kooning, Larry Rivers, Franz Kline, and Dody Muller, Kerouac was an ardent and deliberate student who worked to develop and refine his skills and his conception of the act of paintinga conception related to the spontaneous composition he had pioneered in his books. Ed Adler's essay offers an unprecedented view of Kerouac, the visual artist. Rich in anecdote and drawing on extensive quotation from Kerouac's letters, notebooks, and published writings, Adler's essay demonstrates the biographical and thematic preoccupations common to Kerouac's writing and painting, especially Kerouac's struggle to integrate the two spiritual traditions, Catholicism and Buddhism, to which he was devoted. No consideration of Kerouac will be complete without reference to this heretofor- unseen aspect of his life and work.
Though raised Catholic, in the early 1950s Jack Kerouac became fascinated with Buddhism, an interest that would have a profound impact on his ideas of spirituality and their expression in his writing from Mexico City Blues to The Dharma Bums . Published for the first time in book form, Wake Up is Kerouac’s retelling of the story of Prince Siddhartha Gautama, who as a young man abandoned his wealthy family and comfortable home for a lifelong search for Enlightenment. As a compendium of the teachings of the Buddha, Wake Up is a profound meditation on the nature of life, desire, wisdom, and suffering. Distilled from a wide variety of canonical scriptures, Wake Up serves as both a concise primer on the concepts of Buddhism and as an insightful and deeply personal document of Kerouac’s evolving beliefs. It is the work of a devoted spiritual follower of the Buddha who also happened to be one of the twentieth century’s most influential novelists. Wake Up: A Life of the Buddha will be essential reading for the legions of Jack Kerouac fans and for anyone who is curious about the spiritual principles of one of the world’s great religions.
The first collection of letters between the two leading figures of the Beat movement Writers and cultural icons Jack Kerouac and Allen Ginsberg are the most celebrated names of the Beat Generation, linked together not only by their shared artistic sensibility but also by a deep and abiding friendship, one that colored their lives and greatly influenced their writing. Editors Bill Morgan and David Stanford shed new light on this intimate and influential friendship in this fascinating exchange of letters between Kerouac and Ginsberg, two thirds of which have never been published before. Commencing in 1944 while Ginsberg was a student at Columbia University and continuing until shortly before Kerouac's death in 1969, the two hundred letters included in this book provide astonishing insight into their lives and their writing. While not always in agreement, Ginsberg and Kerouac inspired each other spiritually and creatively, and their letters became a vital workshop for their art. Vivid, engaging, and enthralling, Jack Kerouac and Allen Ginsberg: The Letters provides an unparalleled portrait of the two men who led the cultural and artistic movement that defined their generation.
BRAND NEW, Exactly same ISBN as listed, Please double check ISBN carefully before ordering.