There were thirteen crime-scene pictures. Dead faces set in grimaces and shouts. Faces howling, whistling, moaning, crying, hissing. Hazel pinned them to the wall and stood back. It was a silent opera of ghosts. Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found—their bodies drained of blood, their mouths sculpted into strange shapes—Hazel finds herself tracking a truly terrifying serial killer across the country while everything she was barely holding together begins to spin out of control. Through the cacophony of her bickering staff, her unsupportive superiors, a clamoring press, the town’s rumor mill, and her own nagging doubts, Hazel can sense the dead trying to call out. But what secret do they have to share? And will she hear it before it’s too late? In The Calling , Inger Ash Wolfe brings a compelling new voice and an irresistible new heroine to the mystery world.
"You're in the hands of a master storyteller. A terrifyingly addictive series. Detective Hazel Micallef investigates the creepiest of crimes."―Mo Hayder Stinging deaths aren't uncommon in the summertime, but when Henry Wiest turns up stung to death at an Indian reservation, Detective Hazel Micallef senses not all is as it seems. And when it turns out the "bee" was a diabolical teenaged girl on a murder spree with a strange weapon, a dark and twisted crime begins to slowly emerge. The questions, contradictions, and bodies begin to mount, as two separate police forces struggle to work together to save the soul of Westmuir County. The third thrilling installment in this acclaimed mystery series, A Door in the River is a brilliantly plotted, psychologically complex, and spellbinding story―and the most haunting Hazel Micallef novel yet.
Michael Redhill's new Hazel Micallef mystery, written under the pen name of Inger Ash Wolfe, is his strongest yet. For readers of crime fiction who enjoy such writers as Giles Blunt, Linwood Barclay, Lee Child, Louise Penny, Peter Robinson. The fourth novel in this acclaimed series is brilliantly paced, addictively suspenseful--the author's best yet. Hazel Micallef (played by Suzanne Sarandon in the recent film of the series' debut, The Calling ) has become one of crime writing's most memorable detectives. Port Dundas, Ontario, is portrayed vividly in the series as the quintessential Canadian town. The Night Bell moves between the past and the present, as two mysteries converge. A discovery of the bones of murdered children is made on land that was once a county foster home. Now it's being developed as a brand new subdivision whose first residents are already railing against broken promises and corruption. But when three of their number are murdered after the find, their frustration turns to terror. While trying to stem the panic and solve two crimes at once, Hazel finds her memory stirred back to the fall of 1959, when the disappearance of a girl from town was blamed on her adopted brother. Although he is long dead, she begins to see the present case as a chance to clear her brother's name, something that drives Hazel beyond her own considerable limits and right into the sights of an angry killer.