Short Stories/Novellas

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

H.G. Wells crafts a meticulous drama of integrity and ambition within the cloistered halls of academia. When student Hill, engulfed in scientific rigor, makes an inadvertent error during an exam, he faces a moral dilemma that could reshape his future. Wells expertly examines the tension between truth and ambition, painting a poignant portrait of human frailty and the high stakes of integrity in the pursuit of knowledge.

The Crystal Egg by H. G. Wells There was, until a year ago, a little and very grimy-looking shop near Seven Dials over which, in weather-worn yellow lettering, the name of "C. Cave, Naturalist and Dealer in Antiquities," was inscribed. The contents of its window were curiously variegated. They comprised some elephant tusks and an imperfect set of chessmen, beads and weapons, a box of eyes, two skulls of tigers and one human, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a flyblown ostrich egg or so, some fishing-tackle, and an extraordinarily dirty, empty glass fish tank. There was also, at the moment the story begins, a mass of crystal, worked into the shape of an egg and brilliantly polished. The clergyman, without any ceremony, asked the price of the crystal egg. "Five pounds is my price," said Mr. Cave, with a quiver in his voice. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The story opens aboard a train, when an unwell-looking man strikes up a conversation with the narrator when he sees him reading a book about dreams. The white-faced man says that he has little time for dream analysis because, he says, his dreams are killing him. He goes on to tell how he has been experiencing consecutive dreams of an unspecified future time in which he is a major political figure who has given up his position to live with a younger woman on the island of Capri. The dreamer describes the island in detail, despite never having visited it, which impresses the narrator, who has actually been to Capri. The dreamer tells how his dream idyll comes to an end. While dancing, he is approached by an envoy from his own country who implores him to return and resume his old role before his successor brings about a war. However, this would mean leaving the woman he loves, and his dream self chooses love over duty.

The scene amidst which Clayton told his last story comes back very vividly to my mind. There he sat, for the greater part of the time, in the corner of the authentic settle by the spacious open fire, and Sanderson sat beside him smoking the Broseley clay that bore his name. There was Evans, and that marvel among actors, Wish, who is also a modest man. We had all come down to the Mermaid Club that Saturday morning, except Clayton, who had slept there overnight—which indeed gave him the opening of his story. We had golfed until golfing was invisible

Collection of Short Stories: * 7 - Pollock and the Porroh Man * 26 - In the Avu Observatory * 35 - The Flowering Strange Orchid * 45 - The Red Room * 56 - The Valley of the Spiders * 70 - The Empire of the Ants * 90 - The Moth *101 - The Story of the Late Mr. Elvesham *119 - The Temptation of Harringay *125 - The Inexperienced Ghost *139 - The Stolen Body *156 - The Crystal Egg *174 - The Door in the Wall

I had seen the Magic Shop from afar several times; I had passed it once or twice, a shop window of alluring little objects, magic balls, magic hens, wonderful cones, ventriloquist dolls, the material of the basket trick, packs of cards that looked all right, and all that sort of thing, but never had I thought of going in until one day, almost without warning, Gip hauled me by my finger right up to the window, and so conducted himself that there was nothing for it but to take him in. I had not thought the place was there, to tell the truth—a modest-sized frontage in Regent Street, between the picture shop and the place where the chicks run

The Door in the Wall, considered by both readers and critics, to be Wells's finest tale, examines an issue to which Wells returned repeatedly in his writing: the contrast between aesthetics and science and the difficulty of choosing between them. This collection also includes The Star, A Dream of Armageddon, The Cone, A Moonlight Fable, The DiamondMaker, The Lord of the Dynamos, and The Country of the Blind. Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

“Ugh-Lomi and the Cave Bear” is a short story by H. G. Wells. It is presented as a parable and concerns the first meeting between the Great Bears, who are the Lords of the Rocks and Caves, and Man. Herbert George Wells (1866 – 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre, thanks to such novels as “The Time Machine” (1895), “The Invisible Man” (1897), and “The War of the Worlds” (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Although never a winner, Wells was nominated for the Nobel Prize in Literature a total of four times. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.