Non-Fiction Books

This Routledge Revivals reissue, first published in 1977, is not about Bloomsbury, lesbianism, madness or suicide, but is a much-needed introduction to Virginia Woolf's nine novels, written in the hope of turning attention back from the life to the fictional work. Its clarity and insights will make this book invaluable to a student embarking on a study of Virginia Woolf as a novelist, and to all those whose interest has been aroused by the continuing publication of biographical material. It will, moreover, increase the enjoyment, not only of enthusiasts, but also of those who have hitherto, found her a 'difficult' writer.

This critical estimation of Bowen's work finds her witty, stylish treatment of manners and emotions to have an austere basis in her critique of the English middle classes. It also considers her achievement as a critic and a historian.

On its original publication in 1982 this book was the first full-length study of Philip Roth as a major twentieth-century writer. As well as setting the novelist's work in the context of Jewish-American writing (and Jewish-American families) and twentieth-century American politics, the book explores the characteristic paradoxes in Roth: self-disgust and self-consciousness, restraint and letting go, nausea and appetite, energy and frustration, stylishness and vulgarity, surrealism and the mundane. Roth is a highly literary and referential character and an assessment is made of the conflicting influnces on his work of Kafka, Chekov, Gogol, Henry James, Melville and Henry Youngman, a Jewish nightclub and Vaudeville comic. In addition a close examination of his anxious, revolting, garrulous heroes, their mothers, their marriages, their shrinks, and their shiksas is undertaken and a deep seriousness is discovered, co-existing with Roth's comic brashness and bravura.

Willa Cather, author of My Antonia and O Pioneers! and widely regarded as one of the greatest American writers, has also been dismissed in certain circles as a sentimental nostalgist, a grumpy critic of the modern world. Hermione Lee offers an alternative interpretation of a writer whose life and work were marked by fracture and dislocation, carefully suppressed or camouflaged desires, and a greater interest in the craft of writing than in an old-fashioned longing for rural simplicity. By analyzing the language and entering the landscapes of Cather's fiction, Lee provides a sensitive and perceptive account of this famously private woman and discovers an unrivaled imagination, a complexity wrongly interpreted as conservatism, and finally, a writer like no other.

"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh."  -- The Philadelphia Inquirer While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact.  Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit,  and her sanity and strength. It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come. "One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history." -- Financial Times "The most distinguished study of Woolf yet."  -- The New Republic

Brilliant, readable, lively essays on the problems of reading and writing biography - a hot topic today

What choices must a biographer make when stitching the pieces of a life into one coherent whole? How do we best create an accurate likeness of a private life from the few articles that linger after death? How do we choose what gets left out? This intriguing and witty collection of essays by an internationally acclaimed biographer looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life. Virginia Woolf's Nose presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to "fill in the gaps" of a life story. In "Shelley's Heart and Pepys's Lobsters," an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. "Jane Austen Faints" takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. "Virginia Woolf's Nose" looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, "How to End It All" analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings. Virginia Woolf's Nose sheds new light on the way biographers bring their subjects to life as physical beings, and offers captivating new insights into the drama of "life-writing". Virginia Woolf's Nose is a witty, eloquent, and funny text by a renowned biographer whose sensitivity to the art of telling a story about a human life is unparalleled--and in creating it, Lee articulates and redefines the parameters of her craft.

From Hermione Lee, the internationally acclaimed, award-winning biographer of Virginia Woolf and Willa Cather , comes a superb reexamination of one of the most famous American women of letters.Delving into heretofore untapped sources, Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton-tough, startlingly modern, as brilliant and complex as her fiction. Born into a wealthy family, Wharton left America as an adult and eventually chose to create a life in France. Her renowned novels and stories have become classics of American literature, but as Lee shows, Wharton's own life, filled with success and scandal, was as intriguing as those of her heroines. Bridging two centuries and two very different sensibilities, Wharton here comes to life in the skillful hands of one of the great literary biographers of our time.

ONE OF THE NEW YORK TIMES BOOK REVIEW’ S 10 BEST BOOKS OF THE YEAR A Best Book of the Year: San Francisco Chronicl e, Seattle Times Winner of the Plutarch Award for Best Biography Penelope Fitzgerald, one of the most quietly brilliant novelists of the twentieth century, was a great English writer whose career didn’t begin until she was nearly sixty. Her life was marked by dramatic twists of fate, moving from a bishop’s palace to a sinking houseboat to a last, late blaze of renown. Her exquisite novels—short, spare masterpieces—would go on to win some of the most coveted awards in literature: the Booker Prize and the National Book Critics Circle Award. Now, in an impeccable match of talent between biographer and subject, Hermione Lee gives us this remarkable writer’s story.

A unique portrait of a great playwright by one of our leadin literary biographers. With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee builds a metiucously researched portrait of one of our greatest playwrights. Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he's ever lived in, every piece of writing he's ever done, and every play and film he's ever worked on; but in the end this is the story of a complex, elusive and private man, which tells you an enormous amount about him but leaves you, also, with the fascinating mystery of his ultimate unknowability.