This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Want to learn to play golf? This 2011 edition of a world famous book will teach you the ins and outs of golfing. This is a revision of the world’s most well-known book on the subject, How To Play Golf written by H. J. Whigham in 1892. The book describes the rules of golf as revised by the Royal and ancient golf club of St. Andrews in 1891. How To Play Golf covers every aspect of the game: it provides advice to beginners, swinging tips, putting instructions, and even a guide to building your own golf course. Learn the difference between wooden and iron clubs, hand positions, and grips; this guide will help you develop a correct stance and a winning swing. How To Play Golf provides extensive knowledge of the rules of the game and golfing etiquette, this 2011 edition includes tips and tricks from some of the world’s best golf players, a review of some of the best golf courses in the United States, and a Golfing Dictionary with over 100 golf terms. This is the only book you’ll ever need if you are serious about learning how to play golf.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Complete Letters of Henry James fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics—from James’s own life and literary projects to broader questions on art, literature, and criticism—this edition will be an indispensable resource for students of James and of American and English literature, culture, and criticism. It will also be essential for research libraries throughout North America and Europe and for scholars who specialize in James, the European novel, and modern literature. Pierre A. Walker and Greg W. Zacharias have conceived this edition according to the exacting standards of the Modern Language Association’s committee on scholarly editions. The first in the series, this two-volume work includes the letters from James's first extant one to those from 1869 in volume one and the letters from 1869 to 1872 in volume two.
A collection of Henry James' Paris letters to the Tribune.
Recipient of the “Approved Edition” seal from the Modern Language Association’s Committee on Scholarly Editions The Complete Letters of Henry James fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics—from James’s own life and literary projects to broader questions about art, literature, and criticism—this edition is an indispensable resource for students of James and of American and English literature, culture, and criticism as well as for research libraries throughout North America and Europe and for scholars of James, the European novel, and modern literature. This volume is the second of three to include James’s letters from 1872 to 1876.
Recipient of the “Approved Edition” seal from the Modern Language Association’s Committee on Scholarly Editions The Complete Letters of Henry James fills a gap in literary studies today by presenting in a critical and scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters and addressing a remarkably wide range of topics, this edition is an indispensable resource for students and scholars of James, the European novel and modern literature, and of American and English literature, culture, and criticism. Written between November 1875 and November 1876, the letters in this volume find James settling in Paris; befriending Ivan Turgenev and mixing company with writers such as Gustave Flaubert, Emile Zola, and Alphonse Daudet; publishing travel essays and critical notices as well as the novels Roderick Hudson and The American ; leaving Paris and settling in London, where he would live for much of the rest of his life.
"The first extended study ever made of an American writer. It still remains one of the best."―Edmund Wilson Originally published in 1879, Henry James's Hawthorne has been out of print for many years. Cornell University Press is proud to make this American classic available again in a new paperback edition. In this critique of one literary genius by another, James not only considers Hawthorne as a man and a writer, for whom he has a tender, if critical, regard, but he uses his subject as a vantage point from which to present his views on American culture. With his customary urbanity, James assesses the place of the writer in nineteenth-century America, and touches upon the antithetical values of the Old World and the New. Hawthorne's preoccupation with evil and guilt, his portentous imagination, and his otherworldliness are brought out in the critique of his works, together with James's keen appreciation of Hawthorne's remarkable gifts.
French Poets and Novelists is a literary criticism book written by Henry James. The book is a collection of essays that provides an in-depth analysis of the works of some of the most prominent French poets and novelists of the 19th century, including Honor����� de Balzac, Gustave Flaubert, and �����mile Zola.James' essays are written in a highly analytical and insightful style, delving into the themes, characters, and techniques used by each writer. He also examines the cultural and historical context in which the writers lived and worked, providing a deeper understanding of their works.The book is divided into two parts, with the first part focusing on poets such as Charles Baudelaire and Paul Verlaine, and the second part focusing on novelists such as Balzac and Flaubert. James' analysis is both scholarly and accessible, making it a valuable resource for students of literature as well as general readers interested in French literature.French Poets and Novelists is considered one of Henry James' most important works of literary criticism, and it remains a classic in the field to this day.1883. American-born writer, gifted with talents in literature, psychology, and philosophy. James wrote 20 novels, 112 stories, 12 plays and works of literary criticism. Among James's most famous literary works are The Europeans, his commercial success Daisy Miller, the critically acclaimed Washington Square, The Bostonians, and The Turn of the Screw. A collection of James's essays containing: Alfred de Musset; Theophile Gautier; Charles Baudelaire; Honore de Balzac; Balzac's Letters; George Sand; Charles de Bernard and Gustave Flaubert; Ivan Turgenieff; The Two Amperes; Madame de Sabran; Merimee's Letters; and The Theatre Francais. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
In this, the second volume of Leon Edel's superb edition of the letters, we see Henry James in his thirties, pursuing his writing in Paris and London and finding his first literary successes in Daisy Miller and The Portrait of a Lady . The letters of these years, describing for family and friends in Boston the expatriate's days, reveal the usual wit and sophistication, but there is a new tone: James is relentlessly building a personal career and begins to see himself as a professional writer. Few other letters so fully document the process of an artist in the making. James was a social success in London: in Mr. Edel's words, "England speedily opened its arms to him, as it does to anyone who is at ease with the world." The letters of this period pull us into the atmosphere of Victorian England, its drawing rooms, manors, and clubs, and James's keen American eyes give us views of this world probably unique in our literary annals. He used these observations to forge his great international theme, the confrontation of the Old and New Worlds.
From Tours to Dijon, James tells of the towns and cities, the church and inns, the museums and palaces. "I am ashamed to begin with saying that Touraine is the garden of France; that remark has long ago lost its bloom. The town of Tours, however, has something sweet and bright, which suggests that it is surrounded by a land of fruits. It is a very agreeable little city; few towns of its size are more ripe, more complete, or, I should suppose, in better humor with themselves and less disposed to envy the responsibilities of bigger places. It is truly the capital of its smiling province . . ."
Contents--Emerson; The Life of George Eliot; Daniel Deronda: A Conversation; Anthony Trollope; Robert Louis Stevenson; Miss Woolson; Alphonse Daudet; Guy de Maupassant; Ivan Turgenieff; George du Maurier; The Art of Fiction.
Terminations is Henry James's most thematically unified collection of stories. Gathered in 1895, and following his fascination with the supernatural in the 1880s, this elegant collection explores the sadness of loss, both physical and spiritual, and finds James at his introspective best, while providing a glimpse of how the author dealt with death in his own life. The collection consists of four stories: "The Death of the Lion," in which the narrator prepares to write an obituary for a great editor he admired; "The Coxon Fund," where an endowment from a will comes unexpectedly to a seemingly undeserving character; "The Middle Years," a brief glimpse at the public reception of a novel and the private sacrifice it exacted from its author; and "The Altar of the Dead," a moving meditation on finding meaning in life that James wrote in response to the death of a close lady friend. Terminations reveals a writer preoccupied with the endings of life, expressing his thoughts in prose that is as finely balanced as the most famous of James's work.
Between 1868 and 1897 Henry James wrote a number of short essays and reviews of artists and art collections; these essays were published in magazines such as Atlantic Monthly and Harpers Weekly and in newspapers such as the New York Tribune . They included Jamess comments on Ruskin, Turner, Whistler, Sargent, and the Impressionists, among many others. Thirty of these essays were collected and first published in a modern edition in 1956, accompanied by John Sweeneys introduction, which sketches Jamess interest in the visual arts over a period of years, focusing on the ways in which painting and painters entered his work as subjects. Susan Griffins new forward places Jamess observations in a contemporary context. Some of the novelists judgements will seem wrong to todays readers: he was critical of the Impressionists, for example. But all of these essays bear the stamp of Jamess critical intelligence, and they tell us a great deal about his development as a writer during those years.
A collection of James's travel essays on English towns and villages, first published in American periodicals in the late nineteenth century
James was a great travel writer as well as a great novelist. He visited Italy 14 times over a period of almost 40 years, his first visit in 1869 and his last in 1907 when he was 64 years old. This selection of his essays and correspondence is arranged by topographical subject and then chronologically to make an accessible and evocative companion for travellers and others. Annotation copyright Book News, Inc. Portland, Or.
The chapters of which this volume is composed have with few exceptions already been collected, and were then associated with others commemorative of other impressions of (no very extensive) excursions and wanderings.
This book is a guide to writing by Henry James, OM (15 April 1843 – 28 February 1916), an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character’s point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognisable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.
Surrounded by artists, writers and musicians who constituted her court in Boston as in Venice, Isabella Stewart Gardner, a passionate art collector with enormous funds, was as revered and sought after as royalty. Henry James had a real affection for her, and was inspired by the rich and powerful Mrs Gardner and her magnificent pearls, as well as by the Palazzo Barbaro in Venice, for his novel The Wings of the Dove made into a film in 1997. Mrs Gardner was to recreate a larger than life version of Palazzo Barbaro in Boston, which is now the Isabella Gardner Museum. These letters add another dimension to what we know of Henry James long relationship with Venice and the Palazzo Barbaro. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.
""Notes on Novelists with Some Other Notes"" is a collection of critical essays written by the renowned American author Henry James. The book includes James' reflections on the work of some of the most important novelists of his time, including Balzac, George Eliot, and Ivan Turgenev. James' essays are characterized by his insightful analysis of the literary techniques and themes employed by these writers, as well as his own personal reflections on their work. In addition to his essays on novelists, the book also includes a selection of James' other writings, including travel essays and literary criticism. Overall, ""Notes on Novelists with Some Other Notes"" is a must-read for anyone interested in the art of the novel and the literary world of the late 19th century.1914. American-born writer, gifted with talents in literature, psychology, and philosophy. James wrote 20 novels, 112 stories, 12 plays and works of literary criticism. Among James's most famous literary works are The Europeans, his commercial success Daisy Miller, the critically acclaimed Washington Square, The Bostonians, and The Turn of the Screw. Notes on Novelists is one of his volumes of criticism. Contents: Robert Louis Stevenson; Emile Zola; Gustave Flaubert; Honore de Balzac; George Sand; Gabriele D'Annunzio; Matilde Serao; The New Novel; Dumas the Younger; The Novel in The Ring and the Book; An American Art-Scholar: Charles Eliot Norton, 1908; and London Notes. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Few writers have had such a significant impact on American literature in the twentieth century as have Henry James and Henry Adams. The influence of Adams' Education appears unmistakably in the work of writers as diverse as T.S. Eliot, Sherwood Anderson, Vachel Lindsay, F. Scott Fitzgerald, Ernest Hemingway, Eugene O'Neill, Nathanael West, Norman Mailer, and Thomas Pynchon. The list of writers influenced by James is virtually endless, ranging from Ezra Pound and Wallace Stevens to Robert Lowell, among poets, and from Ford Madox Ford and Edith Wharton to Philip Roth and Cynthia Ozick, among fiction writers. The Correspondence of Henry James and Henry Adams, 1877-1914, edited and annotated by George Monteiro, collects the surviving correspondence between these two legendary figures, along with four letters from James to Adams' wife, Marian "Clover" Hooper Adams. James, Adams, and Mrs. Adams were close friends until her death in 1885, and the two men continued to visit and correspond until James's death. The letters in this volume reflect the strength and vitality of that friendship and of the intellectual exchanges that nourished it. Covering a thirty-eight-year period, these thirty-six letters constitute the known extant correspondence exchanged by the two Henrys. Monteiro has carefully and skillfully edited each letter in its entirety from the manuscript original. In addition to the letters, he includes a chronology, a calendar of unlocated letters between the two men, and a bibliography. His introduction to the collection traces James's relationship with his two New England friends, Henry and Clover, in rich detail. This essay makes a lively background to the letters and sets them in vivid context. This is a fascinating collection that reveals the patterns of an enduring friendship and the minds and personalities of the participants. It makes a valuable contribution to scholarship about James and Adams, as well as to our understanding of the social and intellectual worlds in which they lived.
Book by James, Henry
The eighteen essays in this collection show Henry James (1843–1916) in a new and unexpected light—as a political commentator and social reformer. His acute powers of observation, his unerring feel for social nuance, and his abiding interest in the news, conversations, and controversies of the moment make these essays a witty and entertaining illumination of American, British, European, and colonial society in the years from 1878 to 1917. Included are writings on British politics and diplomacy, on the language and manners of Americans, on the possibility of an afterlife, and on the heroism and human costs of the First World War. Among the subjects that interest James are France’s infatuation with the Prince of Wales, the trumped-up excuses for war in Afghanistan, the brutal frankness of Bismarck, the parliamentary games of Gladstone and Disraeli, the rise of Zulu power in South Africa, the use of “yeah” and “yup” for the American affirmative, the fearlessness of American women and their immunity from criticism, the effect of chewing gum on the discussion of opera, the sufferings of Americans at the hands of store clerks, the proper degrees of gratitude for roadside bicycle repairs, the work of the American Volunteer Motor Ambulance Corps, the use of the dash, the tyranny of the newspapers, the sinking of the Lusitania , and the conditions in military hospitals.
The collection will be welcome to lovers of the great stylist as a fresh example of his more intimate manner and as further evidence of his love of friends almost perfectly balanced with devotion to art. BOOKS THIS TITLE IS CITED AND RECOMMENDED BY: Books for College Libraries; Bibliography of American Literature.
William and Henry James are well known for their master works of psychology and fiction respectively, but the celebrated brothers amassed an impressive collection of letters to one another as well. Through their copious correspondence, readers are privy to the private thoughts of these intellectual heavyweights. Sure, their letters expound on philosophical, political, social, and cultural subjects with imagination and wit, but more often they focus on the quotidian: health, news of friends and family, mutual praise, advice, complaints, and good-natured ribbing. What makes these 216 epistles remarkable is the quality of writing and the keen observations made by the brothers James during their wide and frequent travels across America and Europe. The letters contained in William and Henry James: Selected Letters span more than 50 years and are infused with the history and events of their era. This volume illuminates each man's distinct personality and reveals the relationship the two crafted out of equal parts of criticism and support.
The Complete Notebooks of Henry James opens a wide, clear window into the private workshop of America's master novelist, the architect of modernism in fiction. It is a volume that deserves to be called definitive. Assembled and edited by Leon Edel, James's much-acclaimed prizewinning biographer, and Lyall H. Powers, critic and editor of James's letters to Edith Wharton, this book includes the nine scribbler-notebooks that were published by Oxford in 1947; these have been considerably updated and annotated to correct the identification of stories developed by James from his various notes and to reveal many noted Victorians James concealed through use of their initials. Certain omitted portions of the notebooks have also been restored. This volume is especially noteworthy for the body of new material that it contains. It includes a series of James's pocket diaries in which, amid appointments and luncheon dates, he jotted down observations and ideas for his fiction and commented on his personal relations. Also here are some fugitive dictated notes, in which James offered an autobiographcial meditation on the "turning Point in his life and the "working out" of a story based on a passion murder by an American acquaintance in the south of France. James's long out-of-print statements for his unfinished novels The Ivory Tower and The Sense of the Past , scenarios for unfinished plays, the writer's deathbed dictation--all these are here as well. An appendix includes a substantial fragment of a story James never completed, and the book even provides insight into James's "cash accounts." Everywhere throughout the collection, in writings never intended for the public eye, the artist is seen at work. his private prayers to his Muse and exhortations to himself make exhilarating reading.
Collected in this Library of America volume (and its companion) for the first time, Henry James’s travel books and essays display his distinctive charm and vivacity of style, his sensuous response to the beauty of place, and his penetrating, sometimes sardonically amusing analysis of national characteristics and customs. Observant, alert, imaginative, these works remain unsurpassed guides to the countries they describe, and they form an important part of James’s extraordinary achievement in literature. This volume brings together James’s writing on Great Britain and America. The essays of English Hours (1905) convey the freshness of James’s “wonderments and judgments and emotions” on first encountering the country that became his adopted home for half a century. James includes the vivid account of a New Year’s weekend at a perfectly appointed country house, midsummer dog days in London, and the spectacle of the Derby at Epsom. Joseph Pennell’s delightful illustrations, which appeared in the original edition, are reprinted with James’s text. In The American Scene (1907) James revisits his native country after a twenty-year absence, traveling throughout the eastern United States from Boston to Florida. James’s poignant rediscovery of what remained of the New York of his childhood (“the precious stretch of street between Washington Square and Fourteenth Street”) contrasts with his impression of the modern, commercial New York, a new city representing “a particular type of dauntless power.” Edmund Wilson, who praised The American Scene ’s “magnificent solidity and brilliance,” remarked that “it was as if. . . his emotions had suddenly been given scope, his genius for expression liberated.” Sixteen essays on traveling in England, Scotland, and America conclude this volume. The essays, most of which have never been collected, range from early pieces on London, Saratoga, and Newport, to articles on World War One that are among James’s final writings. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
After living abroad for 20 years, Henry James returned to his native America and travelled down the East Coast from Boston to Florida. This a journal describing his feelings on the rediscovery of the New York of his childhood, and the growth of modern commercial America. He muses on Thoreau, Hawthorne and Emerson; in Washington, he finds a cityscape devoid of spiritual symbols; in Richmond, thoughts of the civil war haunt him. Published in 1907, this journal also served as a farewell address to the country James would never live in again. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Meander through Provence in the company of Henry James with this vivid collection of travel writing taken from his little-known book A Little Tour in France In 1882, a year after the publication of his wildly successful The Portrait of a Lady , which dealt with the difficulties faced by American expatriate Daisy Miller in Europe, Henry James set out a six-week tour of southeastern France, taking in Tours, Bourges, Nantes, Toulouse, and Arles. Although a sometime resident of Paris, James was convinced that the soul of France resided not in the capital but in the provinces, and he set out to find it. Beginning in Touraine, James followed the course of the Rhône north to Burgundy, writing articles on architecture, literature, and personal observation that were serialized in the Atlantic Monthly . The resulting work is a fascinating patchwork, switching seamlessly between the broad strokes of classic travel writing and the smallest details of human behavior for which James is best known. This is at once an excellent example of James' prose writing and an outstanding work of travel writing in its own right.