Kate says she doesn’t know what to say about writing. When people ask, she tells them to prepare for a life of failure. Award-winning writer Erik Jensen plunges the reader into the world of acclaimed novelist, poet and pioneering feminist Kate Jennings. Weaving in his interviews with Jennings in New York, he shows how poetry, politics and family were transmuted into her first novel, Snake – a work of art that depicts rural Australia in a funny, cutting and unforgettable way. This is a biography of a book and the life that made it. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
I keep coming back to John Marsden. What makes him so fascinating to me is that he approaches writing for young adults with a whole philosophy of what it means to be a teenager – a philosophy that’s embedded in the two schools he runs, but also in his early experiences with mental illness and hospitalisation. His perspective raises interesting questions about YA fiction – how much darkness is allowed, before you are considered a “bad influence”? An original and moving look by award-winning writer Alice Pung at one of her biggest influences – the much-loved and hugely successful writer John Marsden. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria. Alice Pung is an award-winning writer, editor, teacher and lawyer based in Melbourne. She is the bestselling author of Unpolished Gem and Her Father’s Daughter and the editor of the anthologies Growing Up Asian in Australia and My First Lesson . Her first novel, Laurinda , won the Ethel Turner Prize at the 2016 NSW Premier’s Literary Awards.
Patrick White, the un-Australian writer who did more than any other writer in the twentieth century to create an imaginative language that we can call Australian, who unshackled us from the demand that we write as the English do, who recognised, through his own alienation and also through his profound love for his partner, that we were a migrant and mongrel nation forging our own culture and our own language. Christos Tsiolkas spent a year of 'discovery and rediscovery' reading Patrick White. In this passionate and original book, he shows how the Nobel Prize winner's work still speaks to us. In the Writers on Writers series, leading writers reflect on another Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
I was born in the year J.M. Coetzee published his third novel, Waiting for the Barbarians. My mother read this dark, disturbing book with its multiple scenes of torture as she breastfed me at night, while my older sister slept and the house was quiet. It was 1980. The apartheid government had declared a state of emergency in the face of growing internal revolt, and my parents were thinking of leaving South Africa again. For Ceridwen Dovey, J.M. Coetzee has ‘always been there’, ‘challenging the rest of us to keep up, resisting our attempts to pin him down.’ Her mother wrote the first critical study of Coetzee’s early novels, uncovering their startlingly original ways of bringing together literature and politics. With tenderness and insight, Dovey draws on this family history to explore the Nobel Prize–winner’s work. In the Writers on Writers series, leading writers reflect on another Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
Here was a very-much-alive half-Lebanese writer (from provincial Brisbane, no less) producing English-language writing of the very first order … The poetry was in the prose; it stayed and sprung its rhythms, chorded its ideas, concentrated its images. Every other novel claims to be written in “poetic prose”; the real thing, when you come across it, is actually shocking. Nam Le takes the reader on a thrilling intellectual ride in this sharp, bold essay. Encompassing identity politics, metaphysics, the relationship between life and art, and the ‘Australianness’ of Malouf’s work, it is unlike anything else written about one of Australia’s most acclaimed writers. In the Writers on Writers series, leading writers reflect on another Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
Hazzard was the first Australian writer I read who looked outwards, away from Australia. Her work spoke of places from which I had come and places to which I longed to go … It was reading as an affair of revelations and gifts. It fell like rain, greening my vision of Australian literature as a stony country where I would never feel at home. Splendour had entered the scene. In this vibrant, rich and personal essay on acclaimed author Shirley Hazzard, Michelle de Kretser offers a masterclass in writing that is powerful and exhilarating, that is ‘perfect’ because it is ‘exact’. She celebrates the precision and musicality of Hazzard’s prose and illuminates the humour, humanity and revelatory impact of her work. This jewel of a book is both a wonderful introduction to Hazzard and a treat for her long-time fans. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
Robyn Davidson, author of the classic memoir Tracks , has led a remarkable life of writing and nomadic travel. In this crisp, erudite essay, acclaimed critic and journalist Richard Cooke explores Davidson’s relationship with place and freedom, and her singular presence in Australian letters. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and well-written, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. The Writers on Writers series is published by Black Inc. in association with the University of Melbourne and State Library Victoria.
Across Farmer’s works, there has always been an attraction to those beings who occupy two realms … Once one has lived elsewhere, lived differently, it doesn’t matter whether she stays to forge a new life or turns back towards the old, or moves on once again; there will always be the shadow, the after-image, of the life not lived. Beverley Farmer’s writing reflects on restlessness, desire and homecoming. In this brilliantly acute essay, fellow novelist and short-story writer Josephine Rowe finds a kindred spirit and argues for a celebration and reclamation of this unique Australian author. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and well-written, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
Keneally’s caricature of a self-loathing Jimmie Blacksmith is a lost opportunity to explore the complex ways that Aboriginal people . . . were pushing against a white world that would not accept them for who they were; that would not see them as equal; that, in truth, would not see them as human. Acclaimed journalist Stan Grant weaves literary criticism, philosophy and memoir to shed light on The Chant of Jimmie Blacksmith . Drawing parallels with Indigenous writers Tara June Winch and Bruce Pascoe, Grant brilliantly re-examines Keneally’s novel, raising questions about identity, modernity and storytelling. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
A brilliant essay by one of Australia’s most exciting literary talents, which offers new insights into Garner’s entire body of work and her life as a writer. What I love in Helen Garner’s writing is a particular kind of closeness to self, the good, greedy, mistaken, emotional, fierce, sceptical, changing and disrupting self. Garner makes so much from what seems to be just her individual sense, individual observation – rather than anything made by and for the group. But I also love the beautiful strong contradiction in her work: she’s always fighting to come back enough, as well, to find enough that can stop the self; enough of a good order, a rule, a law, a family, a home. In a brilliantly argued and very personal essay, Sean O’Beirne looks at the whole of Helen Garner’s writing life so far – from Monkey Grip to the recently published Diaries – while trying to come to terms with the demands, and the rewards, of Garner’s extraordinary, radical individualism and honesty. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.