Anthologies

** Winner of the 2008 Shirley Jackson Award for Best Anthology** In 1919 Sigmund Freud published an essay that delved deep into the tradition of horror writing and claimed to understand one of its darkest tricks. Like a mad scientist, he performed literary vivisection on a still-breathing body of work, exploring its inner anatomy, and pulling out mysterious organs for classification. His aim: to present to the world a complete theory of ‘das unheimliche’, the uncanny. In the spirit of this great experiment, 14 leading authors have here been challenged to write fresh fictional interpretations of what the uncanny might mean in the 21st century, to update Freud’s famous checklist of what gives us the creeps, and to give the hulking canon of uncanny fiction a shot in the arm, a shock to the neck-bolts... 'It’s not too great a stretch to see Comma as the literary equivalent of Factory Records.' - The Herald, 2 Dec. 'Delightful and disturbing' - The Independent on Sunday, 14 Dec. 'A masterclass in understated creepiness... a deliciously macabre collection that the old Austrian might well have enjoyed.' - Book of the Week, Time Out, 12 Jan. 'If we need the uncanny – and I suspect we do – then we also need it updating... laudable.' - Book of the Week, The Independent, 2 Jan.

A collection of short stories around the theme of 'connections'. The Sea of Azov was the birthplace of Chekhov, the master of the short story.

Keret and Gavron masterfully assemble some of Israel's top contemporary writers into a compulsively readable collection. ―Gon Ben Ari’s story “Clear Recent History” won the 2015 PWA Shamus Award for Best Short Story. “This consistently strong collection showcases a group of Israeli writers who are not well known in the U.S. Definitely one of the highlights in the long-running Akashic series.” ― Booklist , Starred Review “May be the very best in a generally solid series. . . . This collection escapes the limits of formula fiction and sets the bar high for subsequent Noir offerings. The genre is hot, Tel Aviv is exotic, and this volume is outstanding. What’s not to like?” ― Library Journal, Starred Review Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Etgar Keret, Gadi Taub, Lavie Tidhar, Deakla Keydar, Matan Hermoni, Julia Fermentto, Gon Ben Ari, Shimon Adaf, Alex Epstein, Antonio Ungar, Gai Ad, Assaf Gavron, Silje Bekeng, and Yoav Katz; translated by Yardenne Greenspan. From the introduction by Etgar Keret: “In spite of its outwardly warm and polite exterior, Tel Aviv has quite a bit to hide. At any club, most of the people dancing around you to the sounds of a deep-house hit dedicated to peace and love have undergone extensive automatic-weapons training and a hand-grenade tutorial . . . The workers washing the dishes in the fluorescent-lit kitchen of that same club are Eritrean refugees who have crossed the Egyptian border illegally, along with a group of bedouins smuggling some high-quality hash, which the deejay will soon be smoking on his little podium, right by the busy dance floor filled with drunks, coked-up lawyers, and Ukrainian call girls whose pimp keeps their passports in a safe two streets away. Don’t get me wrong―Tel Aviv is a lovely, safe city. Most of the time, for most of its inhabitants. But the stories in this collection describe what happens the rest of the time, to the rest of its inhabitants. From one last cup of coffee at a café targeted by a suicide bomber, through repeat visits from a Yiddish-speaking ghost, to an organized tour of mythological crime scenes that goes terribly wrong, the stories of Tel Aviv Noir reveal the concealed, scarred face of this city that we love so much.”

A dazzling new anthology of the very best very short fiction from around the world. What is a flash fiction called in other countries? In Latin America it is a micro , in Denmark kortprosa , in Bulgaria mikro razkaz . These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 86 of the most beautiful, provocative, and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian “Queen of the Microstory” Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.

“Including work by literary heavy–hitters... the anthology considers the act and weight of watching and being watched... and in Watchlist , these see–to–know quests range from funny to terrifying.” — Los Angeles Magazine In Watchlist , some of today’s most prominent and promising fiction writers from around the globe respond to, meditate on, and mine for inspiration the surveillance culture in which we live. With contributions from Etgar Keret, T.C. Boyle, Robert Coover, Aimee Bender, Jim Shepard, Alissa Nutting, Charles Yu, Cory Doctorow, and many more, WATCHLIST unforgettably confronts the question: What does it mean to be watched? In Doctorow’s eerily plausible ""Scroogled,"" the US has outsourced border control to Google, on the basis that they Do Search Right. In Lincoln Michel’s “Our New Neighborhood,” a planned suburban community’s ‘Neighborhood Watch’ program becomes an obsessive nightmare. Jim Shepard’s haunting “Safety Tips for Living Alone” imagines the lives of the men involved in the US government’s fatal attempt to build the three Texas Tower radar facilities in the Atlantic Ocean during the Cold War. Randa Jarrar’s “Testimony of Malik, Israeli agent #287690” is “a sweet and deftly handled story of xenophobia and paranoia, reminding us that such things aren’t limited to the West” ( Sabotage Reviews ) and Alissa Nutting’s “The Transparency Project” is a creative, speculative exploration of the future of long–term medical observation. By turns political, apolitical, cautionary, and surreal, these stories reflect on what it’s like to live in the surveillance state.

A new literary journal arrives on the scene with unpublished works from such superstars as Dave Eggers, Louise Erdrich, Haruki Murakami, and others. In this inaugural edition of Freeman’s , a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive. Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an aging actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person. Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, who relearned how to walk while being black upon arriving in NYC, Freeman’s announces the arrival of an essential map to the best new writing in the world. “A terrific anthology . . . Haruki Murakami, David Mitchell and a host of other lively writers let loose their imaginations in editor John Freeman’s first outing with a new literary journal that is sure to become a classic in years to come.” — San Francisco Chronicle

The “fresh, provocative, engrossing” literary journal explores the nature of power in its various forms with new stories, essays, and poetry (BBC.com). Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. This thought-provoking issue of the acclaimed literary anthology Freeman’s explores who gets to say what matters in a time of social upheaval. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of color walking in public spaces. The narrator of Lan Samantha Chang’s short story finally wrenches control of the family’s finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam’s story achieves freedom by selling bull semen. Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. Meanwhile, Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plane in Korea to the glare he received from a bear traveling with her cubs in the woods, asking—do you intend me harm? Featuring work from brand new writers Nicole Im, Jaime Cortez, and Nimmi Gowrinathan, as well as from some of the world’s best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman’s: Power escapes from the headlines of today and burrows into the heart of the issue.