Ruth Galloway Books
When sheâ s not digging up bones or other ancient objects, quirky, tart-tongued archaeologist Ruth Galloway lives happily alone in a remote area called Saltmarsh near Norfolk, land that was sacred to its Iron Age inhabitants - not quite earth, not quite sea. When a childâ s bones are found on a desolate beach nearby, Detective Chief Inspector Harry Nelson calls Galloway for help. Nelson thinks he has found the remains of Lucy Downey, a little girl who went missing ten years ago. Since her disappearance he has been receiving bizarre letters about her, letters with references to ritual and sacrifice. The bones actually turn out to be two thousand years old, but Ruth is soon drawn into the Lucy Downey case and into the mind of the letter writer, who seems to have both archaeological knowledge and eerie psychic powers. Then another child goes missing and the hunt is on to find her. As the letter writer moves closer and the windswept Norfolk landscape exerts its power, Ruth finds herself in completely new territory - and in serious danger. THE CROSSING PLACES marks the beginning of a captivating new crime series featuring an irresistible heroine. (20090815)
It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death. The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.
Forensic archeologist Ruth Galloway investigates her most complicated case to date: two people affiliated with a museum housing aboriginal skulls succumb to a mysterious fever that later threatens the life of DCI Harry Nelson. When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum's curator lying dead on the floor. Soon the museum's wealthy owner lies dead in his stables, too. These two deaths could be from natural causes, but when he is called in to investigate, Nelson isn't convinced, and it is only a matter of time before he and Ruth cross paths once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of “The Dreaming” hold the answer to these deaths, as well as the keys to their own survival.
Ruth Galloway is shocked when she learns that her old university friend Dan Golding has died tragically in a house fire. But the death takes on a sinister cast when Ruth receives a letter from Dan written just before he died. The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life. Was Dan’s death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. Then Ruth is invited to examine the bones Dan found. Ruth travels to Lancashire–the hometown of DCI Nelson–with both her eighteen-month-old daughter, Kate, and her druid friend, Cathbad, in tow. She discovers a campus living in fear of a sinister right-wing group called the White Hand. She also finds that the bones revealed a shocking fact about King Arthur–and they’ve mysteriously vanished. When Nelson, visiting his mother in Blackpool, learns about the case, he is drawn into the investigation, especially when Ruth and his beloved Kate seem to be in danger. Who is willing to kill to keep the bones a secret?
Forensic archaeologist Ruth Galloway uncovers the bones of a Victorian murderess while a baby snatcher threatens modern-day Norfolk in this exciting new entry in a beloved series. Every year a ceremony is held at Norwich Castle for the bodies in the paupers’ graves: the Service for the Outcast Dead. Ruth has a particular interest in this year’s proceedings. Her recent dig at Norwich Castle turned up the body of the notorious Mother Hook, who was hanged in 1867 for the murder of five children. Now Ruth is the reluctant star of the TV series Women Who Kill , working alongside the program’s alluring history expert, Professor Frank Barker. DCI Harry Nelson is immersed in the case of three children found dead in their home. He is sure that the mother is responsible. Then another child is abducted and a kidnapper dubbed the Childminder claims responsibility. Are there two murderers afoot, or is the Childminder behind all the deaths? The team must race to find out—and the stakes couldn’t be any higher when another child goes missing.
The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in this Ruth Galloway mystery. It’s a blazing hot summer in Norfolk when a construction crew unearths a downed American fighter plane from World War II with a body inside. Forensic archeologist Ruth Galloway determines that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat long presumed dead—news that seems to frighten his descendants. Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called ghost fields, which the Blackstocks have converted into a pig farm. As production begins, Ruth notices a mysterious man loitering at Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm and the weather quickly turns. Can the team outrace a looming flood to find the killer?
In the next Ruth Galloway mystery, a vision of the Virgin Mary foreshadows a string of cold-blooded murders, revealing a dark current of religious fanaticism in an old medieval town. Known as England’s Nazareth, the medieval town of Little Walsingham is famous for religious apparitions. So when Ruth Galloway’s druid friend Cathbad sees a woman in a white dress and a dark blue cloak standing alone in the local cemetery one night, he takes her as a vision of the Virgin Mary. But then a woman wrapped in blue cloth is found dead the next day, and Ruth’s old friend Hilary, an Anglican priest, receives a series of hateful, threatening letters. Could these crimes be connected? When one of Hilary’s fellow female priests is murdered just before Little Walsingham’s annual Good Friday Passion Play, Ruth, Cathbad, and DCI Harry Nelson must team up to find the killer before he strikes again.
In the ninth Ruth Galloway mystery, Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one&;s sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is hunting for a missing homeless woman, Barbara, who he hears has gone &;underground.&; Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth, Nelson, and the rest of their team investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. When a dead body is found with a map that appears to be of The Underground, they realize their quest to find the killer has only just begun&;and that there may be more bodies underfoot.
In this highly atmospheric mystery, Ruth Galloway―whom #1 New York Times bestselling author Louise Penny calls “a captivating amateur sleuth”―has her summer vacation disrupted by a murder in a medieval Italian town where dark secrets are buried as deep as bones. When archaeologist Angelo Morelli asks Ruth Galloway to come to the Italian countryside to help identify bones found in picturesque Fontana Liri, she jumps at the chance to go―and brings her daughter along for what she assumes will be a working vacation. Upon arriving, Ruth hears murmurs of Fontana Liri’s strong resistance movement during World War II, and begins to sense that the townspeople are harboring an age-old secret. But how, if at all, could this chapter in history be connected to the human remains that Angelo has unearthed? Just as she’s getting her footing in the dig, DCI Nelson appears, unexpectedly and for no clear reason. When Ruth’s findings lead her and her crew to a modern-day murder, their holiday turns into anything but as they race to find out what darkness is lurking in this seemingly peaceful place. . .and who may be on their trail.
There’s nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst—and into the crosshairs of a string of murders circling ever closer. Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists—the so-called Night Hawks—uncovers Bronze Age artifacts on the beach, alongside a recently deceased body, just washed ashore. Not long after, the same detectorists uncover a murder-suicide—a scientist and his wife found at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog and a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become, and the closer they circle to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.
Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer, in USA Today Elly Griffiths’ penultimate novel in the beloved series. Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage— before she lived there—with a peculiar inscription on the back. Ruth returns to the cottage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological discovery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth’s isolated cottage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late. PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES Winner of the Edgar Award for Best Novel Winner of the Mary Higgins Clark Award Winner of the CWA Dagger in the Library Award “Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her.” — USA Today “Elly Griffiths draws us all the way back to prehistoric times . . . Highly atmospheric.” — New York Times Book Review “Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth—an inspired creation. I identified with her insecurities and struggles, and cheered her on.” —Louise Penny