Writer and the City Books

A flaneur is a stroller, a loiterer, someone who ambles without apparent purpose but is secretly attuned to the history of the streets he walks - and is in covert search of adventure, aesthetic or erotic. Acclaimed writer Edmund White, who lived in Paris for sixteen years, wanders through the avenues and along the quays, into parts of the city virtually unknown to visitors and indeed to many locals, luring the reader into the fascinating and seductive backstreets of his personal Paris.

David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

The fourth book in Bloomsbury's Writer and the City series. From one of the foremost chroniclers of the modern European experience, a panoramic view of a city that has seduced and bewitched visitors for centuries. Prague is the magic capital of Europe. Since the days of Emperor Rudolf II, "devotee of the stars and cultivator of the spagyric art", who in the late 1500s summoned alchemists and magicians from all over the world to his castle on Hradcany hill, it has been a place of mystery and intrigue. Wars, revolutions, floods, the imposition of Soviet communism, and even the depredations of the tourist boom after the Velvet Revolution of 1989 could not destroy the unique atmosphere of this beautiful, proud, and melancholy city on the Vltava. John Banville traces Prague's often tragic history and portrays the people who made it: the emperors and princes, geniuses and charlatans, heroes and scoundrels. He also paints a portrait of the Prague of today, reveling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the Cold War, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.

A man is haunted by the memory of his mother standing under a gibbet with a rope round her neck. It is the American War of Independence, and having defied the British forces occupying New York she must pay for her revolutionary activities. But fifty years on her son harbours a festering guilt for his inadvertent part in her downfall. Then, in a nineteenth-century New York of thrusting commercial enterprise, a ruthless merchant's sensitive son is denied the love of his life through his father's prejudice against the immigrants then flooding into the city - and madness and violence ensue. Finally, a Manhattan psychiatrist tries to treat a favoured patient reeling from the destruction of the World Trade Centre. But she fails to detect the damage she herself has sustained, and suffers the consequences of her blindness.

Oxford is a world-renowned stronghold of knowledge, a lush medieval city dotted with beautiful gardens. But it also has a symbolic meaning well beyond these things. It stands for something deep in our minds - excellence, a kind of privilege, a charmed life, deep-veined liberalism, a respect for tradition. It is an ivory tower: a quiet, thoughtful place, yet one whose scholars and ideas affect us all. In his attempt to capture the spirit of this cloistered hall, Cartwright has spoken to many leading figures, looked at favorite places in Oxford, subjected himself to an English tutorial - he performed very poorly - attended the Freshers' dinner in his old college, studied various works of art and museums, investigated the claim that dons like detective novels, and reread many Oxford classics. At the same time he has looked at some of the great debates which made Oxford what it is, as well as the most recent debate about funding, which ended in a resounding defeat for the reformers. He depicts the beauty of this historic city, the landscape of enclosed quads and gardens, and the astonishing collection of buildings. Cartwright concludes that the Oxford myth, while outstripping the reality, is as powerful as ever. This is an enchanting and highly original look at a quiet, cloistered town with a seemingly endless intellectual reach.