A medieval script launches a modern treasure hunt lightly dusted with black humor... William Dougal is a postgraduate student of history with expensive tastes and low moral fibre. He is the sort who is as likely to commit murders as to solve them. Thus it is that when he stumbles on the garotted corpse of his detested tutor, he doesn't call the police. Instead, he slips away, intent on avoiding a row with his girlfriend. Naturally, his actions don't go undetected. Enter the suave James Hanbury with the reminder that the dead man was an authority on Caroline Minuscule, a Medieval script that may convey a very modern message. Douglas is pushed into--or rather drives his Morris Mini onto--a slippery slope which leads toward a cache of diamonds--and more murders.... ""In William Dougal, Andrew Taylor has created one of the most attractive amateur detectives in fiction.""--Harriet Waugh, The Spectator. And so his 1982 debut, the first of eight Dougal capers, won the John Creasey (Best First Novel) Award from the Crime Writers Association and was shortlisted for the 1983 Edgar Allan Poe Award.
Hanbury, an old rival, persuades William Dougal to spy on Dr. Vertag, the leader of a survivalist group, and involves Dougal in drug smuggling, gunrunning, kidnapping, and murder
Ted Dougal, a retired British intelligence officer, and his son, William, investigate the murder of a historian and find a connection with a poisoning fifty years in the past
A desperate Hanbury, claiming that he did not kill his wife, turns to his old adversary, Dugal, for help, and the investigation leads to an unsavory incident that occurred nearly thirty years earlier
The sixth instalment of the brilliant William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London . William Dougal's life seems to be running smoothly. Now working with his old rival, Hanbury, his reputation is gaining him cases from every corner. But with every climb, there has to come a fall . . . When Dougal agrees to investigate the disappearance and suspected murder of publisher Oswald Finwood, he is faced with an array of suspects, all with the means and motive - from Finwood's estranged wife to an elusive author who had an appointment with Finwood on the day he disappeared. As Dougal probes deeper, he finds himself tangled in a complex web of greed, deceit and deadly family revenge . . .
When William Dougal is invited to the cottage of a young doctor to look into a case of blackmail, he soon discovers that the village community is not as quaint as it seems. For hostility and deception brew beneath the surface . . . As a network of corruption is gradually exposed, the village is shaken by a series of chilling incidents: from a sweep of thefts to a ruthless hit-and-run. And when tensions escalate into murder, it's up to Dougal to piece the puzzle together - before another body turns up.
The eighth in the acclaimed William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. William Dougal is a respectable private detective, a hardworking citizen and a responsible father - and now he's also a killer.After a violent squabble takes a dangerous turn, Dougal decides to shun the police and instead take things into his own hands. He accepts the assistance of his old rival and current employer, Hanbury, to dispose of the corpse.But Dougal quickly finds that help doesn't come cheap. In fact, it's often more trouble - and danger - than it's worth . . .