Anthologies

The 29 stories in the volume range from the daring and erotic "Eat" by Sapphire to Dorothy Allison's energetic Southern tale "A Lesbian Appetite" to Valerie Miner's suspenseful "Trespassing." Whether its the joy or loss of love, the difficulty of family relations, or the pain of death, these stories bring to life the unique lesbian experience.

Leatherfolk: Radical Sex, People, Politics, and Practice by Thompson, Mark, ed.

In an age of reality television that appears to have crossed all boundaries, it would seem that there are few subjects that haven't been broached. Yet, the provocative fiction, poetry and essays in High Risk explore the forbidden zones of illicit sex and obsessive behavior that few people dare. Fired by the conviction that art must be bound only by the limits of the imagination, the writers and artists featured in this collection, including William S. Burroughs, Dorothy Allison, and John Preston, fearlessly take on sadomasochism, prostitution, incest, drug use, bondage, and transsexuality. Uncompromisingly truthful, unusually explicit, and unfailingly adventurous, High Risk is an uncommon literary feat-a daring exploration of that culture of "otherness" that gives us our deepest sense of who we are and what we believe.

Integrating selections by gay and lesbian teenagers with older writers' reflections on growing up lesbian or gay, this anthology features works by James Baldwin, Rita Mae Brown, Questin Crisp, Audre Lorde, Martina Navratilova, and David Leavitt.

Gathers selections from the autobiographical writings of modern American women authors

A collection of diverse voices and experiences, all springing from a shared legacy: memories of the american South, of being “downhome.” Mee introduces each group of stories and then lets the authors reveal aspects of the South from their own female point of view. Introduction by the Author.

Swords of the Rainbow: Gay and Lesbian Fantasy Adventures The richest vein of authors writing today--including Dorothy Allison, Samuel R. Delany, and Tanya Huff--is tapped in this remarkable collection of fantasy, sword and sorcery, and science fiction tales on lesbian and gay themes.

This anthology of thirty works by some of our best contemporary American writers looks at our perennial American obsession: fat. It's everywhere, all around you, and maybe even on you. Now, America's consuming passion at last has its own anthology. From Andre Dubus's delicious story of a young woman more comfortable in her fat body than her thin one ("The Fat Girl"), to Tobias Wolff's tale of bonding over pancakes ("Hunters in the Snow"), Dorothy Allison's poem about food and love ("Dumpling Child"), Peter Carey's surreal tale of a fat-man revolution ("The Fat Man in History"), Wesley McNair's poetic celebration "Fat Heaven", and George Saunders's "The 400-pound CEO," this bountiful feast of fiction and poetry will ensure no reader ever looks at fat quite the same way again. Including stories and poems by Dorothy Allison Frederick Busch Peter Carey Raymond Carver Junot Díaz Andre Dubus Pam Houston Jill McCorkle George Saunders Tobias Wolff

Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, "live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs." Dorothy Allison Edwidge Danticat E. L. Doctorow Louise Erdrich Adam Haslett ZZ Packer Mona Simpson Mary Yukari Waters

Just as women in Greek myth are cast in roles ranging from the helpless and innocent to the manipulative and powerful, so women throughout the history of rhetoric have represented themselves as fulfilling roles that range from dependents or enablers of male authority to autonomous agents acting on their own. These essays examine the tactics women have employed in self-representation and the feminist rhetorics that result. Contributors examine both past and present practices, highlighting correspondences between them and the ways those practices have varied, succeeded, or failed. Essays in part 1 consider how women historically have found ways to speak and write, while negotiating the limitations of their positions as women, as well as their spiritual, class, and ethnic roles. Essays in part 2 study the formal genres, strategies, and techniques female rhetoricians have used; and the essays of part 3 consider the contemporary challenges faced by women rhetors in a pluralistic world and the strategies and genres they have inherited and transformed. representations by criss-crossing time and selecting particular issues and/or figures to focus on. Rhetorical Women is unique in that it juxtaposes several concerns in order to spotlight the strategies of the women rhetors it considers.

The Writer's Notebook offers aspiring authors the most enlightening and engaging seminars and essays from some of Tin House's favorite writers. Jim Shepard, Aimee Bender, Steve Almond, Antonya Nelson and others break down specific elements of craft and share insights into the joys and pains of their own writing. The Writer's Notebook: Craft Essays from Tin House combines the best craft seminars in the history of the Tin House Summer Writers Workshop with a variety of essays written by some of Tin House's favorite authors, offering aspiring writers insight into the craft of writing. Dorothy Allison, Jim Shepard, Aimee Bender, Steve Almond, D. A. Powell, and others break down elements of craft and share insights into the joys and pains of their own writing. This cast of deeply respected poets and prose writers explore topics that vary from writing dialogue to the dos and don'ts of writing about sex. With how-tos, close readings, and personal anecdotes,The Writer's Notebook offers future scribes advice and inspiration.

Some of the smartest erotic stories in the world just happen to be written by lesbians, women who changed the face of erotic lit. Susie Bright, founding editor of On Our Backs, Herotica, and the Best American Erotica series, presents a collection of lesbian sex lives that speak fearlessly, through every taboo, without any apologies. Writers like Dorothy Allison, Lisa Montanarelli, Greta Christina, and Peggy Munson name names, get as close to any woman as they dare, and relish every deep stroke of their erotic pens…. There’s no holding back between women with one thing on their minds. Includes: "Ellen, From Chicago" by Pat Williams, read by Pamella D'Pella "PG Diary" by Linda Hooper, read by Theo McKell "The Perfect Fit" by Katya Andreevna, read by Judith Smiley "Behind the Mask" by Serena Moloch, read by Gabrielle de Cuir "From Licking Our Wounds " by Elise D'Haene, read by Theo McKell "The Manicure" by Nell Carberry, read by Theo McKell "The Agent" by Jess Wells, read by Kathe Mazur "Casting Couch" by Serena Moloch, read by Theo McKell and Kathe Mazur "Penny Candy" by Andy Mathis, ready by Gabrielle de Cuir "Back Hand" by Ernie Cornick, read by Judith Smiley "The Babysitter" by Martha Miller, read by Gabrielle de Cuir "Hombrecito" by Miriam Gurba, read by Gabrielle de Cuir "What She Did with Her Hands" by Dorothy Allison, read by Candace Tate "Vegan Lesbian Boarding School Hookers in Bondage" by Lisa Montanarelli, read by Elenna Stauffer View From The Fourteenth Floor" by Greta Christina, read by Deleena Valdatti "Loved It and Set It Free" by Lisa Montanarelli, read by Lenore Zann "Fairgrounds" by Peggy Munson, read by Alyson Silverman "Paradise City" by Bianca James, read by Elenna Stauffer "Tennessee" by Patrice Suncircle, read by Pamella D'Pella "Story of O Birthday Party" by Susie Bright, read by Susie Bright

In Gay City Anthologies' fifth installment, two dozen top-notch writers, poets and artists extend their creative claws and bare their fearsome fangs to thrill readers with this exciting new collection of LGBT inspired monster tales, ghost stories, steampunk adventures and gaslight thrillers. Ghosts in Gaslight: Monsters in Steam boasts a list of contributors that reads like a Who's Who of queer creatives including World Fantasy Award winner, John Coulthart; multi-Lamda Literary Award winner, Dorothy Allison; screenwriter/novelist, Gregory Norris; publisher of Lethe Press, Steve Berman; and many, many more!

In The Queer South, Douglas Ray has assembled over 60 queer-identified voices exploring their experiences of the American South in nonfiction and poetry. From hilarious to heartbreaking, anxious to angry, religious to reluctant, contemplative to celebratory, this anthology expands our ideas of what it means to be queer and what it means to represent the land south of the Mason-Dixon. Included are Dorothy Allison, Shane Allison, John Andrews, Derrick Austin, Jeffery Berg, Richard Blanco, Perry Brass, Dustin Brookshire, Jericho Brown, Joey Connelly, William Cordeiro, C. Cleo Creech, James Croteau, J.K. Daniels, Nick Dephtereos, David Eye, Jason K. Friedman, D. Gilson, Ellen Goldstein, Mirian Bird Greenberg, Elizabeth Gross, Johnathan Harper, Scott Hightower, Matthew Hittinger, Darrel Alejandro Holnes, Rex Leonowicz, Sassafras Lowrey, Tyler Lynn, Bo McGuire, Rangi McNeil, Kelly McQuain, M. Mack, Ed Madden, Jeff Mann, Randall Mann, Mary Meriam, Stephen S. Mills, Cameron Mitchell, Foster Noone, Joseph Osmundson, Eddie Outlaw, Seth Pennington, Evan J. Peterson, Kenneth Pobo, Brad Richard, Hannah Riddle, Laurence Ross, Liana Roux, Kevin Sessums, Del Shores, Erin Elizabeth Smith, Will Stockton, Dan Stone, Christine Stroud, Billie Tadros, TC Tolbert, Dan Vera, Annie Virginia, Valerie Wetlaufer, C.T. Whitley, Scott Wiggerman, Cristan Williams, and L. Lamar Wilson.

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today’s finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies. In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry. Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage. Contributors: Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon. OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement—like Edward Albee, John Rechy, and Samuel R. Delany—could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman. This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations. These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more. OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s. Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today’s readers.