Non-Fiction Books

Volume V covers the three years from March 1924 to March 1927. It comprises over 890 letters, of which about 350 are previously unpublished, and the others are printed in full for the first time. As in earlier volumes of this model edition of Lawrence's correspondence, texts have been established from the originals and are fully annotated to identify persons and illuminate allusions. Also included are a biographical introduction, two maps of Oaxaca (Mexico), illustrations, chronology and an index. In 1924 Lawrence is in the United States to check on the failing business of his American publisher and to rewrite his Mexican novel The Plumed Serpent. While in Mexico, the author falls dangerously ill and recovers at Kiowa. In the Autumn of 1925, he and Frieda visit family in England and Germany. They finally settle in Italy where, except for his final visit to the Midlands, they will remain.

Soon the primroses are strong on the ground. There is a bank of small, frail crocuses shooting the lavender into this spring. And then the tussocks and tussocks of primroses are fully out, there is full morning everywhere on the banks and roadsides and stream-sides, and around the olive roots, a morning of primroses underfoot, with an invisible threading of many violets, and then the lovely blue clusters of hepatica, really like pieces of blue sky showing through a clarity of primrose.

An intriguing account of Sicilian life that reveals as much about the writer as the place, people, and customs it describes Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his delighted response to a new landscape and people and his uncanny ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism. This edition restores censored pasages and corrects corrupt textual readings to reveal the book Lawrence himself called "a marvel of veracity." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Nobody ever read [the great old books] like Lawrence did—as madly, as wildly or as insightfully. . . . You will be jolted awake.” —A. O. Scott, The New York Times A Penguin Classic Lawrence asserted that 'the proper function of a critic is to save the tale from the artist who created it'. In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Extraordinary. Certainly a landmark in the history of psychoanalysis."--Kenneth Rexroth This volume features two profound essays by one of the English language's most famous and controversial authors. D. H. Lawrence wrote Psychoanalysis and the Unconscious and Fantasia of the Unconscious in the early 1920s, during his most productive period. Initially intended as a response to psychoanalytic criticism of his novel Sons and Lovers, these works progressed into a counterproposal to the Freudian psychoanalytic theory of the unconscious and the incest motive. They also voice Lawrence's concepts of education, marriage, and social and political action. "This pseudo-philosophy of mine," explained Lawrence, "was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man." With these two essays, the author articulates his insights into the mental struggle to rationalize and reconcile the polarity that exists between emotional and intellectual identities. Critical to understanding Lawrence's other works, they offer a bold synthesis of literary theory and criticism of Freudian psychology.

In two brilliant exhortatory essays, Lawrence set out to redefine the unconscious as "only another word for life". Roused by Freud's resurrection of the unconscious, he describes its biological nature, shows how both society and the individual have failed to exploit it, and suggests revolutionary changes in education to accommodate and develop it. Lawrence's emphasis on the inarticulate side of human nature is a key to the understanding of his novels; his imaginative arguments and supple prose persuade and excite as disturbingly today as they first did fifty years ago.

CONTENTS Corasmin and The Parrots Walk to Huayapa The Mozo Market Day Indians and Entertainment The Dance of the Sprouting Corn The Hopi Snake Dance A Little Moonshine with Lemon

In 1929, in the Criterion Miscellany, Viscount Brentford and D. H. Lawrence engaged in public debate on the question of censorship. Lord Brentford’s pamphlet appeared under the title of Do We Need a Censor?; D. H. Lawrence’s pamphlet was called Pornography and Obscenity, and he later continued his discussion of current conceptions of what is clean and what is dirty, and the problem of censorship in art and literature, in a further pamphlet called Nettles. Pornography and Obscenity was written in the autumn of 1929 at Rottach-am-Tegernsee, where Lawrence was the guest of Max Mohr. It was written as protest and rejoinder against the police raid in 1929 which seized 25 pictures on show, 4 books of reproductions, and Grosz, Ecce Homo, and even a volume of pictures by William Blake. Lawrence wrote to the Curtis Brown office in September that he was surprised Faber would risk the obscenity article, but he agreed to a suggestion that the name of Glasworthy and Barrie be omitted from the published version. The reference was to their novels being more pornographic than Boccaccio, who was wholesome. The publishers asked both Lawrence and Lord Brentford, Home Secretary at the time and prime mover in the action against Pansies and Lady Chatterley, to write essays giving their respective viewpoints on the question of censorship. Lawrence was apparently quite elated when his pamphlet sold better than that of his rival. The present volume consists of these two pamphlets, together with the kindred introduction which Lawrence wrote for the Introduction to his Paintings. It is the interesting and entertaining work on pornography and obscenity by the author of Lady Chatterly's Lover, a book which was banned and censored into the 1960s. It has been said that, "When Lawrence got going, he almost always went too far, but hitting a nerve of truth on the way." This work discusses the problems of censorship in art and literature by one who knew firsthand, and shows the genius of Lawrence at his best: it begins with his quick start, and his surprise description, "What is pornography to one man is the laughter of genius to another. He also asserts that "Without secrecy there would be no pornography. But if pornography is the result of sneaking secrecy, what is the result of pornography? What is the effect on the individual?" It's quite a ride, though, as Lawrence's work usually is.

ESSAYS INCLUDING LAWRENCE'S OWN DEFENSE OF LADY CHATTERLEY'S LOVER; PLUS THE FULL TEXT OF JUDGE F.V. BRYAN'S HISTORIC DECISION DECLARING THE BOOK OBSCENE

"Apocalypse", Lawrence's polemic against intellectualism and materialism, was his last work. It contains a fierce protest against Christianity, holding it responsible for both the dehumanizing of men and women and the self-glorification of the weak that has brought about "the reign of the pseudo-humble". He also argues against the importance given to all things scientific that places formulae above feelings and reduces the spirit of mankind.

This final volume of The Letters of D. H. Lawrence has a threefold purpose: to publish 148 letters to or from Lawrence that came to light too late to be entered in their correct chronological positions in earlier volumes; to correct errors in the first seven volumes and offer additional annotation; and--most importantly--to provide a comprehensive critical index to the entire edition. The Cambridge Edition of Lawrence's letters has been described as creating itself "a major new literary work." This volume brings that work to a fitting conclusion.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This unique edition of D. H. Lawrence€™s Selected Letters includes correspondence spanning his whole adult life—from early letters as a 16-year-old to his final years in France. The language remains effusive and dynamic throughout as he corresponds with friends, lovers, fellow authors, editors, postmen, and nuns discussing topics such as art, literature, love, life, and the weather. The scrupulous and innovative work by James Boulton provides a rare critical assessment of Lawrence€™s epistolary achievement, comprehensive biographical and bibliographical details, brief chronological and descriptive introductions to each section, and a full general index.

Reveals the literary and psychological motivations underlying a classic of 20th century literature by one of its acknowledged masters.

D. H. Lawrence's 'Study of Thomas Hardy', written in the early months of World War I, was originally intended to be a short critical work on Hardy's characters, but developed into a major statement of Lawrence's philosophy of art. The introduction to this work shows its relation to Lawrence's final rewriting of The Rainbow and its place among his continual attempts to express his philosophy in a definitive form. Previously published posthumously from a corrupt typescript, the 'Study' is now more firmly based on Koteliansky's typescript - Lawrence having destroyed the manuscript. The other essays in this volume span virtually the whole of Lawrence's writing career, from 'Art and the Individual' (1908) to his last essay 'John Galsworthy', written in 1927. The introduction sets these essays in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify references and quotations, and offer background information.

Volume V covers the three years from March 1924 to March 1927. It comprises over 890 letters, of which about 350 are previously unpublished, and the others are printed in full for the first time. As in earlier volumes of this model edition of Lawrence's correspondence, texts have been established from the originals and are fully annotated to identify persons and illuminate allusions. Also included are a biographical introduction, two maps of Oaxaca (Mexico), illustrations, chronology and an index. In 1924 Lawrence is in the United States to check on the failing business of his American publisher and to rewrite his Mexican novel The Plumed Serpent. While in Mexico, the author falls dangerously ill and recovers at Kiowa. In the Autumn of 1925, he and Frieda visit family in England and Germany. They finally settle in Italy where, except for his final visit to the Midlands, they will remain.

Book by Lawrence, D. H.

1964 Viking HARDCOVER, 240pp, 8vo.

1964 Viking HARDCOVER, 240pp, 8vo.

This volume contains what Lawrence himself called "philosophicalish" essays written in the decade 1915-25. The topics range from politics to nature, from religion to education; the tone from lighthearted humor to mordant wit, to spiritual meditation. For all these contrasts, however, the essays share many of the underlying themes of the mature "Be thyself" could be the volume's motto. As far as possible, this edition restores what Lawrence wrote before typists, editors, and compositors made the extensive alterations that have been followed in all previous editions of the texts—on occasion entire passages removed by mistake or for reasons of censorship have been recovered. The introduction describes the genesis, textual history, and reception of the essays; notes offer help with allusions and other difficult points. Several incomplete and unpublished essays are reproduced in an appendix.

Hardcover with unclipped dust jacket, in very good condition. From the collection of Ian Angus, British Librarian and a scholar on George Orwell, whose name and date are pencilled to FEP. Includes a draft of a letter to the author, as well as notes and his pencil marginalia. Jacket is slightly marked, and edges are a little worn. Spine is slightly cocked, and ends are bumped. Page block is lightly blemished. Binding is sound and pages are clear. LW

Edited with an introductionby George J. Zytaruk. Includes index. 433 pp.

Volume II of the Letters presents more than 700 letters, covering the period from June 1913 to October 1916, from the enthusiastic reception of Sons and Lovers to the completion of the first manuscript of Women in Love. Lawrence visits England in June 1913 and receives recognition as the author of Sons and Lovers. He returns to Italy in the autumn of 1913 to work on his new novel 'The Sisters', which subsequently becomes The Rainbow and Women in Love. Lawrence and Frieda return to England in June 1914 to be married and are caught there by the War. The letters vividly record his reaction to the War. The editors' introduction considers the initial widening scope of Lawrence's literary life with his later isolation in Cornwall. Over two hundred letters are previously unpublished and others are printed for the first time in their entirety.

Hardcover with unclipped dust jacket, in very good condition. From the collection of Ian Angus, British Librarian and a scholar on George Orwell, whose name and date are pencilled to FEP. Jacket is slightly scuffed and sunned, and edges are a little creased. Boards are clean, binding is sound and pages are clear. LW

Paperback in good condition. Edited with an introduction by J.V. Davies. Ex-library. Lightly marked, scored and shelfworn cover. The spine and one or two leading corners are lightly creased. Small abrasion and residue on the rear. Labels on the spine foot and reverse of front cover. Stamps at a few points. The binding is sound with clear text. CM

Volume V covers the three years from March 1924 to March 1927. It comprises over 890 letters, of which about 350 are previously unpublished, and the others are printed in full for the first time. As in earlier volumes of this model edition of Lawrence's correspondence, texts have been established from the originals and are fully annotated to identify persons and illuminate allusions. Also included are a biographical introduction, two maps of Oaxaca (Mexico), illustrations, chronology and an index. In 1924 Lawrence is in the United States to check on the failing business of his American publisher and to rewrite his Mexican novel The Plumed Serpent. While in Mexico, the author falls dangerously ill and recovers at Kiowa. In the Autumn of 1925, he and Frieda visit family in England and Germany. They finally settle in Italy where, except for his final visit to the Midlands, they will remain.

Apocalypse is D. H. Lawrence's last book, written during the winter of 1929–30 when he was dying. It is a radical criticism of our civilisation and a statement of Lawrence's unwavering belief in man's power to create 'a new heaven and a new earth'. Ranging over the entire system of his thought on God and man, on religion, art, psychology and politics, this book is Lawrence's final attempt to convey his vision of man and the universe. Apocalypse was published after Lawrence's death, and in a highly inaccurate text. This edition is the first to reproduce accurately Lawrence's final corrected text on the basis of a thorough examination of the surviving manuscript and typescript. In the introduction the editor has discussed the writing of Apocalypse and its place in Lawrence's works, its publication and reception, and the significance of Lawrence's other writings on the Book of Revelation.

Book by Lawrence, D. H., Lowell, Amy

This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.

This volume contains what Lawrence himself called "philosophicalish" essays written in the decade 1915-25. The topics range from politics to nature, from religion to education; the tone from lighthearted humor to mordant wit, to spiritual meditation. For all these contrasts, however, the essays share many of the underlying themes of the mature Lawrence: "Be thyself" could be the volume's motto. As far as possible, this edition restores what Lawrence wrote before typists, editors, and compositors made the extensive alterations that have been followed in all previous editions of the texts--on occasion entire passages removed by mistake or for reasons of censorship have been recovered. The introduction describes the genesis, textual history, and reception of the essays; notes offer help with allusions and other difficult points. Several incomplete and unpublished essays are reproduced in an appendix.

For D. H. Lawrence, Italy was the place of spiritual rejuvenation to which he returned frequently to free himself from what he saw as the bourgeois conventions and the grim materialism of his native England. During his final stay in Italy, Lawrence became intrigued by the Etruscan civilization. To him, the Etruscan love of pleasure is in direct contrast to the Roman desire for power and he sees evidence of their quality of life and joy in their remaining works of art. The eight short essays in this volume, two of which appear for the first time in paperback, include sketches of Tuscany, Florence, and the Etruscan lifestyle. It is both a personal journey and a superbly imaginative traveler's guide. This Penguin edition reproduces the authoritative Cambridge text, which is based on Lawrence's manuscripts, typescripts, and corrected proofs. "One of the most widely read books on the Etruscans in English and probably Lawrence's most successful achievement in the genre of travel literature" --Simonetta de Filippis, from her Introduction

This volume contains almost all the 763 letters Lawrence wrote in the last fifteen months of his life with an introduction, maps, notes, illustrations, chronology and index. Lawrence corresponded with publishers and agents, regarding Lady Chatterley's Lover, The Escaped Cock and Pansies. He wrote no new fiction, but there were paintings, poems, essays, newspaper articles, and his last work Apocalypse. There were dramatic episodes with the seizure of his Pansies manuscript, and the police raid on the exhibition of his paintings at a London gallery, with its subsequent trial.

Poet, novelist, moral, rebel, preacher and philosopher, D.H. Lawrence has become one of the most distinctive and controversial voices of the 20th century. This volume draws together the complex strands of his life and work.

'A critic must be able to feel the impact of a work of art in all its complexity and force. To do so, he must be a man of force and complexity himself...' 'A critic must be emotionally alive in every fibre, intellectually capable and skilful in essential logic, and then morally very honest.' These comments by D. H. Lawrence are as close a description as any of himself as a critic. They come from his essay on fellow novelist John Galsworthy, and there are many other pieces on novels and novelists in this selection. But Lawrence's range of genres extends to poetry and plays and paintings, and his critical writing encompasses an enormous variety of subjects, from Aeschylus and the Apocalypse to symbolism and syphilis, for his nterests are philosophical , psychological, religious, moral, sociological, historical and cultural as well as literary and artistic. This selection is a treasure-trove of `thought adventures' by one of literature's liveliest critical spirits.

D.H. Lawrence often wrote for newspapers in his last years not only because he needed the money, but because he enjoyed producing short articles at the prompting of editors. He also wrote substantial essays such as the contentious introduction to his own volume of Paintings and the highly controversial Pornography and Obscenity. Written between 1926 and Lawrence's death in 1930, all thirty-nine articles are collected and edited in this volume, including two previously unpublished autobiographical pieces.

This book is a critical edition of D. H. Lawrence's complete essays about Mexican and Southwestern Indians, both those published in 1927 as Mornings in Mexico, and the other essays Lawrence wrote about them during his American years. The number of essays, therefore, is more than double that of all previous editions. The early version of 'Pan in America' appears here for the first time, as do previously unpublished passages in other essays. The texts are informed by all extant manuscripts, typescripts, and early publications, with a full textual apparatus revealing Lawrence's revisions. The volume includes extensive notes and appendices with information on Mesoamerican mythology and history. Lawrence's interest in and real affection for the region and its peoples went beyond the travel writing genre and these essays hold significance not only for those interested in Lawrence but also in the wider context of the cultures of Mexico and the Southwest.