Non-Fiction Books

When news of moving statues spread through Ireland like wildfire, bishops ran for cover from the most extraordinary phenomenon in Irish Catholicism in this century. A group of journalists and writers explore what really happened and assessed its significance.

In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape. Tóibín describes the rituals – the marches, the funerals, the demonstrations – observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most contested strips of land in Western Europe.

Colm Tóibín's Homage to Barcelona celebrates one of Europe’s greatest cities – a cosmopolitan hub of vibrant architecture, art, culture and nightlife. It moves from the story of the city’s founding and its huge expansion in the nineteenth century to the lives of Gaudí, Miró, Picasso, Casals and Dalí. It also explores the history of Catalan nationalism, the tragedy of the Civil War, the Franco years and the transition from dictatorship to democracy which Colm Tóibín witnessed in the 1970s. Written with deep knowledge and affection, Homage to Barcelona is a sensuous and beguiling portrait of a unique Mediterranean port and an adopted home.

Colm Toibin is one of Ireland's most distinguished young writers; he is also a lapsed Catholic. Yet over a succession of Holy Weeks, Toibin found himself traveling to places where Catholicism still possesses mystery and power, from Poland to Lithuania, from Lourdes to Santiago, and from Croatia to Ireland. And in seeing how the faith persisted in other people's lives, he discovered how it still resonated in his own. In this beautifully observed work of travel writing and spiritual reportage, Toibin turns his eye on Catholicism's rituals and processions, its high-minded fanatics and humble communicants. He shows how it ripples outward into the history and politics of homelands. Yet Toibin also encounters the cross-shaped wound that lies at his own center--and it is his unflinching examination of that wound that makes The Sign of the Cross as moving as it is perceptive and urbane. "A writer of considerable poetic gifts. Toibin's descriptions are enlivening."--Los Angeles Times Book Review "An extraordinary document."--Entertainment Weekly

Six writers - Bernard Loughlin, Colm Toibin, Michael Finlan, Rosita Boland, George O'Brien and Sean Dunne - have combined to produce a book which offers both a guide to the sites and sights of Ireland and a collection of photographs of its monuments and moods. Each of the contributors takes readers on a tour of one region, illuminating the landscape, the towns, the coastline, the rivers and the lochs. They introduce the history and the mystery, the heroes of hurling and the poets, and the life of the Ireland of today as it reflects the past.

Over the past twenty years, Paul Durcan has become an essential presence in Irish life, and is internationally known for his poetry. This is the first full-length study of his work, a critical evaluation of the essential themes in his poems. Contributions from fellow poets (Derek Mahon, Ruth Padel, Eamon Grennan) and critics (Edna Longley, Brian Kennedy, Fintan O'Toole) make this a vital and significant assessment of one of the most original poets writing in the English language. The book's title is that of one of his most famous poems.

This unique volume, comprising Colm Tóibín's acclaimed short text and a linked collection of key documents put together by one of Ireland's leading younger historians, offers a many-sided view of one's of history's most poignant and far-reaching catastrophes. This book will allow the reader to understand the complex way in which the fragmentary past is both available to us ... and distant from us.' We get those insights from Tóibín's short history and from a rich collection of documents -- government papers, recipes, journalism, letters, statistics, personal statements, all linked so the book can be read as a whole.

In Love in a Dark Time , Colm Tóibín looks at the life and work of some of the greatest and most influential artists of the nineteenth and twentieth centuries. His subjects range from figures such as Oscar Wilde, born in the 1850s, to Pedro Almodóvar, born nearly a hundred years later. Tóibín studies how a changing world impacted on the lives of people who, on the whole, kept their homosexuality hidden, and reveals that the laws of desire changed everything for them, both in their private lives and in the spirit of their work.

In this remarkable biographical essay, Colm Tóibín examines the contradictions that defined Lady Gregory, an essential figure in Irish cultural history. She was the wife of a landlord and member of Parliament who had been personally responsible for introducing measures that compounded the misery of the Irish peasantry during the Great Famine. Yet, Lady Gregory devoted much of her creative energy to idealizing that same peasantry, while never abandoning the aristocratic hauteur, the social connections, or the great house that her birth and marriage had bequeathed to her. Lady Gregory’s capacity to occupy mutually contradictory positions was essential to her heroic work as a founder and director of the Abbey Theatre in Dublin—nurturing Synge and O’Casey, her battles with rioters and censors, and to her central role in the career of W. B. Yeats. She was Yeats’s artistic collaborator (writing most of Cathleen Ní Houlihan, for example), his helpmeet, and his diplomatic wing. Tóibín’s account of Yeats’s attempts—by turns glorious and graceless—to memorialize Lady Gregory’s son Robert when he was killed in the First World War, and of Lady Gregory’s pain at her loss and at the poet’s appropriation of it, is a moving tour de force of literary history. Tóibín also reveals a side of Lady Gregory that is at odds with the received image of a chilly dowager. Early in her marriage to Sir William Gregory, she had an affair with the poet and anti-imperialist Wilfrid Scawen Blunt and wrote a series of torrid love sonnets that Blunt published under his own name. Much later in life, as she neared her sixtieth birthday, she fell in love with the great patron of the arts John Quinn, who was eighteen years her junior. "It is the old battle, between those who use a toothbrush and those who don’t." —Lady Augusta Gregory writing to W.B. Yeats, referring to the riots at the Abbey Theatre over Synge’s The Playboy of the Western World

AgnSs Pataux has travelled extensively throughout Ireland, photographing its ancient, majestic, nature-dominated landscapes. Her photographs intense and solitary speak to us of the primordial forces of nature, forces that have shaped both the extraordinary natural environs and the psyche of an enduring people, the Irish. Pataux is bound to particular sites, attracted by geological formations and manmade phenomena: the famine walls of the 1840s; the rugged Burren coast, blanketed in grey limestone, crisscrossed by splits and cracks that form a haunting geometry; Connemara with its wild and desolate bogs; County Antrim where nature has created the monolithic, hexagonal-shaped stone pavements of the mythological Giant's Causeway; and the coasts of the Aran Islands with their high cliffs beaten and broken by endless waves. Finally, the portraits of the men of these Emerald Islands show a people profoundly marked by their environment one that has shaped the people, the one that the people in turn have

This book collects, for the first time, Colm Tóibín’s critical essays on Henry James. Shortlisted for the Booker Prize for his novel about James's life, The Master , Tóibín brilliantly analyzes James from a novelist's point of view. Known for his acuity and originality, Tóibín is himself a master of fiction and critical works, which makes this collection of his writings on Henry James essential reading for literary critics. But he also writes for general readers. Until now, these writings have been scattered in introductions, essays in the Dublin Times , reviews in the New York Review of Books , and other disparate venues. With humor and verve, Tóibín approaches Henry James’s life and work in many and various ways. He reveals a novelist haunted by George Eliot and shows how thoroughly James was a New Yorker. He demonstrates how a new edition of Henry James’s letters along with a biography of James’s sister-in-law alter and enlarge our understanding of the master. His "Afterword" is a fictional meditation on the written and the unwritten. Tóibín’s remarkable insights provide scholars, students, and general readers a fresh encounter with James’s well-known texts.

In this fascinating, informative, and entertaining collection, internationally acclaimed, award-winning author Colm Tóibín turns his attention to the intricacies of family relationships in literature and writing. In pieces that range from the importance of aunts (and the death of parents) in the English nineteenth-century novel to the relationship between fathers and sons in the writing of James Baldwin and Barack Obama, Colm Tóibín illuminates not only the intimate connections between writers and their families but also, with wit and rare tenderness, articulates the great joy of reading their work. In the piece on the Notebooks of Tennessee Williams , Tóibín reveals an artist "alone and deeply fearful and unusually selfish" and one profoundly tormented by his sister's mental illness. Through the relationship between W.B. Yeats and his father, or Thomas Mann and his children, or J.M. Synge and his mother, Tóibín examines a world of family relations, richly comic or savage in its implications. In Roddy Doyle's writing on his parents we see an Ireland reinvented. From the dreams and nightmares of John Cheever's journals Tóibín makes flesh this darkly comic misanthrope and his relationship to his wife and his children.The majority of these pieces were previously published in the Londron Review of Books , the New York Review Review of Books , and the Dublin Review . Three of the thirteen pieces have never appeared before.

A compelling portrait of a beloved poet from one of today's most acclaimed novelists In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín. For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere. Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.

Depicting characters like the eponymous young sculptor in Roderick Hudson and spaces like the crowded galleries in The Wings of the Dove , Henry James’s iconic novels reflect the significance of the visual culture of his society. In this book, novelist and critic Colm Tóibín joins art historian Marc Simpson and Declan Kiely of The Morgan Library & Museum to reveal how essential the language and imagery of the arts―and friendships with artists―were to James’s writing. The authors consider the paintings, photographs, drawings, and sculpture produced by artists in James’s circle, assess how his pictorial aesthetic developed, and discuss why he destroyed so many personal documents and what became of those that survived. In examining works by figures such as John La Farge, Hendrik Andersen, and John Singer Sargent alongside selections from James’s novels, personal letters, and travel writings, Tóibín, Simpson, and Kiely explore the novelist’s artistic and social milieu. They show him to be a writer with a painterly eye for colors and textures, shapes and tastes, and for the blending of physical and psychological impressions. In many cases, the characters populating James’s fiction are ciphers for his artist friends, whose demeanors and experiences inspired James to immortalize them on the page. He also wrote critically about art, most notably about the work of his friend Sargent. A refreshing new perspective on a master novelist who was greatly nourished by his friendships with artists, Henry James and American Painting reveals a James whose literary imagination, in Tóibín’s words, “seemed most at ease with the image” and the work of creating fully realized portraits of his characters.

From Colm Tóibín, the formidable award-winning author of The Master and Brooklyn , an illuminating, intimate study of Irish culture, history, and literature told through the lives and work of three men—William Wilde, John Butler Yeats, and John Stanislaus Joyce—and the complicated, influential relationships they had with their complicated sons. Colm Tóibín begins his incisive, revelatory Mad, Bad, Dangerous to Know with a walk through the Dublin streets where he went to university—a wide-eyed boy from the country—and where three Irish literary giants also came of age. Oscar Wilde, writing about his relationship with his father, William Wilde, stated: “Whenever there is hatred between two people there is bond or brotherhood of some kind…you loathed each other not because you were so different but because you were so alike.” W.B. Yeats wrote of his father, John Butler Yeats, a painter: “It is this infirmity of will which has prevented him from finishing his pictures. The qualities I think necessary to success in art or life seemed to him egotism.” John Stanislaus Joyce, James’s father, was perhaps the most quintessentially Irish, widely loved, garrulous, a singer, and drinker with a volatile temper, who drove his son from Ireland. Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

A new, compact edition of Sean Scully’s photographs, featuring horizontal and vertical shards of limestone that echo his painted work and reveal a creative process best expressed through abstract shapes. Sean Scully, one of today’s most esteemed painters and an accomplished photographer, spent time on the remote Aran Islands, off the west coast of Ireland, photographing the ancient drystone walls that crisscross the stark and barren landscape. Sean Scully brings together his sensitive images, revealing the unexpected yet monumental beauty of these centuries-old structures that meander across the windswept and rocky islands. In their form and spirit, the photographs shed light on Scully’s own sensibilities as an artist. They also capture the stillness and serenity of this rugged, timeless place on the edge of Europe. This new edition features an evocative text by the award-winning Irish writer Colm To´ibi´n, which conveys the mysterious beauty of the three Aran Islands. This volume is a must-have for Sean Scully fans, as well as anyone with an interest in Ireland or photography. 73 illustrations

Named a Most Anticipated Book of 2023 by LitHub and The Millions ! From one of the most engaging and brilliant writers of our time comes a “not to be missed” ( LitHub ) collection of eleven essays about growing up in Ireland during radical change; about cancer, priests, popes, homosexuality, and literature. “ IT ALL STARTED WITH MY BALLS .” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” The second essay in this seductive collection is a memoir about growing up in the 1950s and ’60s in the small town of Enniscorthy in County Wexford, the setting for many of Tóibín’s novels and stories, including Brooklyn, The Blackwater Lightship , and Nora Webster . Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. In Part Two, Tóibín profiles three complex and vexing popes—John Paul II, Benedict XVI, and Francis. And in Part Three, he writes about a trio of authors who reckon with religion in their fiction. The final essay, “Alone in Venice,” is a gorgeous account of Tóibín’s journey, at the height of the pandemic, to the beloved city where he has set some of his most dazzling scenes. The streets, canals, churches, and museums were empty. He had them to himself, an experience both haunting and exhilarating. “A tantalizing glimpse into Tóibín’s full fictional powers,” ( The Sunday Times , London) A Guest at the Feast is both an intimate encounter with a supremely creative artist and a glorious celebration of writing.