A consistently reflective, often riotous narrative of the author's progress into manhood, from trouble and conflict in his native Appalachia, through a tour of America's underbelly, to his marriage and settlement on the Iowa River. Tour.
In his fortieth year, Chris Offutt returns to his alma mater, Morehead State University, the only four-year school in the Kentucky hills. He envisions leading the modest life of a teacher and father. Yet present-day reality collides painfully with memory, leaving Offutt in the midst of an adventure he never imagined: the search for a home that no longer exists. Interwoven with this bittersweet homecoming tale are the wartime stories of Offutt's parents-in-law, Arthur and Irene. An unlikely friendship develops between the eighty-year-old Polish Jew and the forty-year-old Kentucky hillbilly as Arthur and Offutt share comfort in exile, reliving the past at a distance. With masterful prose, Offutt combines these disparate accounts to create No Heroes, a profound meditation on family, home, the Holocaust, and history.
PUBLISHERS WEEKLY BEST BOOK OF THE YEAR In “one of the most sensitive, nuanced examinations of father and son relationships” ( The Boston Globe ), award-winning writer Chris Offutt struggles to understand his recently deceased father, based on his reading of the 400-plus novels his father—a well-known writer of pornography in the 1970s and 80s—left him in his will. Andrew Offutt was considered the “king of twentieth-century smut,” with a writing career that began as a strategy to pay for his son’s orthodontic needs and soon took on a life of its own, peaking during the 1970s when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon. In this fashion he wrote more than four hundred novels, including pirate porn, ghost porn, zombie porn, and secret agent porn. The more he wrote, the more intense his ambition became and the more difficult it was for his children to be part of his world. Over the long summer of 2013, his son, Chris, returned to his hometown to help his now widowed mother move out of his childhood home. As he began to examine his father’s manuscripts and memorabilia, journals, and letters, he realized he finally had an opportunity to gain insight into the difficult, mercurial, sometimes cruel man he’d loved and feared in equal measure. Only in his father’s absence could he truly make sense of the man and his legacy. In My Father, the Pornographer , Offutt takes us on the journey with him, reading his father’s prodigious literary output as both a critic and as a son seeking answers. He “enters the darkest and most mysterious of places—the cave of a monstrous enigma named Andrew J. Offutt—armed with nothing but his own restless curiosity. Spoiler alert: He makes it out alive, walking into the daylight to bring us a deeper, funnier, more tender and more heartbroken truth—and his masterpiece” (Michael Chabon).