Non-Fiction Books
From the dust jacket: "In this concise and attractive for m, Antonia Fraser has told the stroy of dolls of all ages and in many countries. . . .The book is international in its scope. Dutch dolls, Japanese dolls, American Pennywoods, Peg dolls, the European fashion dolls of the seventeenth century, German and Italian doll makers and Queen Victoria's own collection of dolls, all find their place in these pages. Particular attention is paid to the materials from which dolls have been made (wood, paper, wax, papier mache, china, paste, bisque, rubber, celluloid, cloth and plastic), the clothes in which they have been dressed, and the mechanical devices by which head and limbs have been attached to the body, culminating in the inspired automata of the last three centuries."
1972, oversize hardcover reprint edition (of a work first published in England in 1966), Spring Books / London. 256 pages. Marvelous illustrations, 230 in black and white, 72 color plates. The author is Lady Antonia Fraser, who has completed novels, biographies, and some non-fiction. Here is a splendid history, offering a nice overview of early civilization, the rise of the German toy industry in the 17th and 18th centuries, and how toys evolved to the present day. This is an extremely well done volume, fun to read, with everything from primitive playthings to dolls and toys of the 1920's and 30's.
In Cromwell, award-winning biographer Antonia Fraser tells of one of England's most celebrated and controversial figures, often misunderstood and demonized as a puritanical zealot. Oliver Cromwell rose from humble beginnings to spearhead the rebellion against King Charles I, who was beheaded in 1649, and led his soldiers into the last battle against the Royalists and King Charles II at Worcester, ending the civil war in 1651. Fraser shows how England's prestige and prosperity grew under Cromwell, reversing the decline it had suffered since Queen Elizabeth I's death.
When King James VI of Scotland inherited the throne of England in 1603 he had ruled his native land almost as long as had Queen Elizabeth. He showed both vision and determination in pursuing his major political goals: a united Britain, and a foreign policy based on peace rather than bellicose chauvinism. Of course, there was a darker side: in the face of growing Parliamentary opposition, he would need all his celebrated wisdom to prevent open conflict. This book is a sympathetic portrait of a worthy first king of Great Britain.
This essential reference is a concise, accessible guide to the great dynasties of English royalty. A collection of biographical sketches that encompasses the period from the establishment of monarchical power by the early Norman kings through the reign of Elizabeth II, The Lives of the Kings and Queens of England tells the stories of many monarchs and their colorful livessome merry, some cruel, some heroic, others sinister. Antonia Fraser and a collection of distinguished contributors bring the people and events to life in this lavishly illustrated volume that is both engrossing history and an excellent reference tool. This updated edition includes a new essay describing the recently tumultuous reign of the Windsors. Included are details of the weddings of Prince Charles and Lady Diana Spencer, and of Prince Andrew and Sarah Ferguson; the acrimonious collapse of the marriages; the effect the media have had on the royal family's image; and the fire at Windsor Castle. Such recent events as Diana's tragic death, the decommissioning of the Royal Yacht Britannia , and the launching of Queen Elizabeth's own website are also discussed. Accompanying the text are 175 contemporary illustrations and drawings of the royal coats of arms, with their significance explained by J.P. Brooke-Little, Richmond Herald of Arms. This is a dazzling story of a thousand years of English history, as told through the lives and deeds of the nation's sovereigns.
In England, November 5 is Guy Fawkes Day, when fireworks displays commemorate the shocking moment in 1605 when government authorities uncovered a secret plan to blow up the House of Parliament--and King James I along with it. A group of English Catholics, seeking to unseat the king and reintroduce Catholicism as the state religion, daringly placed thirty-six barrels of gunpowder in a cellar under the Palace of Westminster. Their aim was to ignite the gunpowder at the opening of the Parliamentary session. Though the charismatic Catholic, Robert Catesby, was the group's leader, it was the devout Guy Fawkes who emerged as its most famous member, as he was the one who was captured and who revealed under torture the names of his fellow plotters. In the aftermath of their arrests, conditions grew worse for English Catholics, as legal penalties against them were stiffened and public sentiment became rabidly intolerant. In a narrative that reads like a gripping detective story, Antonia Fraser has untangled the web of religion, politics, and personalities that surrounded that fateful night of November 5. And, in examining the lengths to which individuals will go for their faith, she finds in this long-ago event a reflection of the religion-inspired terrorism that has produced gunpowder plots of our own time.
France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake," was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history. Antonia Fraser's lavish and engaging portrait excites compassion and regard for all aspects of the queen, immersing the reader not only in the coming-of-age of a graceful woman, but in the culture of an unparalleled time and place.
The superb historian and biographer Antonia Fraser, author of Marie Antoinette , casts new light on the splendor and the scandals of the reign of Louis XIV in this dramatic, illuminating look at the women in his life. The self-proclaimed Sun King, Louis XIV ruled over the most glorious and extravagant court in seventeenth-century Europe. Now, Antonia Fraser goes behind the well-known tales of Louis’s accomplishments and follies, exploring in riveting detail his intimate relationships with women. The king’s mother, Anne of Austria, had been in a childless marriage for twenty-two years before she gave birth to Louis XIV. A devout Catholic, she instilled in her son a strong sense of piety and fought successfully for his right to absolute power. In 1660, Louis married his first cousin, Marie-Thérèse, in a political arrangement. While unfailingly kind to the official Queen of Versailles, Louis sought others to satisfy his romantic and sexual desires. After a flirtation with his sister-in-law, his first important mistress was Louise de La Vallière, who bore him several children before being replaced by the tempestuous and brilliant Athénaïs, marquise de Montespan. Later, when Athénaïs’s reputation was tarnished, the King continued to support her publicly as Athénaïs left court for a life of repentance. Meanwhile her children’s governess, the intelligent and seemingly puritanical Françoise de Maintenon, had already won the King’s affections; in a relationship in complete contrast to his physical obsession with Athénaïs, Louis XIV lived happily with Madame de Maintenon for the rest of his life, very probably marrying her in secret. When his grandson’s child bride, the enchanting Adelaide of Savoy, came to Versaille she lightened the King’s last years – until tragedy struck. With consummate skill, Antonia Fraser weaves insights into the nature of women’s religious lives – as well as such practical matters as contraception – into her magnificent, sweeping portrait of the king, his court, and his ladies. From the Hardcover edition.
The subtitle of this wonderful memoir declares its contents: this is 'my life with Harold Pinter', not Lady Antonia Fraser's complete life, and certainly not his. In essence, it is a love story and as with many love stories, the beginning and the end, the first light and the twilight, are dealt with more fully than the high noon in between. The result is a marvellously insightful testimony to modern literature's most celebrated marriage, between the greatest playwright of the age and a beautiful and famous prize-winning biographer. Must You Go? is based partly on Antonia Fraser's own diaries, which she has kept since October 1968 when she suffered from withdrawal symptoms after finishing her first historical biography, Mary Queen of Scots. Antonia Fraser has also used her own recollections, both immediate reactions (she always writes her Diary the next morning, unless otherwise noted) and memories. She has quoted Pinter where he told her things about his past, once again noting the source, and has occasionally quoted his friends talking to her on the same subject. Intriguingly her Diaries always pay special attention to any green shoots where Pinter's writing is concerned, perhaps a consequence of a biographer living with a creative artist and observing the process first hand. Harold Pinter and Antonia Fraser lived together from August 1975 until his death thirty-three years later on Christmas Eve 2008. 'O! call back yesterday, bid time return,' cries one of his courtiers to Richard II. This is Antonia Fraser's uniquely compelling way of doing so
Antonia Fraser's Perilous Question is a dazzling re-creation of the tempestuous two-year period in Britain's history leading up to the passing of the Great Reform Bill in 1832, a narrative which at times reads like a political thriller. The era, beginning with the accession of William IV, is evoked in the novels of Trollope and Thackeray, and described by the young Charles Dickens as a cub reporter. It is lit with notable characters. The reforming heroes are the Whig aristocrats led by Lord Grey, members of the richest and most landed cabinet in history yet determined to bring liberty, which would whittle away their own power, to the country. The all-too-conservative opposition was headed by the Duke of Wellington, supported by the intransigent Queen Adelaide, with hereditary memories of the French Revolution. Finally, there were revolutionaries, like William Cobbett, the author of Rural Rides, the radical tailor Francis Place, and Thomas Attwood of Birmingham, the charismatic orator. The contest often grew violent. There were urban riots put down by soldiers and agricultural riots led by the mythical Captain Swing. The underlying grievance was the fate of the many disfranchised people. They were ignored by a medieval system of electoral representation that gave, for example, no votes to those who lived in the new industrial cities of Manchester, Leeds, Sheffield, and Birmingham, while allocating two parliamentary representatives to a village long since fallen into the sea and, most notoriously, Old Sarum, a green mound in a field. Lord John Russell, a Whig minister, said long afterwards that it was the only period when he genuinely felt popular revolution threatened the country. The Duke of Wellington declared intractably in November 1830 that The beginning of reform is the beginning of revolution.” So it seemed that disaster must fall on the British Parliament, or the monarchy, or both. The question was: Could a rotten system reform itself in time? On June 7, 1832, the date of the extremely reluctant royal assent by William IV to the Great Reform Bill, it did. These events led to a total change in the way Britain was governed, and set the stage for its growth as the world's most successful industrial power; admired, among other things, for its traditions of good governancea two-year revolution that Antonia Fraser brings to vivid dramatic life.
The acclaimed New York Times bestselling author shares vivid memories of her childhood and recalls the experiences that set her on the path to a writing life. Ever since she received Our Island Story by H. E. Marshall as a Christmas present in 1936, Antonia Fraser's deep love of history has been a constant in her remarkable life. The book made such an impression that it inspired her to write Mary, Queen of Scots thirty years later. Born into British aristocracy, the author's idyllic early childhood was interrupted by a wartime evacuation to North Oxford. The relocation had profound effects on her life, not the least of which was her education at a Catholic convent and her eventual conversion from the Protestant faith to Catholicism. Her memories of holidays spent at Dunsany Castle and Pakenham Hall, a stint as "Miss Tony" selling hats in a London department store, and her early days working in publishing are all told in her singular, irresistible voice. My History is a heartfelt memoir that is also a love letter to a British way of life that has all but disappeared. Anglophiles, history lovers, and Downton Abbey fans are sure to be enthralled.
In May 1978 Harold Pinter and Antonia Fraser visited Israel at the time of the 30th Anniversary of Independence. It was three years after they first lived together; neither had set foot in Israel before. Based in Jerusalem, they toured many of the country’s historic sites: from Bethlehem to the fortress of Masada, encountering future Prime Minister Shimon Peres, Mayor of Jerusalem Teddy Kollek, Jackie Kennedy and a long-lost cousin of Harold’s on a kibbutz. It was a trip during which Pinter’s feelings about his heritage emerged for the first time. As he said himself: ‘For the first time I feel Jewish’. This diary was kept daily by Antonia Fraser: the vivid narrative and descriptions (Antonia swimming in the Dead Sea while Harold had a beer) are leavened with humour, occasionally wry where Harold’s quirks were concerned, and always tender. Above all, it is a unique picture of a time and place – and a touching insight into fifteen days in the lives of two writers, one Jewish, one Catholic, one a playwright and one a biographer, who were also a devoted couple.
In the eighteenth century, the Catholics of England lacked many basic freedoms under the law: they could not serve in political office, buy or inherit land, or be married by the rites of their own religion. So virulent was the sentiment against Catholics that, in 1780, violent riots erupted in London—incited by the anti-Papist Lord George Gordon—in response to the Act for Relief that had been passed to loosen some of these restrictions. The Gordon Riots marked a crucial turning point in the fight for Catholic emancipation. Over the next fifty years, factions battled to reform the laws of the land. Kings George III and George IV refused to address the “Catholic Question,” even when pressed by their prime ministers. But in 1829, through the dogged work of charismatic Irish lawyer Daniel O’Connell and the support of the great Duke of Wellington, the watershed Roman Catholic Relief Act finally passed, opening the door to the radical transformation of the Victorian age. Gripping, spirited, and incisive, The King and the Catholics is character-driven narrative history at its best, reflecting the dire consequences of state-sanctioned oppression—and showing how sustained political action can triumph over injustice.
Award-winning historian Antonia Fraser brilliantly portrays a courageous and compassionate woman who refused to be curbed by the personal and political constraints of her time. Caroline Norton dazzled nineteenth-century society with her vivacity, her intelligence, her poetry, and in her role as an artist's muse. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result—acquittal—Norton was still able to legally deny Caroline access to her three children, all under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.