Anthologies
Presents a collection of stories selected from magazines in the United States and Canada
Featuring work by Steve Yates, Peter Baida, Anton Chekhov, Peter Sekirin, Cliff Hudder, Willoughby Johnson, Romulus Linney, and Ernest Finney. Also featuring poetry entries from Nicole Cooley, Henry Taylor, Pamela Moore, Adrian C. Louis and essays from Helen Barolini, Neal Cassady along with an interview with Annie Proulx.
Fifty remarkable short stories from a range of contemporary fiction authors including Junot Diaz, Amy Tan, Jamaica Kincaid, Jhumpa Lahiri, and more, selected from a survey of more than five hundred English professors, short story writers, and novelists. Contributors include Russell Banks, Donald Barthelme, Rick Bass, Richard Bausch, Charles Baxter, Amy Bloom, T.C. Boyle, Kevin Brockmeier, Robert Olen Butler, Sandra Cisneros, Peter Ho Davies, Janet Desaulniers, Junot Diaz, Anthony Doerr, Stuart Dybek, Deborah Eisenberg, Richard Ford, Mary Gaitskill, Dagoberto Gilb, Ron Hansen, A.M. Homes, Mary Hood, Denis Johnson, Edward P. Jones, Thom Jones, Jamaica Kincaid, Jhumpa Lahiri, David Leavitt, Kelly Link, Reginald McKnight, David Means, Susan Minot , Rick Moody, Bharati Mukherjee, Antonya Nelson, Joyce Carol Oates, Tim O’Brien, Daniel Orozco, Julie Orringer, ZZ Packer, Annie Proulx, Stacey Richter, George Saunders, Joan Silber, Leslie Marmon Silko, Susan Sontag, Amy Tan, Melanie Rae Thon, Alice Walker, and Steve Yarbrough.
John Updike has selected enduring stories from the eighty-four annual volumes of THE BEST AMERICAN SHORT STORIES, and the result is a "spectacular tapestry of fictional achievement" (Entertainment Weekly). Volume 1 of the audio edition features a wide variety of contemporary writers reading classics of the genre, along with authors reading from their own work. "America and the 20th century -- at its best" (Wall Street Journal). Contents: The Other Woman by Sherwood Anderson, read by John Updike. Theft by Katherine Anne Porter, read by Jill McCorkle. Crazy Sunday by F. Scott Fitzgerald, read by George Plimpton. The Interior Castle by Jean Stafford, read by Mary Gordon. Gold Coast by James Alan McPherson, read by James Alan McPherson. The German Refugee by Bernard Malamud, read by Alan Cheuse. The Shawl by Cynthia Ozick, read by Cynthia Ozick. How to Win by Rosellen Brown, read by Rosellen Brown. I Want to Live! by Thom Jones, read by Thom Jones. Birthmates by Gish Jen, read by Gish Jen.
Original essays from 46 of today's most celebrated writers that explores lit. & the literary life. The reflections range from the craft of writing to the intersection of art & the world. The writers are Nobel laureates, Pulitzer Prize winners, Nat. Book Award recip., best-selling authors & teachers; novelists, poets, & playwrights. Includes: Russell Banks, Saul Bellow, Carolyn Chute, E. L. Doctorowe, Louise Erdrich, Richard Ford, Gail Godwin, Mary Gordon, Gish Jen, Diane Johnson, Jamaica Kincaid, Barbara Kingsolver, Hans Koning, David Mamet, Walter Mosley, Joyce Carol Oates, Marge Piercy, Annie Proulx, Roxana Robinson, James Salter, William Saroyan, Susan Sontag, Scott Turow, John Updike, Kurt Vonnegut, Jr., Alice Walker, & Elie Wiesel.
In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story . It became the definitive anthology of American short fiction written in the last half of the twentieth centuryan exemplary choice” in the words of The Washington Post with stories by Eudora Welty, John Cheever, Raymond Carver, and forty others demonstrating how much memorable power can lie in the briefest narration. In the years since, Ford has been reading new stories and rereading old ones and selecting new favorites. This new collection features more than forty stories, including some he regretted overlooking the first time around, as well as many by a new generation of writersamong them Sherman Alexie, Junot Díaz, Deborah Eisenberg, Nell Freudenberger, Matthew Klam, Jhumpa Lahiri, and Z. Z. Packer. None of the stories (though a few of the writers) were in the first volume. Once again, Ford’s introduction is an illuminating exposition of how a good story is written by a master of the craft.
“With so many great authors contributing to this fiction collection . . . it doesn’t take detecting skills to discover the gem. And every story dazzles . . . These stories, in prose both elegant and compelling, get to the heart of why people do what they do.” — USA Today The Best American Mystery Stories 2014 will be selected by “writing powerhouse” ( USA Today ) Laura Lippman. With her popular Tess Monaghan series and her New York Times best-selling standalone novels, Lippman has greatly expanded the boundaries of modern mystery fiction and psychological suspense.
On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.