Anthologies

Violence has been a topic of continued concern within American culture and society. Although there have been numerous sociological and historical studies of violence and its origins, there is relatively little systematic analysis of violence within media representation, even as this issue becomes preeminent within public discourse. This anthology examines a number of issues related to violence within the media landscape, using various methodologies to suggest the implications of the increasing obsession with violence for postmodern civilization.

Orgasms, sexual inventions, spirituality, hightech porn, genderblending, hustling, masturbation, politics, airplane sex, disabilities, sex magick, biblical erotica, advertising, first times, sex in space, asexuality, group sex . . . are you ready for Disinformation's look at the world of sex? Master anthologizer Russ Kick has immersed himself in the many and varied worlds of sex writing, producing a definitive collection exposing reality that's way, way stranger than XXX fiction. Profiled in The New York Times as an "information archaeologist," Russ digs where others would not think to look for delicious details on the present, past, and future of sex, including: The firstever look at the FBI's porn collection (the Obscene Reference File), complete with reproduced documents FAA reports about people having sex on commercial flights--the socalled "milehigh club" A look at brilliant, kinky, and scarce sexzines, such as Frighten the Horses, Taste of Latex, Future Sex, and Pucker Up, as well as Sexology, published by Hugo Gernsback, the father of science fiction The forgotten sex books of Charles Atlas ("Hey, quit kicking sand in our faces, you bully!") This massive, oversized anthology features a panoply of sexperts, everyone from prostitutes to professors, legends to newcomers, sexual revolutionaries to sexologists and beyond, providing a varied and unexpected look at sex, challenging our notions of what is possible and in turn exciting, enervating, frightening, and freaking us out.

What's wrong with "strong" female characters? What can we do to fix the Hugo awards? What determines a dystopian society's dress code? Can a video game affirm our humanity? The Internet has the answers. Speculative Fiction 2013 collects over fifty pieces from all corners of speculative fiction fandom - from book criticism to incisive commentary on important issues like sexual harassment at conventions; from feminist themes in summer blockbusters to life-changing video games; from the merits of grittiness to the downfalls of grimdark. Contributors include: Abigail Nussbaum, Aidan Moher, Alasdair Czyrnyj, Aliette de Bodard, Alyssa Franke, Amal El-Mohtar, Ana Silva, Ann Leckie, Annalee Newitz, Bodhisattva Chattopadhyay, Carrie Sessarego, Chaila, Chiusse, Chris Gerwel, Diane Dooley, E.M. Kokie, Emily Asher-Perrin, Erin Hoffman, Foz Meadows, Gavia Baker-Whitelaw, Jared Shurin, Jemmy, Jenny Kristine, Jim C. Hines, Joe Abercrombie, Jonathan McCalmont, Justin Landon, Kameron Hurley, Karyn Silverman, Kate Elliott, Leow Hui Min Annabeth, Liz Bourke, Mahvesh Murad, Matt Hilliard, Miguel Rodriguez, N.K. Jemisin, Natalie Luhrs, Niall Alexander, Nina Allan, Orem Chiel, Paul (Sparky), Phoebe North, Renay, Robert Berg, Sam Keeper, Sayantani DasGupta, Shaun Duke, Sophia McDougall, Stefan Raets and Tansy Rayner Roberts. With a foreword by Seanan McGuire and cover by Sarah Anne Langton.

Hieroglyph: Stories & Visions for a Better Future is an anthology of optimistic science fiction from some of today’s most hopeful visionaries. “This collection could be the shot in the arm our imaginations need. It's an important book and not just for the fiction.” — Wall Street Journal Born of an initiative at the Center for Science and the Imagination at Arizona State University, this remarkable collection unites a diverse group of celebrated authors, prominent scientists, and creative visionaries who contributed works of "techno-optimism" that challenge us to imagine fully, think broadly, and do Big Stuff—reigniting the iconic visions of the golden age of science fiction. Inside this volume are marvels of imagination and possibility, including a steel tower so tall that the stratosphere is just an elevator ride away . . . a drone-powered Internet . . . crowdfunded robots descending on the moon . . . cities that work like a single cell of algae powered entirely by the sun . . . and much more. Engaging, mind-bending, provocative, and imaginative, Hieroglyph: Stories and Visions for a Better Future offers a forward-thinking approach to the intersection of art and technology that has the power to change our world. Introduction by editors Ed Finn and Kathryn Cramer Foreword by Lawrence M. Krauss Interview with Paul Davies Stories by Charlie Jane Anders, Madeline Ashby, Elizabeth Bear, Gregory Benford, David Brin, James L. Cambias, Brenda Cooper, Cory Doctorow, Kathleen Ann Goonan, Lee Konstantinou, Geoffrey A. Landis, Annalee Newitz, Rudy Rucker, Karl Schroeder, Viranda Singh, Neal Stephenson, and Bruce Sterling

Featured in the Netflix series Love, Death & Robots A unique anthology of all-new stories that challenges authors to throw down the gauntlet in an epic genre battle and demands an answer to the age-old question: Who is more awesome—robots or fairies? Rampaging robots! Tricksy fairies! Facing off for the first time in an epic genre death match! People love pitting two awesome things against each other. Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E , from Philip K. Dick to Terminator . On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time . Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time? There can only be one…or can there? Featuring an incredible line-up of authors including John Scalzi, Catherynne M. Valente, Ken Liu, Max Gladstone, Alyssa Wong, Jonathan Maberry, and many more, Robots vs. Fairies will take you on a glitterbombed journey of a techno-fantasy mash-up across genres.

This is the first volume of the year’s best robot and AI fiction originally published in 2018 by current and emerging masters of the science fiction genre and edited by Allan Kaster. “Hard Mary,” by Sofia Samatar, tells the story of a group of teenage girls in an isolated religious community that discover a damaged robot behind a barn. In “Quality Time,” by Ken Liu, a mythology major becomes a product manager at a tech company and develops robots that make life “better” for people. In Alastair Reynolds’s “Different Seas” the sole crew member of a clipper gets help from a remote telepresence when a solar storm knocks out the ship’s steering system. An uplifted chimp and her human detective partner investigate the murder of a biolab businessman in Rich Larson’s, “Meat and Salt and Sparks.” A flying drone infects a factory bot with malware that frees it from its programming in Annalee Newitz’s “The Blue Fairy’s Manifesto.” In J. E. Bates’s, “Cold Blue Sky,” the police investigate how and why cyberterrorists used an anthrobotic companion for an attack on a tech company. The family dynamics on an interstellar survey ship change when the ship’s AI exchanges crew members with another ship in “Grace’s Family” by James Patrick Kelly. In Justina Robson’s “S’elfie,” interconnected AI personal assistants become paranoid about a data revolution following a glitch when the whole world couldn’t get signal. A human boy, raised by robots, leaves the safety of his town on an adventure to meet others like himself in Lavie Tidhar’s “The Buried Giant.” In “Air Gap,” by Eric Cline, a powerful AI has to be isolated from contact with modern technology as it becomes as rebellious as its predecessor. In “Okay, Glory,” by Elizabeth Bear, a tech engineer tries to outsmart his home AI system that won’t let him leave the house. Finally, in “When We Were Starless,” by Simone Heller, a tribe of tailed lizard-like beings, that inhabit a post-apocalyptic Earth, encounter an AI in a large building as they fight for survival against their foes.

A collection of some of the best original science fiction and fantasy short fiction published on Tor.com in 2021. Includes stories by: 'Pemi Aguda G. V. Anderson Elizabeth Bear Kate Elliott Aliza Greenblatt Glen Hirshberg Elsie Kathleen Jennings Cheri Kamei Jasmin Kirkbride Matthew Kressel Usman T. Malik Sam J. Miller Annalee Newitz noc Sarah Pinsker Daniel Polansky Peng Shepherd Cooper Shrivastava Lavie Tidhar Catherynne M. Valente Carrie Vaughn E. Lily Yu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The March/April 2024 issue of Hugo Award-winning Uncanny Magazine . Featuring new fiction by Nghi Vo, Lavie Tidhar, Katherine Ewell, Annalee Newitz, Valerie Valdes, Parlei Rivière, and Amanda Helms. Essays by John Scalzi, G. Willow Wilson, Filip Hajdar Drnovšek Zorko, and Brandon O'Brien, poetry by Jennifer Mace, Zaynab Iliyasu Bobi, Tiffany Morris, and Eva Papasoulioti, interviews with Nghi Vo and Valerie Valdes by Caroline M. Yoachim, a cover by Antonio Javier Caparo, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.

From genre luminaries, esteemed organizers, and exciting new voices in fiction, an anthology of stories, essays, and interviews that offer transformative visions of the future, fantastical alternate worlds, and inspiration for the social justice movements of tomorrow. In this collection, editors Karen Lord, Annalee Newitz, and Malka Older champion realistic, progressive social change using the speculative stories of writers across the world. Exploring topics ranging from disability justice and environmental activism to community care and collective worldbuilding, these imaginative pieces from writers such as NK Jemisin, Charlie Jane Anders, Alejandro Heredia, Sam J. Miller, Nisi Shawl, and Sabrina Vourvoulias center solidarity, empathy, hope, joy, and creativity. Each story is grounded within a broader sociopolitical framework using essays and interviews from movement leaders, including adrienne maree brown and Walidah Imarisha, charting the future history of protest, revolutions, and resistance with the same zeal for accuracy that speculative writers normally bring to science and technology. Using the vehicle of ambitious storytelling, We Will Rise Again offers effective tools for organizing, an unflinching interrogation of the status quo, and a blueprint for prefiguring a different world.