Writing Lessons from the Front Books
This is a LESSON, 28 pages of what you need to know in order to create the bones of a great story skeleton. No fluff, no philosophy, but the all-important bare bones. In writing class, our teachers made sure we understood how to write a five-paragraph theme: introduction, thesis sentence, points one, two, and three, followed by the conclusion. But rarely did any teacher tell us how to write fiction--they simply urged us to write a story. But how is that done? Angela Hunt has been writing and teaching for thirty years, and she has boiled plotting down to the basics in less than thirty pages. Not only will you come away knowing how to plot, you'll be able to point the important structural points in movies and other books you read. It's all about the skeleton, Hunt says, and every working story has one. Enjoy this writing lesson for a fraction of the cost of attending one of Angela's writing classes--your writing will never be the same.
Unlocking the mystery behind POINT OF VIEW: why is point of view important to a novelist, and how can we make sure we're using it correctly? Which serves the story better--first person, third person, omniscient, or the quirky second? Using thirty years of writing experience, Angela Hunt presents a brief lesson on point of view that should answer all your questions in practical, simple terms. You don't need an entire book to understand it--you only need these thirty pages.These lessons, Hunt says, "are brief for a reason—I don’t want you to spend most of your time reading how-to books. I will give you what you need so you can put what you’ve learned into practice. That’s the best way to improve." Enjoy this writing lesson for a fraction of the cost of attending one of Angela's writing classes--your writing will never be the same.
Readers pick up nonfiction books to learn something. They pick up novels to feel something: love, fear, joy, grief, elation, frustration, happiness, desperation, anger, despair, determination . . . or all of the above. We write novels to give readers a vicarious emotional experience. They want to weep when our characters weep and rejoice when they rejoice. Most of all, readers want to learn what our characters learn--a memorable lesson to enrich their lives. Angela Hunt explains how novelists can do all of those things and she reveals specific techniques we can use to evoke emotion in the reader. These Writing Lessons, Hunt says, "are brief for a reason—I don’t want you to spend most of your time reading how-to books. I will give you what you need so you can put what you’ve learned into practice. That’s the best way to improve." Enjoy this writing lesson for a fraction of the cost of attending one of Angela's writing classes--your writing will never be the same.
"Those who cannot remember the past are doomed to repeat it." George Santayana. Writing historical fiction involves more than taking a story and substituting carriages for cars. The historical novelist must do her best to understand the mindset of the people she writes about, even while she explores the timeless and universal desires common to human beings of every time and place. This book describes historical fiction, tells the writer how to research, how to construct an authentic historic story world, and how to make the reader feel as though he or she is in the midst of the action. Short and to the point, WRITING HISTORICAL FICTION is a practical tool for the historical writer's desktop.
Ever wish you had a list of things to check off as you write your novel or short story? Interesting protagonist? Check. High stakes at risk? Check. Fascinating setting? Check. Veteran author Angela Hunt, an admitted lover of lists, has compiled lists for every phase of your writing, from pre-writing to final drafting and submission or publication--including complete instructions about how to upload a book to CreateSpace and Kindle. Use and adapt these lists to fit your writing style, and know that your finished work is the best it can be.