Angela Carter was one of the most important and influential writers of our time: a novelist of extraordinary power and a searching critic and essayist. This selection of her writing, which she made herself, covers more than a decade of her thought and ranges over a diversity of subjects giving a true measure of the wide focus of her interests: the brothers Grimm; William Burroughs; food writing, Elizbeth David; British writing: American writing; sexuality, from Josephine Baker to the history of the corset; and appreciations of the work of Joyce and Christina Stead.
Tells the stories of an expatriate Englishman, a Japanese mistress, a murderous puppet, an executioner's daughter, and an obsessive hunter
Paintings and text capture the strange moods of cats and introduce the alphabet.
For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural’s most celebrated book—featuring a new introduction by Kelly Link, the author of the national bestseller The Book of Love and the Pulitzer Prize finalist Get in Trouble A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber —which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves —she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From early reflections on jazz and Japan, through vigorous refashionings of vampires and werewolves, to stunning snapshots of real-life outcasts and the glorious but tainted world of 'the rich and famous,' this complete collection of Angela Carter's short stories gathers together four published books "Fireworks," "The Bloody Chamber," "Black Venus," "American Ghosts" and "Old World Wonders" with her early work and uncollected stories. 'A strange, compelling book... an undoubted success.' The New York Times
"An absolutely unique voice...It would be an impertinence to call these eight delightful concoctions stories…A virtuoso Mendelssohn of fiction." -- The New York Times Book Review Drawing on American history, literary legend, and folk tale, Angela Carter transports us to that shadowy country between fact and myth in this book of short stories. Lizzy Borden, the spinster daughter of a glutton and a compulsive miser, ticks off the hours before a murder. An eighteenth-century whore and pickpocket who runs off to join the Indians tells her story in a voice of bawdy authenticity. Carter immerses us in the worlds of Edgar Allan Poe and Charles Baudelaire, of khans, princesses, and kitchen boys, bringing them to life in prose of seductive richness and perverse wit. In The Bloody Chamber , said The New York Times Book Review, Carter rewrote classic fairy tales "with all her supple and intoxicating bravura." In Saints and Strangers, she is just as audacious, and the result is a book of thoroughly contemporary folk tales that belong utterly to Angela Carter.
"An electrifying intellectual autobiography, with all the narrative expanse, drama, outrage, and high comedy of the author’s fiction. Angela Carter is revealed here, anew, as one of the most important thinkers of twentieth-century world literature—and one of its most pungent voices.”—Rick Moody One of contemporary literature’s most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays and criticism, much of it collected for the first time. Carter’s acute observations are spiked with her piercing matter-of-factness, her devastating wit, her penchant for mockery, and her passion for the absurd. Whether discussing films or food, feminism or fantasy, science fiction or sex, Carter consistently explores new territories and overturns old ideas. No cultural icon escapes her scrutiny; as in her fiction, Carter offers glorious evidence of the transforming power of the imagination. From delightfully wicked commentaries on Gone with the Wind , a Japanese fertility festival, and fellow writers, including Lawrence, Lovecraft, Borges, and Burroughs, to enchanting personal essays, Carter shares her thoughts and herself with glee. “What a wonderful collection—sharp, funny, too decent for sarcasm but great wit and humanity, an unusual combination. But it makes us miss her, miss laughing with her, that real, intelligent, tough writing woman.”—Grace Paley
A collection of short stories which tear through the archives of cinema, of art and of the subconscious. A young Lizzie Borden visits the circus; a pianist makes a Faustian pact in a fly-blown Southern brothel; and a transfigured Mary Magdalene steps out of the canvases of Donatello and de la Tour.
One of our most imaginative and accomplished writers, Angela Carter left behind a dazzling array of work: essays, citicism, and fiction. But it is in her short stories that her extraordinary talentsas a fabulist, feminist, social critic, and weaver of talesare most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.
This collection of Carter's dramatic writing offers radio plays, an opera and pieces for stage and screen. It includes the screenplays for "The Magic Toyshop" and "The Company of Wolves"; a draft for an opera of Virginia Woolf's "Orlando"; and reworkings for radio of "Puss in Boots" and "Dracula".
Ten beloved fairy tales, given new life by the one and only Angela Carter Little Red Riding Hood. Cinderella. Sleeping Beauty. Bluebeard. The Fairies. Many classic fairy tale characters might not have survived into the present were it not for Charles Perrault, a seventeenth-century French civil servant who rescued them from the oral tradition and committed them to paper. Three centuries later, Angela Carter, widely regarded as one of England’s most imaginative writers, adapted them for contemporary readers. The result is a cornucopia of fantastic characters and timeless adventures, stylishly retold by a modern literary visionary. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
'Curiosity is the most fleeting of pleasures; the moment is satisfied, it ceases to exist and it always proves very, very expensive.' Angela Carter's playful and subversive retellings of Charles Perrault's classic fairy tales conjure up a world of resourceful women, black-hearted villains, wily animals and incredible transformations. In these seven stories, bristling with frank, earthy humour and gothic imagination, nothing is as it seems. This book includes Bluebeard , Little Red Riding Hood , Puss in Boots , The Sleeping Beauty of the Wood , Cinderella: or, The Glass Slipper , Ricky with the Tuft and The Foolish Wishes .