Despite the availability of several eloquent gender studies of fairy tales, a popular reference on men and fairy tales has so far been nonexistent. Brothers and Beasts offers a new perspective by allowing twenty-three male writers the chance to explore their artistic and emotional relationship to their favorite fairy-tale stories. In their personal essays, the contributors—who include genre, literary, mainstream, and visual media writers—offer new insight into men’s reception of fairy tales. Brothers and Beasts, the follow-up to Kate Bernheimer’s influential Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales, offers new avenues for research in fairy-tale studies. Bernheimer has invited many well-known writers to contribute to this volume, from Gregory Maguire, whose acclaimed titles include Wicked, Confessions of an Ugly Stepsister, and Son of a Witch, to Robert Coover, one of the premier authors of postmodern fiction, to Neil Gaiman, a well-known fantasy fiction writer and author of graphic novels. With a foreword by Maria Tatar and an afterword by Jack Zipes, the intimate and contemplative essays are framed by insight from two leading fairy-tale studies scholars. Brothers and Beasts proves that men are deeply influenced by the childhood reading of fairy tales, despite the fact that these fantastic and memorable tales are often mistakenly considered to be the domain of women readers and writers. Students and teachers of fairy-tale and gender studies along with readers of contemporary literature will enjoy this accessible and intriguing volume.
Literary Review for Asian American Studies
From the editor of the celebrated anthology Goodbye to All That : Writers on Loving and Leaving New York , comes a new collection of original essays on what keeps writers tethered to New York City. The “charming” ( The New York Times ) first anthology Goodbye to All That —inspired by Joan Didion’s classic essay about loving and leaving Manhattan—chronicled the difficulties and disappointments inherent in loving New York, while Never Can Say Goodbye is a celebration of the city that never sleeps, in the tradition of E.B. White’s classic essay, “Here Is New York.” Featuring contributions from such luminaries as Elizabeth Gilbert, Susan Orlean, Nick Flynn, Adelle Waldman, Phillip Lopate, Owen King, Amy Sohn, and many others, this collection of essays is a must-have for every lover of New York—regardless of whether or not you call the Big Apple home.
An anthology of Asian diasporic writers musing on the notion of "home"—and the possibilities of outsiderhood and belonging. “I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, Night Sky with Exit Wounds “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, Sour Heart Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong.
ONE OF NPR’S BEST BOOKS OF 2019 *Most Anticipated Reads of 2019 by Publishers Weekly , BuzzFeed , The Rumpus , Lit Hub , The Week , and Elle.com* Fifteen brilliant writers explore what we don’t talk to our mothers about, and how it affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize what she was actually trying to write: how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. The outpouring of responses gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. While some of the writers in this book are estranged from their mothers, others are extremely close. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything . As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in breaking the silence. Acknowledging what we couldn’t say for so long is one way to heal our relationships with others and, perhaps most important, with ourselves. Contributors include Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.
Named a Best Cookbook of the Year by Martha Stewart Living "Magnificent illustrations add spirit to recipes and heartfelt narratives. Plan to buy two copies—one for you and one for your best foodie friend." — Taste of Home This collection of intimate, illustrated essays by some of America’s most well–regarded literary writers explores how comfort food can help us cope with dark times—be it the loss of a parent, the loneliness of a move, or the pain of heartache. Lev Grossman explains how he survived on “sweet, sour, spicy, salty, unabashedly gluey” General Tso’s tofu after his divorce. Carmen Maria Machado describes her growing pains as she learned to feed and care for herself during her twenties. Claire Messud tries to understand how her mother gave up dreams of being a lawyer to make “a dressed salad of tiny shrimp and avocado, followed by prune–stuffed pork tenderloin.” What makes each tale so moving is not only the deeply personal revelations from celebrated writers, but also the compassion and healing behind the story: the taste of hope. "If you've ever felt a deep, emotional connection to a recipe or been comforted by food during a dark time, you'll fall in love with these stories."— Martha Stewart Living “ Eat Joy is the most lovely food essay book . . . This is the perfect gift." —Joy Wilson (Joy the Baker)
From the vast lore surrounding King Arthur, Camelot, and the Knights of the Round Table, comes an anthology of gender-bent, race-bent, LGBTQIA+ inclusive retellings. Featuring stories by: Alexander Chee • Preeti Chhibber • Roshani Chokshi • Sive Doyle • Maria Dahvana Headley • Ausma Zehanat Khan • Daniel M. Lavery • Ken Liu • Sarah MacLean • Silvia Moreno-Garcia • Jessica Plummer • Anthony Rapp • Waubgeshig Rice • Alex Segura • Nisi Shawl • S. Zainab Williams Here you’ll find the Lady of the Lake reimagined as an albino Ugandan sorceress and the Lady of Shalott as a wealthy, isolated woman in futuristic Mexico City; you'll see Excalibur rediscovered as a baseball bat that grants a washed-up minor leaguer a fresh shot at glory and as a lost ceremonial drum that returns to a young First Nations boy the power and the dignity of his people. There are stories set in Gilded Age Chicago, '80s New York, twenty-first century Singapore, and space; there are lesbian lady knights, Arthur and Merlin reborn in the modern era for a second chance at saving the world and falling in love—even a coffee shop AU. Brave, bold, and groundbreaking, the stories in Sword Stone Table will bring fresh life to beloved myths and give long-time fans a chance to finally see themselves in their favorite legends.
A New York Times Notable Book Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. A Most-Anticipated book of 2021 as selected by * Marie Claire * O, The Oprah Magazine * Cosmopolitan * Time * The Millions * The Advocate * Autostraddle * Refinery29 * Shape * Town & Country * Book Riot * Literary Hub * Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors. The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a sex theater in early-20th century Paris. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.
A collection of the year’s best essays, selected by award-winning writer Alexander Chee. Alexander Chee, an essayist of “virtuosity and power” ( Washington Post ), selects twenty essays out of thousands that represent the best examples of the form published the previous year.