Anthologies

In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story . It became the definitive anthology of American short fiction written in the last half of the twentieth century—an “exemplary choice” in the words of The Washington Post —with stories by Eudora Welty, John Cheever, Raymond Carver, and forty others demonstrating how much memorable power can lie in the briefest narration. In the years since, Ford has been reading new stories and rereading old ones and selecting new favorites. This new collection features more than forty stories, including some he regretted overlooking the first time around, as well as many by a new generation of writers—among them Sherman Alexie, Junot Díaz, Deborah Eisenberg, Nell Freudenberger, Matthew Klam, Jhumpa Lahiri, and Z. Z. Packer. None of the stories (though a few of the writers) were in the first volume. Once again, Ford’s introduction is an illuminating exposition of how a good story is written by a master of the craft.

A boon for booklovers, this audio set features funny, fantastical and poignant stories about people with unique and passionate connections to the written word. Tony Roberts reads a hilarious Walter R. Brooks story about how Ed - a talking horse - became a voracious reader of adventure tales and mysteries. In a story by Italo Calvino, read by John Shea, a man tries to make the most of his beach holiday by reading and making love at the same time. Leonard Nimoy performs a dark, vintage Evelyn Waugh tickler about a stranded jungle explorer forced to read Dickens aloud. Plus more memorable stories by Ray Bradbury, Molly Giles and Adam Haslett, read by Rochelle Oliver, Blair Brown and Isaiah Sheffer.

Radio Silence is literature and rock & roll. Each issue includes fiction, poetry, interviews, and essays, featuring an award winning cast of literary, musical, and illustrative talent. In addition to the print magazine, we produce online content and live events. As a 501(c)3 nonprofit, we also give free copies of the magazine to high schools and libraries, and we use a portion of our revenue to buy books and musical instruments for kids. No high-quality magazine exists that presents rock music and literature side-by-side and explores their exhilarating relationship. Not until now.