Non-Fiction Books
NEW YORK TIMES BESTSELLER • “The finest book on France in recent years.”—Alain de Botton, The New York Times Book Review In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of Paris. In the grand tradition of Stein, Hemingway, Baldwin, and Liebling, Gopnik set out to enjoy the storied existence of an American in Paris—walks down the paths of the Tuileries, philosophical discussions in cafés, and afternoon jaunts to the Musée d’Orsay. But as readers of Gopnik’s beloved and award-winning “Paris Journal” in The New Yorker know, there was also the matter of raising a child and carrying on with la vie quotidienne —the daily, slightly less fabled life. As Gopnik discovers in this tender account, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar—both promise new routines, new languages, and a new set of rules by which each day is to be lived. With singular wit and insight, Gopnik manages to weave the magical with the mundane in this wholly delightful book that Entertainment Weekly deemed “magisterial.”
Always black and white, naturally lit, and stripped of make-up and costumes, French photographer Brigitte Lacombe's iconic celebrity portraits reveal the generation of film and theater stars that has emerged since the 70s. See Spielberg looking boyish; Kevin Kline embarassed and self-conscious; Leonardo di Caprio watching hawkishly; John Malkovich staring; Diane Keaton collapsed in laughter. This exquisitely produced oversize volume is a retrospective of images that gorgeously conveys Lacombe's deep love for the performing arts and the people involved in it.
Not long after Adam Gopnik returned to New York at the end of 2000 with his wife and two small children, they witnessed one of the great and tragic events of the city’s history. In his sketches and glimpses of people and places, Gopnik builds a portrait of our altered New York: the changes in manners, the way children are raised, our plans for and accounts of ourselves, and how life moves forward after tragedy. Rich with Gopnik’s signature charm, wit, and joie de vivre , here is the most under-examined corner of the romance of New York: our struggle to turn the glamorous metropolis that seduces us into the home we cannot imagine leaving.
Essay entitled "Museums: Mausoleums, Machines, Malls and Mindful Metaphors" by New Yorker staff writer Adam Gopnik for the inaugural Eva Holtby Lecture on Contemporary Culture at the Royal Ontario Museum on Octboer 13, 2006.
From the author of Paris to the Moon , a beguiling tour of the morals and manners of our present food mania, in search of eating’s deeper truths. Never before have we cared so much about food. It preoccupies our popular culture, our fantasies, and even our moralizing. With our top chefs as deities and finest restaurants as places of pilgrimage, we have made food the stuff of secular seeking and transcendence, finding heaven in a mouthful. But have we come any closer to discovering the true meaning of food in our lives? With inimitable charm and learning, Adam Gopnik takes us on a beguiling journey in search of that meaning as he charts America’s recent and rapid evolution from commendably aware eaters to manic, compulsive gastronomes.
The 2011 CBC Massey Lectures celebrates fifty years with bestselling author, essayist, cultural observer, and famed New Yorker contributor Adam Gopnik, whose subject is winter -- the season, the space, the cycle. Gopnik takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists, and thinkers, who helped shape a new and modern idea of winter. Here we learn how a poem by William Cowper heralds the arrival of the middle class; how snow science leads to existential questions of God and our place in the world; how the race to the poles marks the human drive to imprint meaning on a blank space. Gopnik’s kaleidoscopic work ends in the present day, when he traverses the underground city in Montreal, pondering the future of Northern culture. A stunningly beautiful meditation buoyed by Gopnik’s trademark gentle wit, Winter is at once an enchanting homage to an idea of a season and a captivating journey through the modern imagination. This deluxe 50th anniversary edition includes full-colour images printed on two 8-page inserts.
A Vintage Shorts Travel Selection There’s nothing like autumn in New York, as Adam Gopnik and his family find when they return to Manhattan after an extended stay in France. From the longtime New Yorker scribe and author of the national bestseller Paris to the Moon , here is a lyrical appreciation of the city that never sleeps. From Central Park to the Macy’s Thanksgiving Day parade, covering noisy apartments, perfect taxi cab routes, and grade school pageants where the children just might fly, Adam Gopnik paints a timeless portrait of New York, a city “old as time, worn as Rome, mysterious as life.” An eBook short.
A vivid memoir that captures the energy, ambition and romance of New York in the 1980s from the beloved New Yorker Canadian writer, to stand alongside his bestselling Paris to the Moon and Through the Children's Gate . When Adam Gopnik and his soon-to-be-wife, Martha Parker, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young and the arty and ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Stranger's Gate builds a portrait of this moment in New York through the story of their journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to their tiny basement room on the Upper East Side--the smallest apartment in Manhattan--and later to SoHo, where he captures a unicorn: an affordable New York loft. Between tender, laugh-out-loud reminiscences, including affectionate portraits of New York luminaries from Richard Avedon to Robert Hughes and Jeff Koons, Gopnik takes us into the corridors of Conde Nast, the galleries of MoMA and many places between to illuminate the fascinating world capital of creativity and aspiration that is New York, then and now.
'Engaging, witty, thoughtful, clever, casual, ebullient, erudite and thoroughly modern' Spectator 'A dazzling talent - hilarious, winning and deft' Malcolm Gladwell In Mid-Air is a collection of short essays by the acclaimed writer and speaker, Adam Gopnik. Known for his ability to perceive 'the whole world in a grain of sand', he uses this format to take a dizzying range of subjects and intricately explore their meaning to our lives - as people, as citizens and as families. From how he works so that his daughter can have holes in her clothes, to why appropriation is more empowering than oppressing; from French sex to binge-watching TV, from the secret of a happy marriage to why we should mention the war - each topic is illuminated by his erudition and wit. As in their original form on the radio, Gopnik's essays - each one a pleasure garden of wry confessions, self-deprecating asides, wordplay and striking insights - feel like the most intimate of conversations between writer and reader; yet at the same time they capture a public forum of pithy debate and tender persuasion. Above all, In Mid-Air initiates a sense of wonder in the ordinary that yearns to be shared.
A stirring defense of liberalism against the dogmatisms of our time from an award-winning and New York Times bestselling author. Not since the early twentieth century has liberalism, and liberals, been under such relentless attack, from both right and left. The crisis of democracy in our era has produced a crisis of faith in liberal institutions and, even worse, in liberal thought. A Thousand Small Sanities is a manifesto rooted in the lives of people who invented and extended the liberal tradition. Taking us from Montaigne to Mill, and from Middlemarch to the civil rights movement, Adam Gopnik argues that liberalism is not a form of centrism, nor simply another word for free markets, nor merely a term denoting a set of rights. It is something far more ambitious: the search for radical change by humane measures. Gopnik shows us why liberalism is one of the great moral adventures in human history -- and why, in an age of autocracy, our lives may depend on its continuation.
Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days , but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons --his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.
"[W]ise, companionable, and often extremely funny.” ―Oliver Burkeman, The Atlantic Best-selling author and New Yorker writer Adam Gopnik investigates a foundational human question: How do we learn―and master―a new skill? For decades now, Adam Gopnik has been one of our most beloved writers, a brilliantly perceptive critic of art, food, France, and more. But recently, he became obsessed by a more fundamental matter, one he had often meditated on in The New Yorker : How do masters learn their miraculous skill, whether it was drawing a museum-ready nude or baking a perfect sourdough loaf? How could anyone become so good at anything? There seemed to be a fundamental mystery to mastery. Was it possible to unravel it? In The Real Work ―the term magicians use for the accumulated craft that makes for a great trick―Gopnik becomes a dedicated student of several masters of their craft: a classical painter, a boxer, a dancing instructor, a driving instructor, and others. Rejecting self-help bromides and bullet points, he nevertheless shows that the top people in any field share a set of common qualities and methods. For one, their mastery is always a process of breaking down and building up―of identifying and perfecting the small constituent parts of a skill and the combining them for an overall effect greater than the sum of those parts. For another, mastery almost always involves intentional imperfection―as in music, where vibrato, a way of not quite landing on the right note, carries maximum expressiveness. Gopnik’s simplest and most invigorating lesson, however, is that we are surrounded by mastery. Far from rare, mastery is commonplace, if we only know where to look: from the parent who can whip up a professional strudel to the social worker who―in one of the most personally revealing passages Gopnik has ever written―helps him master his own demons. Spirited and profound, The Real Work will help you understand how mastery can happen in your own life―and, significantly, why each of us relentlessly seeks to better ourselves in the first place.