Anthologies
From the earliest years of the American republic, Paris has provoked an extraordinary American literary response. An almost inevitable destination for writers and thinkers, Paris has been many things to many Americans: a tradition-bound bastion of the old world of Europe; a hotbed of revolutionary ideologies in politics and art; and a space in which to cultivate an openness to life and love thought impossible at home. Including stories, letters, memoirs, and reporting, Americans in Paris distills three centuries of vigorous, glittering, and powerfully emotional writing about the place that Henry James called “the most brilliant city in the world.” American writers came to Paris as statesmen, soldiers, students, tourists, and sometimes they stayed as expatriates. This anthology ranges from the crucial early impressions of Thomas Jefferson and Benjamin Franklin to the latter-day reflections of writers as varied as James Baldwin, Isadora Duncan, and Jack Kerouac. Along the way we encounter the energetic travelers of the nineteenth century—Emerson, Mark Twain, Henry James—and the pilgrims of the twentieth: Gertrude Stein, F. Scott Fitzgerald, E. E. Cummings, Cole Porter, Henry Miller. Come along as Thomas Paine takes a direct and dangerous part in the French Revolution; Harriet Beecher Stowe tours the Louvre; Theodore Dreiser samples the sensual enticements of Parisian nightlife; Edith Wharton movingly describes Paris in the early days of World War I; John Dos Passos charts the gathering political storms of the 1930s; Paul Zweig recalls the intertwined pleasures of language and sex; and A. J. Liebling savors the memory of his culinary education in delicious detail. Americans in Paris is a diverse and constantly engaging mosaic, full of revealing cultural gulfs and misunderstandings, personal and literary experimentation, and profound moments of self-discovery.
This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as Michael Bishop, Edward Byrant, Angela Carter, Terry Lamsley, Gabriel Garcia Marquex, A.R. Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions -- all of which adds up to an invaluable reference source, and a font of fabulous reading.
One of art's purest challenges is to translate a human being into words. The New Yorker has met this challenge more successfully and more originally than any other modern American journal. It has indelibly shaped the genre known as the Profile . Starting with light-fantastic evocations of glamorous and idiosyncratic figures of the twenties and thirties, such as Henry Luce and Isadora Duncan, and continuing to the present, with complex pictures of such contemporaries as Mikhail Baryshnikov and Richard Pryor, this collection of New Yorker Profiles presents readers with a portrait gallery of some of the most prominent figures of the twentieth century. These Profiles are literary-journalistic investigations into character and accomplishment, motive and madness, beauty and ugliness, and are unrivalled in their range, their variety of style, and their embrace of humanity. Including these twenty-eight profiles: “Mr. Hunter’s Grave” by Joseph Mitchell “Secrets of the Magus” by Mark Singer “Isadora” by Janet Flanner “The Soloist” by Joan Acocella “Time . . . Fortune . . . Life . . . Luce” by Walcott Gibbs “Nobody Better, Better Than Nobody” by Ian Frazier “The Mountains of Pi” by Richard Preston “Covering the Cops” by Calvin Trillin “Travels in Georgia” by John McPhee “The Man Who Walks on Air” by Calvin Tomkins “A House on Gramercy Park” by Geoffrey Hellman “How Do You Like It Now, Gentlemen?” by Lillian Ross “The Education of a Prince” by Alva Johnston “White Like Me” by Henry Louis Gates, Jr. “Wunderkind” by A. J. Liebling “Fifteen Years of The Salto Mortale” by Kenneth Tynan “The Duke in His Domain” by Truman Capote “A Pryor Love” by Hilton Als “Gone for Good” by Roger Angell “Lady with a Pencil” by Nancy Franklin “Dealing with Roseanne” by John Lahr “The Coolhunt” by Malcolm Gladwell “Man Goes to See a Doctor” by Adam Gopnik “Show Dog” by Susan Orlean “Forty-One False Starts” by Janet Malcolm “The Redemption” by Nicholas Lemann “Gore Without a Script” by Nicholas Lemann “Delta Nights” by Bill Buford
Central Park is perhaps the most well-trod and familiar green space in the county. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. 843 carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction-- 20 pieces in all, with classics sprinkled among 13 new ones commissioned from great New York writers. Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park, in all its many-faceted glory, a 51-block swath of special magic.
From the hit podcast and radio show, a collection of soul-bearing stories from The Moth’s archives. A wedding toast hone horribly awry. A rapper’s obsession with a Sarah McLachlan song. A death-defying stunt in a bullring. The fight to save Mother Teresa’s life. These are the spellbinding tales from The Moth’s storytellers. Inspired by friends telling stories on a porch, The Moth was born in small-town Georgia, garnered a cult following in New York City, and then rose to national acclaim with the wildly popular podcast and Peabody Award-winning weekly public radio show The Moth Radio Hour . A beloved read for Moth enthusiasts and all who savor well-told, hilarious, and heartbreaking stories.
2022 Porchlight Business Book Awards - Big Ideas and New Perspectives, Long-listed NEW YORK TIMES BESTSELLER The definitive guide to telling an unforgettable story in any setting, drawing on twenty-five years of experience from the storytelling experts at The Moth “From toasts to eulogies, from job interviews to social events, this book will help you with ideas, structure, delivery and more.”—CNN LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD Over the past twenty-five years, the directors of The Moth have worked with people from all walks of life—including astronauts, hairdressers, rock stars, a retired pickpocket, high school students, and Nobel Prize winners—to develop true personal stories that have moved and delighted live audiences and listeners of The Moth’s Peabody Award–winning radio hour and podcast. A leader in the modern storytelling movement, The Moth inspires thousands of people around the globe to share their stories each year. Now, with How to Tell a Story , The Moth will help you learn how to uncover and craft your own unique stories, like Moth storytellers Mike Birbiglia, Rosanne Cash, Neil Gaiman, Elizabeth Gilbert, Padma Lakshmi, Darryl “DMC” McDaniels, Tig Notaro, Boots Riley, Betty Reid Soskin, John Turturro, and more. Whether your goal is to make it to the Moth stage, deliver the perfect wedding toast, wow clients at a business dinner, give a moving eulogy, ace a job interview, be a hit at parties, change the world, or simply connect more deeply to those around you, stories are essential. Sharing secrets of The Moth’s time-honed process and using examples from beloved storytellers, a team of Moth directors will show you how to: mine your memories for your best stories explore structures that will boost the impact of your story deliver your stories with confidence tailor your stories for any occasion Filled with empowering, easy-to-follow tips for crafting stories that forge lasting bonds with friends, family, and colleagues alike, this book will help you connect authentically with the world around you and unleash the power of story in your life.